Thieves run over a child while escaping after a robbery. A deadly hitman who likes to taunt his targets is hired to track them down. Stone moves to England, but the assassin follows. Loosely... Read allThieves run over a child while escaping after a robbery. A deadly hitman who likes to taunt his targets is hired to track them down. Stone moves to England, but the assassin follows. Loosely based on Donald Westlake's cult crime novel.Thieves run over a child while escaping after a robbery. A deadly hitman who likes to taunt his targets is hired to track them down. Stone moves to England, but the assassin follows. Loosely based on Donald Westlake's cult crime novel.
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- 1 win & 1 nomination total
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Featured reviews
"Slayground" is an unengaging, overly episodic British crime thriller suitable for undiscriminating action audiences.
Self-conscious direction by debuting helmer Terry Bedford, with experience as a cinematographer and tv commercials pilot, recalls in mood and look the flurry of stylish MGM British films noirs of 1970-71 such as "Get Carter" and "Villain". Peter Coyote toplines as Stone, a criminal at the end of his tether after an armored car robbery in pstate New York goes awry, leaving a little girl dead. Her dad vindictively hires a sadistic executioner (Philip Sayer) to kill Stone and his compatriots.
Degerating into a series of barely-connecte stalk-and-terror setpieces, "Slayground" segues mid-film to England, where Stone flees and takes up with an old pal Terry (Mel Smith), who has given up crime and now lives with Madge (Billie Whitelaw), owner of a Blackpool amusement park. After another heist (this time stealing funds from a casino), Stone defeats the executioner in a dull but photogenic final reel set against the fun house backdrop of the empty amusement park.
Maintaining a grim mood of overcast skies, unsympathetic characters and general hopelessness. Bedford and screenwriter Trevor Preston fail to flesh out this tale beyond mere functional requirements. The overlay of backlighting, silhouette shot and gimmickry such as a blood-red color filter over the camera lens during the killings fail to enliven a perfunctory assignment.
Acting is adequate, with Mel Smith making a good impression as Coyote's pudgy pal. Tech credits, particularly the car stunts and special effects explosions, are good.
Slayground was strangely marketed more as a slasher film, rather than crime genre. But upon release it tanked spectacularly even given the fact that it was never likely to be splash release material. There is simply no disguising the poor production standards of the film, especially the sound and ordinary lighting. But the worst sins occur with the "story", though calling it that, is almost giving it too much of a compliment.
Stone is part of a gang who rob an armoured car in the most unlikely of places. In escaping, their driver hits another car killing it's occupants, a mother and her ice skater child. The vengeful husband and father contracts a relentless hit man only identified as Shadowman to take revenge on the gang members. And the story carries on from there, climaxing naturally enough with Stone facing off against Shadowman in the Slayground, which is bizarrely in England, after a switch in continental locations , half way through the movie. (I'd just about bet my house on this not occurring in the original novel.)
Here's the thing. There is never any explanation given whatsoever as to how Shadowman tracks down, let alone knows who the gang members are. This just happens and it's on with more important things besides logic. The action, by the way is poorly filmed and choreographed, with many of the murders occurring off screen. We are just privy to the less than shocking results. Characters just exist primarily as cannon fodder, with few given much in the way of back story, including Stone. Oh Yeah! He has an ex-wife.
Peter Coyote better known for his supporting characters, rather than lead roles plays Stone unexceptionally. British comedian Mel Smith pops up as a past Stone associate who was thought to be dead (Don't ask!) by all and sundry, except Shadowman (of course) and actually does a pretty convincing job as an ex-crim trying to go straight. But this is real bottom shelf stuff. The best Parker adaptions I've seen are the 3 starring respectively Lee Marvin (Point Blank). Mel Gibson (Payback) and Jason Statham (Parker). I wouldn't really bother getting involved with this stinker.
Did you know
- TriviaKelli Maroney's film debut.
- Quotes
Terry Abbatt: You're fucking crazy, do you know that? Do you? You've lived half your life and where are you? 5,000 miles from home, in a bankrupt seaside town, on a snide passport, talking shit to a dead man. And what have you got? What have you got? You haven't got a pot to piss in. No money, your wife in hiding in some shithole in Mexico, half crippled by some fucking maniac. All that bollocks you were giving me about you and Joanie.
Parker: I meant it.
Terry Abbatt: Aw! Fuck you did!
- ConnectionsFeatured in Dead in Birmingham: Peter Coyote on 'Slayground' (2019)
- How long is Slayground?Powered by Alexa
Details
Box office
- Gross US & Canada
- $108,128
- Opening weekend US & Canada
- $108,128
- Jan 29, 1984
- Gross worldwide
- $108,128
- Runtime
- 1h 29m(89 min)
- Sound mix
- Aspect ratio
- 1.85 : 1