By the time Powers Booth's Air Force Lt. Col. Andy Tanner is found near his crashed jet fighter plane, and then begins helping a band of teenage rebels fighting against an insanely unanticipated World War III, it seems like John Milius is finally directing the film he wanted to make all along...
Which is basically an old-fashion war picture, in this case beginning with a high school's perspective of being attacking by commandos, destroying and ultimately taking over the rural small town...
Because Milius, unlike his APOCALYPSE NOW co-writer Francis Ford Coppola's THE OUTSIDERS and RUMBLE FISH, never seems entirely game with RED DAWN being a movie about kids... with a bombastic, farfetched twist of Russia taking over America, and much of the actual war... of course involving nuclear weapons... we only hear about from one of many monologues by Powers Booth...
Who's a hypnotic oratory performer and yet, other than leader Patrick Swayze... who seems around twenty-seven (or brother Charlie Sheen, barely important after the plot's underway)... we lose touch with the other youthful side-characters, while almost equally focusing on comparably dull enemy leaders Ron O'Neal and William Smith...
And RED DAWN nearly becomes even more of a violent body count flick than Walter Hill's SOUTHERN COMFORT... where Booth himself survives after practically everyone else is gone...
And frankly, too many people wind up dead (as unimportant ones survive)... while only Swayze's future DIRTY DANCING partner Jennifer Grey and token gung-ho nutjob C. Thomas Howell really stand out in this controversially maligned vehicle, negatively considered right wing, being that Russia's an actual physical threat (perhaps spooking Hollywood liberals that the ongoing Cold War may get thawed out)...
But that's where THE WIND AND THE LION auteur Milius (with stock grownup actors Frank McCrea, Ben Johnson and Harry Dean Stanton) genuinely feels at home... with nostalgic themes of modernized Americana... while RED DAWN succeeds as an entertaining war-genre throwback yet somewhat fails as what should be more strategically character-driven...
Overall paling to a terrific opening scene, where enemy paratroopers land outside a classroom, making everything else feel like a hectic outdoors survival guide...
But with Swayze in a surprisingly effective/literally commanding role within creatively-shot sequences of nifty guerilla warfare, it's a pretty decent way to spend two-hours, the 1980's way.
