A Streetcar Named Desire

The TV remake of A Streetcar Named Desire does not measure up to the classic film starring Vivien Leigh, one of the finest actresses who has ever lived. Ann- Margret gets and A for Effort in this remake, but her essential personality is simply too robust to portray the fragile Blanche. The essence of Blanche Dubois is great delicacy and vulnerability. Ann Margret is about as delicate and vulnerable as an atomic bomb. The rape scene is not convincing, since anyone who tried to rape Ann-Margret would probably end up in the hospital. Treat Williams is by no means as primal as the crude Brando; he almost seems a gentleman in comparison, which lowers the dramatic tension. This film is well-acted and well-directed, but does not compare with the Brando/Leigh original.

I didn't go into this expecting much, thinking Brando and Leigh could not be surpassed. In other remakes I can't shake the feeling that the lead emulate Leigh too much. Here Ann Margret truly imbued Blanche Dubois with a different, less hystrionic personality, you feel like you are finally seeing the character through a different lens. Treat Williams also gives Brando a real run for his money. Thoroughly enjoyed this one.

I know most will say the original 50's version of A Streetcar Named Desire is without competition and that this adaptation shouldn't even exist, but if people could get over their prejudices and watch it for what it is, they might enjoy it.

Not only is this take on the material more faithful to the original play (by the time the 80's rolled around, you could get away with more on TV than you could get away with on screen in the 50's), but it features a wonderful performance by Ann-Margret as Blanche DuBois. At first, Margret's interpretation of the character is a bit jarring. She's far from the nervous, shrinking violet we're so used to seeing. She has more strength than most other Blanches I've seen, but as the story progresses, one starts to see how this is simply a mask she wears to hide her fear and vulnerability. It's a wonderfully fresh interpretation of the role.

Beverly D'Angelo and Randy Quaid are equally excellent as Stella and Mitch. Treat Williams can't quite seem to escape the shadow of Marlon Brando, but he looks the part and is appropriately brutish as Stanley. Broadway vet Marvin Hamlish's music score is gorgeous and sexy.

Ann Margret was excellent in character of Blanche and really brought home the overarching theme of human sexual picadilloes (or what is to some sexual perversion). Indeed, when faced with a mirror that's recorded human history, truth lies somewhere between acceptance and horror.

There were some aspects of the original play changed when it was adapted into the film version starring Vivien Leigh, Marlon Brando, Karl Malden, and Kim Hunter. This play adaptation is not great but decent to our standards. I think the best performance in the role is Randy Quaid playing MItch. The 1951 film version had Karl Malden. Randy was perfectly cast as Mitch in my opinion. Ann Margret's Blanche Dubois was decent. It's hard to compare her to Vivien Leigh. Ann Margret portrayed Blanche to the best of her ability. Beverly D'Angelo was fine as Stella and Treat Williams was sufficient as Stanley Kowalski. As much as I liked the original film, Ann Margret holds her own to this adaptation. If you want to see the original adaptation, go ahead but don't make comparisons. In this film, the storyline and features remained the same. It didn't have to make adjustments or adapt to today's audience like the original. This was more faithful to Tennessee Williams than the original 1951 film production itself. It lacks some things but it's still pretty good.