A middle-aged unknown comes seemingly out of nowhere to become a legendary baseball player with almost supernatural talent.A middle-aged unknown comes seemingly out of nowhere to become a legendary baseball player with almost supernatural talent.A middle-aged unknown comes seemingly out of nowhere to become a legendary baseball player with almost supernatural talent.
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- Stars
- Nominated for 4 Oscars
- 3 wins & 9 nominations total
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This is another one that I recently re-watched on cable. I must upgrade my collection to include the DVD. Of course, there are reviews which will attack its sentimentality; get over it!! It amazes me that so many film goers can't view a movie with a positive and sophisticated charm without rolling their eyes or sticking their finger down their throat. (As if we don't have enough coarse, angry, 'edgy' films in release already.) I don't mind Redford's Joe Hardy-like ability one bit, because success- for all of his skill and talent- still doesn't come to him easily. He must suffer a physical tragedy, be elusive with his greedy contemporaries, and finally deal with the past, which he spends the entire movie trying to hide. The one nitpick I have with the whole film was the painfully obvious soft-focus photography used to disguise Redford's age. It isn't so bad in the first reel when he's supposed to be a teenager (and the camera shoots him in silhouette and at length), but later, when he's supposed to be between 36 and, say 40, he just *isn't*. Glenn Close is radiant as his love from childhood, and shines in a memorable scene when they are first reunited at one of his games. After he goes into a foreshadowed slump, it is the arrival of Close (angelically back lit, and whose presence he senses even before seeing her) that brings him back to winning. Singularly gorgeous.
One of my all time favorites. Everything about this movie appears authentic. From the time period, to the baseball scenes. These guys really look like a baseball team.
Redford is low-key and stoic, but he hits just the right note for the character. Everybody else, especially Robert Duvall and Wilford Brimley, are fantastic.
A touching story, without being hokey. You get the feeling you are watching something mystical and magical along with all the characters in the movie, and it is played with just the right note.
Thrilling and inspiring. A well-made, well-acted film.
Redford is low-key and stoic, but he hits just the right note for the character. Everybody else, especially Robert Duvall and Wilford Brimley, are fantastic.
A touching story, without being hokey. You get the feeling you are watching something mystical and magical along with all the characters in the movie, and it is played with just the right note.
Thrilling and inspiring. A well-made, well-acted film.
Despite being an Englishman I played Fast Pitch Softball against USA Service teams over many years so understand Baseball. This is a sports movie constructed in a marvelously entertaining manner fulfilling my boyhood dreams. Redford might be old for the role but I found him both believable and committed to giving enjoyment. Great cast, lovely music, super performances, brilliant fairytale story and a real feel good experience.
This is THE classic sports-Walter Mitty-fantasy movie, with an ending that may seem corny to cynical critics or those who prefer the book, but was perfect for me and a lot of other people.
Granted, I am a little biased in my review since the movie was made in the area in which grew up. Having made many trips to the ballpark in which the movie was filmed, and to the old-fashioned soda shoppe where Robert Redford and Glenn Close re-unite, this movie was special to all of us in Western New York. It always a kick, too, (and a bit odd) to watch the final scene since the opposing pitcher is a personal friend.
I think I would have loved this movie regardless of the "home-field advantage." It's an interesting, involving story that has you really rooting for Redford's character. To have actors like Close, Robert Duvall, Richard Farnsworth, Kim Basinger, Wilfred Brimley, Darren McGavin, Barabara Hershey, Robert Prosky, Joe Don Baker and others in the "lineup" doesn't hurt, either!
The cinematography is beautiful, too. That was something I never really appreciated until after several viewings. There are some wonderfully subdued brown and golden hues in here. This is very pretty motion picture.
All the characters - the good and the bad, and there are plenty of both - are fascinating. It's also nice to see an actor in a baseball film that actually knows how to throw, hit and field a baseball. This is a great, old-fashioned storytelling.
