IMDb RATING
7.6/10
7.7K
YOUR RATING
In the 80s, two friends misteriously wake up in the XV century and clumsly try to intermingle with the society of the time.In the 80s, two friends misteriously wake up in the XV century and clumsly try to intermingle with the society of the time.In the 80s, two friends misteriously wake up in the XV century and clumsly try to intermingle with the society of the time.
- Awards
- 1 nomination total
Featured reviews
10AleGenoa
Sadly, the only occasion we had to see together two of the best italian actors of the century: Benigni and Troisi. Anyway, it's a comedy: there's nothing else to do, but laugh.
Roberto Benigni and Massimo Troisi are two of the most important Italian comedians of their generation, who ended up being recognized internationally with their masterpieces, "La vita è bella" by Benigni (1997) and "Il Postino" by Troisi (1994), the latter consecrated after his death.
Until they reached the pinnacle of their careers, they went through a series of films where, assuming the role of comedians, they made funny comedies, but of limited content. It's a bit the fate of comedians, to make the public laugh until they finally get autonomy and courage to make a serious comedy, where the laughter is poetic and the wit is intelligent. These two ended up making it and getting the right recognition, which doesn't always happen.
In this four-hand project, the script is weak and even the comedy, with some amusing moments, relies more on the improvisation capacity of the two actors than on situations or previously written dialogues. Above all, it is worth by the natural grace of these two clowns, of unique quality, who are always a pleasure to see perform.
Until they reached the pinnacle of their careers, they went through a series of films where, assuming the role of comedians, they made funny comedies, but of limited content. It's a bit the fate of comedians, to make the public laugh until they finally get autonomy and courage to make a serious comedy, where the laughter is poetic and the wit is intelligent. These two ended up making it and getting the right recognition, which doesn't always happen.
In this four-hand project, the script is weak and even the comedy, with some amusing moments, relies more on the improvisation capacity of the two actors than on situations or previously written dialogues. Above all, it is worth by the natural grace of these two clowns, of unique quality, who are always a pleasure to see perform.
A real masterpiece by Benigni and Troisi. The plot is very simple and there are no special effects. However, what earns this book a place in history books is the outstanding acting performance of these two comedians. You can see from the beginning that most of the sketches are improvisations; their acting is so natural and clean. The reason why it did not gain international recognition is because it cannot possibly transmit the same emotions with with subtitles. Translation becomes nonsense in a movie that is so culturally-bound. I wish I could recommend it to everybody, but I must say that you really need to understand Italian plus some Neapolitan and Florentine dialect in order to appreciate it in its entirety. Besides, you also need to know a little bit about the culture and history of Italy. In Italy, this was, is and will always be an outstanding piece of art.
I like the Italians, most of all, but I do not like Massimo Troisi and Roberto Benigni, for me are the most annoying actors ever. Troisi, you do not understand what he says, in all the films he speaks in a kind of dialect that only he understands. In all the movies is the same, boring at the top. You got to have a great deal of steel patience and great love for cinema to watch this movie in its entirety. Troisi and Benigni, who are also directing, are not genius and are not funny at all.
10pneruda
One of the best comedies ever done in the film history. Benigni and Troisi a couple that can hardly be repeated. Money doesnt necessarily make great films...and great films do not always need loads of money. This is a great example.
Did you know
- TriviaThe screenplay is the main guideline for the film but many dialogues were improvised by Troisi and Benigni.
- Quotes
[last lines]
Saverio: Look! A train! I told you we would return to the present!
Mario: I'm not marrying Gabriellina!
Saverio: Oh yes you are!
Leonardo da Vinci: Engineers! TRAIN!
Leonardo da Vinci: For God's sake! 33%... 33%... and 33%...
[cut to a shot of the train and freeze as the film ends]
- ConnectionsEdited into Bellissimo: Immagini del cinema italiano (1985)
- SoundtracksNel blu dipinto di blu
Written by Domenico Modugno and Franco Migliacci
- How long is Nothing Left to Do but Cry?Powered by Alexa
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