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A motorbike riding loner rebel on the high school football team wins a date with a cute, rich cheerleader. At the high school dance, her boyfriend's behavior leads to a breakup - opening doo... Read allA motorbike riding loner rebel on the high school football team wins a date with a cute, rich cheerleader. At the high school dance, her boyfriend's behavior leads to a breakup - opening doors.A motorbike riding loner rebel on the high school football team wins a date with a cute, rich cheerleader. At the high school dance, her boyfriend's behavior leads to a breakup - opening doors.
Billy Jayne
- David Prescott
- (as Billy Jacoby)
Robert F. Colesberry
- Marine Recruiter
- (as R.F. Colesberry)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
A poor rebellious high school kid named Johnny Rourke (Aidan Quinn), from the wrong side of the tracks, falls in love with rich beautiful Tracey Prescott (Daryl Hannah). She's attracted to him too but has a jealous jerk of a boyfriend (Adam Baldwin) and she can't date anyone who is poor and rebellious. Three guesses what happens next.
There's absolutely nothing new here story wise but I saw it only once OVER 20 years ago and have never forgotten it. For one thing the acting is excellent. Quinn and Hannah really clicked together on screen. They also have two lengthy sex scenes where you get to see plenty of skin on both of them. (Quinn does a quick full frontal) The soundtrack really rocks too. I LOVED how they used "Kids in America" when Quinn and Hannah are "fighting". Even though the story is completely predictable it moved pretty quickly and I was never bored. I especially loved the final scene (I'm not gonna give it away). This movie should have made Quinn (he's just incredible) but didn't for some reason. If you can see it it's worth catching. Don't bother with the commercial TV print--the steamy sex scenes are completely gone.
There's absolutely nothing new here story wise but I saw it only once OVER 20 years ago and have never forgotten it. For one thing the acting is excellent. Quinn and Hannah really clicked together on screen. They also have two lengthy sex scenes where you get to see plenty of skin on both of them. (Quinn does a quick full frontal) The soundtrack really rocks too. I LOVED how they used "Kids in America" when Quinn and Hannah are "fighting". Even though the story is completely predictable it moved pretty quickly and I was never bored. I especially loved the final scene (I'm not gonna give it away). This movie should have made Quinn (he's just incredible) but didn't for some reason. If you can see it it's worth catching. Don't bother with the commercial TV print--the steamy sex scenes are completely gone.
I was a teenager working at the Cineplex when I saw this movie for the first time. It doesn't take much to stir teenage angst, and longing. I was an easy target for this movie. You see, at the time, I too was in a doomed relationship with a girl that was all wrong for me (or so it seemed to the myopic teenage eye). She was a drill team princess and I was a nobody from the wrong side of the tracks. I had an immediate emotional response to Johnny and Tracey's dilemma. It resonated with me powerfully at the time. "Reckless" has lingered in my memory along with all the other sweet nostalgia from my youth.
Time and distance grant you clarity. So now, twenty four years later, I think I can review this movie with a much more critical eye. After seeing it again recently on a fairly good VHS copy, some of the strengths that I remember are still there. The beautiful cinematography that is reminiscent of "The Dear Hunter" is still there. Many of the shots in the film give the Pennsylvania mill town a bleak and forlorn look that matches Johnny's life. The editing is dead-on and lends this film an urgency that matches the story. The music is used effectively throughout. Inxs, Romeo Void, and Kim Wilde, just to name a few, give each scene the 'feel' it needs to enhance the story. The home coming dance scene where Johnny punks out to 'Never Say Never' is a great example of how bringing together great acting, editing, music, and energetic camera-work into a scene can get an audience's heart rate going. The scene still holds up after all these years. Fresh faced earnestness of the performances from Quinn and Hannah also make this movie very watchable.
Despite all of it's strengths, I couldn't ignore the glaring shortcomings. First off, Quinn's character, Johnny, is not really very believable. To be more precise, the way girls react to him in the film (with the notable exception of Tracey) is not really believable. Look at some of the opening scenes where some of Tracey's fellow cheerleaders treat him like a leper and call him a weirdo. Who are we kidding? Let's face it, as far back as James Dean, good looking, brooding guys on motorcycles have been babe magnets. Had I known this back then, I would have saved my money for a bike instead of blowing it on beer and fast food every weekend. I will pause this review briefly to kick myself . Okay, I'm back. On with my review. Johnny's relationship with the older lady at the bowling alley is never developed although it seems to hold promise for further developments. Perhaps a love triangle? I dunno, it just seems kinda weird how it is given attention, and then dropped. Aside from Quinn's character, all other characters are fairly two dimensional. Tracey feels underwritten. She's a perfect princess that decides to rebel just because her life is too perfect? Really? Huh. At least that's what a brief two minute scene tries to sell us on for her motivation for ending up with Johnny on her first night. Did I miss something? I attribute these anemic characters to an underdeveloped script that comes across as clichéd and formulaic.
