The Night They Saved Christmas

The whole movie gives such a warm, cozy feel. The style of the movie is just perfect. It's very believable, and down to earth, you could say. The explanation of Santa's powers is about as believable as it gets in Christmas movies, and Art Carney is the only person who could ever fill the boots of Mr. Claus so well. When I close my eyes and envision my ideal Santa, it's his face that pops to mind. That's the lasting impression this movie has left. It's been my favorite Christmas movie since I was old enough to remember.

The setting is a departure from the usual Christmas fare, as well. The family travels as it moves to new oil drilling sites, and as a little boy, seeing the construction equipment in the intro credits, coupled with the fact that it's a Christmas movie left an impression upon a lot of my interests at that age. All little boys love dump trucks and construction equipment, and somehow it fits into a Christmas tale.

If you've never seen this, you must.

I first saw this movie on cable sometime in the '80's as a small child. For reasons that I can't explain, I've always enjoyed it. It probably won't make a lot of Christmas Classics lists, and maybe it's just nostalgia, but I still enjoy it today. The plot is kind of goofy, but that's part of the fun. It deals with an oil exploration company and an operation that threatens to destroy Santa's workshop, no doubt a way to tie in the emerging environmental concerns during the time. Art Carney and Paul Williams are great as well. The special effects are pretty decent for a tv movie of the time. If you haven't seen it and enjoy discovering these '80's gems, it's worth a watch.

This was above average for a TV Christmas movie, as there wasn't an overdose of sugar, spice, any everything too corny and nice. There was some marital trouble, environmental awareness, corporate greed and cynicism vs. Idealism thrown in, to make it a much more interesting mix.

It also helped to have familiar TV faces on screen: Art Carney, Jaclyn Smith, June Lockhart and Paul Williams. With "Ed Norton" playing Santa Claus, how can this movie possibly fail?

I like the tour of the North Pole, which had some sophisticated equipment, like a candy cane phone that seemed a prototype cellular, a device that reminds you of transport "Star Trek" style, and a pretty good explanation as to how Mr. Claus can make it to all those children's houses in one night, which includes freezing time!

You can't help but like this one!

Somewhere between the sugary sweet fantasies of Rankin-Bass and the more cynical (yet enjoyable in their own right) offerings like "Scrooged" lies this little TV movie. It makes few efforts at being cool, instead aiming for pre-teen innocence, or maybe just the innocence adults think they had at that age. In any event, whether by design, by accident or even by the idealizing effects of misty childhood memory, this movie has won a place in the hearts of many kids and kids at heart who watched it in the 1980s.

It has all the usual ingredients for a decent Christmas movie. Family strife, imminent peril but no real violence, little people as elves, singing, colorful toy clutter, and some fairly imaginative Christmas-themed props. But it takes itself fairly seriously and doesn't devolve into complete goofiness like "Elf."

This was one of the early movies showing a "high tech" Santa, far presaging "The Santa Clause" or "Santa vs. the Snowman." Of course, by modern standards, the effects are primitive, but remember that this is a kid's movie, and kids are not nearly as picky as adults are. Which is a good thing. Take it for the story and don't whine that it's not a Disney/Pixar visual extravaganza. It could have been a lot worse, being a TV movie, and you have to give them points for doing quite a bit of exterior filming on location in Alaska rather than some fakey soundstage. The interiors of North Pole City were small, limited by the budget, but there was a bit of homey coziness in there.

If there is one real weakness in the movie, it's the acting. Many were fine, including Jaclyn Smith, Art Carney, June Lockhart, Paul Williams (alas, at 5'2", too tall to look convincing as an elf, especially when around all the real dwarfs playing elves) and veteran character actor Mason Adams. On the other hand, R.J. Williams was not a good child actor, being roughly in the same league as the "Full House" era Olsen twins. He overacted during most of his scenes, and the emotion just never seemed genuine. In the other direction was Paul Le Mat as his father. Every line, facial tic and gesture seems to come out of an acting class technique. It doesn't feel like anything comes from his heart. With flat delivery of his lines and an unexpressive face, he was terrible and as unconvincing as his young co-star. A second problem is that Santa was very passive in this. He never really does anything to try to save North Pole City other than convincing Claudia and the kids. Later on, in desperation, he says that he'll have to take matters into his own hands and convince Michael himself, but nothing comes of this.

All in all, it's a worthwhile treat for the family, although it may bore some adults who didn't grow up with it.

I caught this movie on TV once when I was kid. I don't remember too much of it, only to say that it was one of the more exciting Christmas TV movies I've seen, with a catchy music score and dramatic acting. The plot about an oil company unknowingly disturbing Santa Claus' North Pole village while exploring for oil, which leads to Santa enlisting the aid of the explorer's wife and children is pretty captivating.

Many made-for-TV Christmas movies have a sappy message with a romantic subplot. This one has an actual rescue mission theme, which makes this a suspenseful story. You will also get to see Santa explain his secrets in delivering presents all around the world. I also remembering the lead character receiving a sparkling star from Santa Claus as a gift, reminding you the miracles of Christmas.

Overall, it's a pretty good family film for Christmas time.

Grade B