Frankenweenie

I just love this… A classic, immortal story enriched with personal ingeniousness! That's exactly what Tim Burton did here! His jolly little film introduces us to the 10-year-old Victor Frankenstein who can't bear the loss of his beloved dog. A car hit Sparky and Victor doesn't want any other dog to replace him. So, he sews him back in one piece and reanimates him electrically! This short only lasts a good half hour but that's more than enough time for Burton to inject memorable sequences, black humor and a healthy dose of social criticism. Burton mocks the life in small American villages, like he'd do it again later in his classic `Edward Scissorhands'. The director also knows the classic Frankenstein version by heart and terrifically reuses the settings and atmosphere here. Just look at that adorable scene with the miniature windmill near the end! An outstanding short with humor, a bit of tension … and even good acting! Frankenweenie stars Daniel Stern (C.H.U.D) and Shelley Duvall (The Shining). It can be found as an extra feature on the Nightmare Before Christmas Special Edition DVD, for example.

I can't believe that Disney wouldn't let Tim Burton release this! They thought that it was too scary for kids?! Puh-leeze! "Frankenweenie" is a really cool movie! Basically a spoof of Mary Shelley's classic novel, the movie features suburban American boy Victor Frankenstein (Barret Oliver) resurrecting his dog Sparky, who got run over by a car. Needless to say, the reanimated dog creates some chaos once the neighbors meet him! I would imagine that they probably had a lot of fun filming this. Shelley Duvall and Daniel Stern play Victor's parents Susan and Ben, respectively. Paul Bartel also stars, and there's even a very young Sofia Coppola. "Frankenweenie" is a real treat for everyone!

It's hard not to like this film. You'll especially enjoy it if you've seen (a) James Whale's "Frankenstein" and "Bride of Frankenstein," and (b) Tim Burton's "Nightmare Before Christmas."

The plot is basically the Frankenstein legend. The variation is that it's about a little boy whose dog has been hit by a car. The boy raises the dog from the dead a la Frankenstein. Charming complications ensue.

This was Tim Burton's first film, and it's a great harbinger of things to come. Burton was an animator at Disney, but the company thought he was a little too weird and let him go as an animator. This film shows how he would treat children's films, and it's delightful. You'll recognize the art direction, especially in the graveyard, from "Nightmare."

The film does a wonderful job of including nuances from the Whale flicks, from the electrodes on the dog's neck to the resuscitation lab to the brief parody of "Bride."

There's enough scary-ish stuff (slightly more gentle than meeting the Almighty Oz) to keep kids going, and enough recognizable movie riffs and humor to keep adults going. What's not to like?

I viewed the stop-motion animated 2012 expanded remake of this first, and this live-action original is much better because its plot is direct, and it's focused on referencing mostly only one monster movie, the 1931 "Frankenstein," although it ends with a poodle with a white-lightning-striped Nefertiti hairdo à la the 1935 sequel. Having seen this, it's now more apparent how much padding unrelated to the pastiche of monster movies is in the 2012 movie: the father pushing his son to play baseball, the parents getting a science teacher fired, the school science competition, the Dutch festival, etc. The movie would've been better without all of that, and this 1984 short film is the proof.

It also doesn't reduce Victor's parents to negligible nincompoops, so it doesn't have the ridiculous message of the 2012 feature that children are smarter than adults. Additionally, professionals like Shelley Duvall and Daniel Stern add credibility to the parts. I don't recall my favorite line from this film being in the 2012 remake, either: "I guess we can't punish Victor for bringing Sparky back from the dead." The windmill scene bothers me in both movies, though; the adults should've and could've ran in there. Thankfully, the 1984 film is also less saccharine than the 2012 one.

The focus on paying homage to one horror film also benefits the plotting. Almost everything in the 1984 version is directed towards it. Dog dies, Victor reanimates dog with household appliances in a scene that otherwise resembles the 1931 film with flashing and spinning gizmos and the spark of life from a lightning bolt, townsfolk react in horror towards the creature and form a mob per usual for Universal's classic horror films, chasing dog and Victor to a fiery windmill climax--in a miniature golf course this time, which is a humorous touch absent from the 2012 version.

The one thing the 2012 one did better was the opening film-within-a-film, as it was a pastiche of the B-picture giant monster movies of the Atomic Age, which the outer movie, then, went on to parody. We don't get that here, although it's likewise pastiche from a young artist just as the outer film of "Frankenweenie" itself is, so the reflexivity to the film and to its director, Tim Burton, still works.

Though this is one of Burton's earlier, shorter, and less popular films, it is perhaps one of his most creative and early "spoofs" (though I would not truly call it a spoof.) Burton created a wonderful, childish look at the classic horror film on which this was based. The greatest scene of the movie is the pet cemetery, with the small tombstones displaying the types of pets buried there (a fishbowl for fish, a cat with X's as eyes, etc.) And the putt putt golf course that serves as the famous windmill scene. I must also commend Burton for choosing to make this film in black and white. During the first few minutes I was not sure if it was going to work, but after most of the film, I realized that it was perfect. Original, cute, and obviously Tim Burton, this film is good for everyone, regardless of what Disney thinks (I guess they were afraid that kids would start digging up the graves of their old dead pets and end of shocking themselves.)