In most instances, this would be the death of any film. At least for me it would be. But because of all it's other strengths, it actually turns out to be a pretty engaging little movie, even after all these years.
"Reckless" is a fine example of how style, and shameless pandering to the teenage psyche, can sometimes triumph over a substandard script.
Time and distance grant you clarity. So now, twenty four years later, I think I can review this movie with a much more critical eye. After seeing it again recently on a fairly good VHS copy, some of the strengths that I remember are still there. The beautiful cinematography that is reminiscent of "The Dear Hunter" is still there. Many of the shots in the film give the Pennsylvania mill town a bleak and forlorn look that matches Johnny's life. The editing is dead-on and lends this film an urgency that matches the story. The music is used effectively throughout. Inxs, Romeo Void, and Kim Wilde, just to name a few, give each scene the 'feel' it needs to enhance the story. The home coming dance scene where Johnny punks out to 'Never Say Never' is a great example of how bringing together great acting, editing, music, and energetic camera-work into a scene can get an audience's heart rate going. The scene still holds up after all these years. Fresh faced earnestness of the performances from Quinn and Hannah also make this movie very watchable.
Despite all of it's strengths, I couldn't ignore the glaring shortcomings. First off, Quinn's character, Johnny, is not really very believable. To be more precise, the way girls react to him in the film (with the notable exception of Tracey) is not really believable. Look at some of the opening scenes where some of Tracey's fellow cheerleaders treat him like a leper and call him a weirdo. Who are we kidding? Let's face it, as far back as James Dean, good looking, brooding guys on motorcycles have been babe magnets. Had I known this back then, I would have saved my money for a bike instead of blowing it on beer and fast food every weekend. I will pause this review briefly to kick myself . Okay, I'm back. On with my review. Johnny's relationship with the older lady at the bowling alley is never developed although it seems to hold promise for further developments. Perhaps a love triangle? I dunno, it just seems kinda weird how it is given attention, and then dropped. Aside from Quinn's character, all other characters are fairly two dimensional. Tracey feels underwritten. She's a perfect princess that decides to rebel just because her life is too perfect? Really? Huh. At least that's what a brief two minute scene tries to sell us on for her motivation for ending up with Johnny on her first night. Did I miss something? I attribute these anemic characters to an underdeveloped script that comes across as clichéd and formulaic.
In most instances, this would be the death of any film. At least for me it would be. But because of all it's other strengths, it actually turns out to be a pretty engaging little movie, even after all these years.
"Reckless" is a fine example of how style, and shameless pandering to the teenage psyche, can sometimes triumph over a substandard script.
I have seen this movie as teen when it first came on Prism and HBO, and it hit home with the setting for the movie. Not all places portrayed in movies are happy go lucky and this once showed life as it was for a lot of us growing up.
We all had that one girl we always wanted, we that did not fit the bill for society was the out cast and the rebel, had a broken home, etc. And this what makes the movie shine, hit home and show the TRUE meaning of growing up in a poor town.
It had a great soundtrack, that for me at the time was more into the hard rock/metal genre, that I still catch myself singing along when it comes on radio, which should say a lot for a music selection in a movie.
Also I get weird looks when I bring up this movie to friends whom never even heard of it or stores when asking if they have it or can get it. HMMMM pretty good lasting Impression for a movie that is now lost in time but not forgotten.
I would love it if this movie could be released on blue ray so all can enjoy a forgotten gem and for us that grew up to it to re-live our youth once again.
Darryl Hannah, Quinn, and Baldwin deserve the recognition and credit for this movie that helped launch their careers, please bring it back to the masses so at the end we can ride off on the bike again with the girl of our dreams.
We all had that one girl we always wanted, we that did not fit the bill for society was the out cast and the rebel, had a broken home, etc. And this what makes the movie shine, hit home and show the TRUE meaning of growing up in a poor town.