Granted, I am a little biased in my review since the movie was made in the area in which grew up. Having made many trips to the ballpark in which the movie was filmed, and to the old-fashioned soda shoppe where Robert Redford and Glenn Close re-unite, this movie was special to all of us in Western New York. It always a kick, too, (and a bit odd) to watch the final scene since the opposing pitcher is a personal friend.
I think I would have loved this movie regardless of the "home-field advantage." It's an interesting, involving story that has you really rooting for Redford's character. To have actors like Close, Robert Duvall, Richard Farnsworth, Kim Basinger, Wilfred Brimley, Darren McGavin, Barabara Hershey, Robert Prosky, Joe Don Baker and others in the "lineup" doesn't hurt, either!
The cinematography is beautiful, too. That was something I never really appreciated until after several viewings. There are some wonderfully subdued brown and golden hues in here. This is very pretty motion picture.
All the characters - the good and the bad, and there are plenty of both - are fascinating. It's also nice to see an actor in a baseball film that actually knows how to throw, hit and field a baseball. This is a great, old-fashioned storytelling.
I can't ever forget the first time(s) I saw The Natural. I was a member of the Directors Guild of America and there was a screening at the DGA. I love screenings of films about which I know nothing! And at the time I hadn't read the novel, really didn't know anything about it. I knew Barry Levinson and liked his work, and Randy Newman was, of course, a god. I just wasn't ready for it! Tears were streaming down my face from the beginning. The music would play and the waterworks would commence! It felt organic, not intellectual. It just "was". The only other film where I had that experience was, you guessed it, "Field of Dreams", another screening. When he asked his Dad if they could play a little catch, I lost it. The people I was with got up and slowly moved to other seats. But back to the Natch. I love it when a film subsumes reality, and every time I hear the theme at a "real" ball game, I smile. From time to time I'll put on the DVD to watch a scene, and I invariably end up watching the whole thing! If you haven't seen this film, you simply must!
Did you know
- TriviaThe bat that bat boy Bobby Savoy gives Roy is called the "Savoy Special". The Savoy Special was a brand of beer in the 1930s, and was made by the United States Brewing Company. This bat is now in the collection at the National Baseball Hall of Fame and Museum in Cooperstown, New York, displayed along with Roy Hobb's jacket in an exhibit titled "Baseball and the Movies".
- GoofsIn the game where Hobbs breaks the Wrigley Field clock, his homer ends the game, as everyone in the stands begins to leave and Hobbs gets mobbed by the press. But since the Knights were the visitors, the Cubs get to bat last.
The movie depicts the 1939 season. Prior to the 1950 season the home team had the option to bat first or last so it was possible for the visiting team to bat in the bottom of an inning.
- Quotes
Iris Gaines: You know, I believe we have two lives.
Roy Hobbs: How... what do you mean?
Iris Gaines: The life we learn with and the life we live with after that.
- Alternate versionsThere is an edited version which was released in several European countries (e.g. United Kingdom, West Germany). This version edits many dialogue and playing scenes to tighten up the pacing. It runs approx. 14 minutes shorter than the US theatrical version.
- ConnectionsFeatured in At the Movies: Indiana Jones and the Temple of Doom/The Natural (1984)
- SoundtracksThe Star Spangled Banner
Lyrics by Francis Scott Key
Music by John Stafford Smith
Performed by Kate Smith
Courtesy of RCA Records
Details
- Release date
- Country of origin
- Language
- Also known as
- El mejor
- Filming locations
- All-High Stadium - 50 Mercer Avenue, Buffalo, New York, USA(Wrigley Field scenes; Roy and Iris walking outside a brick building)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $28,000,000 (estimated)
- Gross US & Canada
- $47,951,979
- Opening weekend US & Canada
- $5,088,381
- May 13, 1984
- Gross worldwide
- $47,951,979
- Runtime
- 2h 18m(138 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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