It had a great soundtrack, that for me at the time was more into the hard rock/metal genre, that I still catch myself singing along when it comes on radio, which should say a lot for a music selection in a movie.
Also I get weird looks when I bring up this movie to friends whom never even heard of it or stores when asking if they have it or can get it. HMMMM pretty good lasting Impression for a movie that is now lost in time but not forgotten.
I would love it if this movie could be released on blue ray so all can enjoy a forgotten gem and for us that grew up to it to re-live our youth once again.
Darryl Hannah, Quinn, and Baldwin deserve the recognition and credit for this movie that helped launch their careers, please bring it back to the masses so at the end we can ride off on the bike again with the girl of our dreams.
I saw this movie when I was just 10. I was up watching movie late one night with my older brother. So maybe it was just the happy memory, but this movie was always in a special place for me. Aidan Quinn was great! I think he is what made the movie. To bad they don't show it on late night cable that much any more, but if you ever get the chance to see it, I think its a good way to spend an hour and half. :D
First, how can you hate a film that utilizes both INXS and Romeo Void on its soundtrack? It's so '80s, but in the best way. That was the New Wave in music, and it fits, it fits with the story. The story is an old one, the poor little rich girl, so intrigued by the bad boy, the one with the troubled history, the unsettled home life, the one with the intense blue eyes, the boy who is obviously more of a "man" than her own boyfriend. She has to know about him, and she gets the chance when they are selected to attend the high school dance as a couple, much to her boyfriend's dismay.
His desire to leave their sleepy steel town, the little depressed, economically, hellhole with nowhere to go but down, is a catalyst for her, along with his seductive charms. He "wants" her, he tells her, and she wants him, but can't bear to let him know, without him forcing it out of her. He opens her up, sexually, mentally, he challenges her, and there are some really erotic scenes to show all of this.
Don't dismiss this film as fluff, or "plotless", there is a definite plot, it's an old one, used many times, but never quite to this effect, with these actors, with people this lovely to look at, this talented, with a soundtrack so perfectly fitting. It's a good movie, and has some really nice, creative camera work - the high school dance scene, camera swirling around Darryl Hannah and Aidan Quinn, is classic. A perfect little movie moment.
I recommend this movie, to anyone who likes erotic romances, or who wants to see a good example of why Aidan Quinn got so many parts in movies, or why Darryl Hannah was once so popular. These two light up the screen. The soundtrack is pure '80s, the tail end of the New Wave movement in music, and it's well preserved today.
His desire to leave their sleepy steel town, the little depressed, economically, hellhole with nowhere to go but down, is a catalyst for her, along with his seductive charms. He "wants" her, he tells her, and she wants him, but can't bear to let him know, without him forcing it out of her. He opens her up, sexually, mentally, he challenges her, and there are some really erotic scenes to show all of this.
Don't dismiss this film as fluff, or "plotless", there is a definite plot, it's an old one, used many times, but never quite to this effect, with these actors, with people this lovely to look at, this talented, with a soundtrack so perfectly fitting. It's a good movie, and has some really nice, creative camera work - the high school dance scene, camera swirling around Darryl Hannah and Aidan Quinn, is classic. A perfect little movie moment.
I recommend this movie, to anyone who likes erotic romances, or who wants to see a good example of why Aidan Quinn got so many parts in movies, or why Darryl Hannah was once so popular. These two light up the screen. The soundtrack is pure '80s, the tail end of the New Wave movement in music, and it's well preserved today.
Did you know
- TriviaAfter seeing Aidan Quinn in this film, director Martin Scorsese hired him to play the lead central role of Jesus in the original Paramount Pictures development of The Last Temptation of Christ (1988) (which later got canceled). Quinn has said: "Marty quite liked Reckless (1984). I mean, he said, 'I hate this kind of movie,' but he thought Jamie Foley did a real good job for a first try".
- Quotes
Tracy Prescott: He's all upset and it's probably my fault.
Johnny Rourke: Well, I'm pretty fuckin' upset and it's definitely your fault.
- How long is Reckless?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Jung und rücksichtslos
- Filming locations
- Wheeling, West Virginia, USA(Cemetery scene)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $8,289,916
- Opening weekend US & Canada
- $2,446,016
- Feb 5, 1984
- Gross worldwide
- $8,289,916
- Runtime
- 1h 30m(90 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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