Brazil

One of my favorite novels of all time is George Orwell's 1984, and Brazil is very much a comedic interpretation of that. Brazil shows us a hilarious exaggeration of the monotony of machine like run bureaucracy, and man's constant voyage to avoid responsibility. "That's not my department." Everyone seems to say. Sam Lowry (Jonathan Pryce) is a low ranking government employee. When an error leads to the execution of engineer Archibald Buttle (Brian Miller) instead of terrorist Archibald Tuttle (Robert De Niro), Sam attempts to fix this, and inadvertently becomes an enemy of the state. Read that scenario again. This is a funny movie. It's a dark comedy/political satire, and almost every joke works. The nonchalant attitude of the government depicted in the film is where a big chunk of the humor comes from. It's a very smart comedy. Honestly if you like political satire, then Brazil is one we can all enjoy together.

In the mid 1990s, when I was teaching film studies to BTEC media students, I chose to show them 'Brazil'. A brilliant choice I thought, with so much to discuss. They pretty much all hated it!

Despite that experience, I still think Brazil is terrific and has much to say about modern life - even though at times it can be hard work.

The plot? Well, Sam Lowry (Jonathan Pryce) is a lonely office worker in a desperately dull job by day, and a romantic escapist dreamer by night. He survives in a dystopian rules-based society (think Orwell's 1984) until a simple clerical error puts his life at risk. All around him is broken, confusing chaos until he meets the girl of his dreams - could she be his escape from his oppressive world?

His workplace, his home, and the characters he meets are completely bonkers - nothing is normal or works as it should. The entire film is mad, unsettling, brutal and creatively brilliant.

There are many fine cameos in the film to enjoy, including Bob Hoskins as an eccentric cooling system repair technician, Robert De Niro as a competing freelance repair technician stroke terrorist (!), and Michael Palin as a benevolent boss turned torturer.

My only criticism of the film is that it is perhaps a tad long - it is such an assault on the senses that perhaps a shade under 2 hours would've been easier to digest. But any faults are forgiven as this is such an out there, brave and hallucinogenic film with so many memorable, funny and disturbing moments.

Difficult and brilliant in equal measures and certainly a recommended watch if you want something out of the ordinary - I only hope you'll enjoy it more than my students did.

I really can't tell you how much my first viewing of this movie knocked me out. Nearly twenty years ago, before Terry Gilliam's reputation is what it is today, seeing this in a cinema without knowing ANYTHING about it, it was one of the most unforgettable movie experiences of my life! Still is. I was a Python fan since childhood and well aware of Gilliam's animation work, but nothing could prepare you for just how bizarre, funny, scary and disturbing 'Brazil' is. It's still one of the most original and inventive science fiction movies ever made, with a surreal, retro future quite unlike anything seen on a movie screen before or since. Gilliam mixes Python's anarchic, intellectual humour with Orwell, Kafka and Theatre Of The Absurd elements and comes up with something really special. John Sladek kinda sorta wrote some stories in a similar territory before this, and Dean Motter has written some comics since, but 'Brazil' is really in a world of its own! Jonathan Pryce was fairly obscure at the time and an odd choice to play the leading role, but is perfectly cast, and it's hard to think of an actor who would have been as convincing and sympathetic. The rest of the cast includes an amusing cameo from Robert De Niro, Kim Greist (only her second movie, after 'C.H.U.D.' of all things!) as Pryce's love interest, Python's Michael Palin, and a bunch of excellent Brit character actors - Bob Hoskins, Ian Richardson, Ian Holm, Jim Broadbent, etc.etc. It goes without saying that when I praise 'Brazil' I am ONLY referring to Gilliam's cut. This is still an utterly brilliant movie, one of the very best of the last twenty-five years. I can't recommend this movie highly enough, it is a masterpiece pure and simple.

A virtual celebration of writer/director Terry Gilliam's singular creative vision and seemingly limitless imagination, Brazil is a unique movie experience. And it is kind of hard to put the label of any one particular genre on the film; it's generally referred to as "dystopian science fiction" (which certainly isn't wrong), but it's also a satire, a drama, a black comedy and perhaps even a fantasy film. Like many other dystopian sci-fi films (e.g. Fahrenheit 451, Equilibrium, The Hunger Games), Brazil depicts a totalitarian society, but that's about as far as the similarities with other films go.

The whole design of Brazil's crazy world is unlike anything I've ever seen in other movies (with the exception perhaps of those made by the same filmmaker). Where films with similar themes typically go for a futuristic look that is defined by all the technological advancements the writers and filmmakers can dream of, Terry Gilliam chooses the complete opposite direction. In his film, technology seems to have made no progress since somewhere around the forties or fifties, and what technology there is doesn't exactly look very reliable. And unlike other dystopian films, it's not primarily the bleak aspects of a totalitarian society Gilliam wants to explore; in his film, he wants to show how hilariously insane, inept and ridiculous many of the mechanisms and instruments of oppression truly are. In that sense, Brazil is mainly a satire (at least that's how I perceive it), and it is often either darkly funny or downright hilarious.

There is simply not a dull moment in the film: it's a wild ride that never lets up and almost every image on the screen practically bursts with clever (often hilarious) details; from the way food is served in restaurants to how the benefits of plastic surgery are presented, Gilliam's imagination can only be marveled at. His vision of a bureaucracy gone mad is probably the most entertaining nightmare ever put on film (I'm talking about the director's cut, of course). A masterpiece that gets even better after repeat viewings: 10 stars out of 10.

Favorite films: http://www.IMDb.com/list/mkjOKvqlSBs/

Lesser-Known Masterpieces: http://www.imdb.com/list/ls070242495/

Favorite Low-Budget and B-Movies: http://www.imdb.com/list/ls054808375/

The best things I can say about Brazil is that it truly has outstanding special effects, set design and lighting, but I felt the film didn't really know what it was. For me, it started out really strongly as a black humor film about a bureaucratic dystopian world, but then kind of went into action set pieces that I thought were kind of out of place. The strongest part of the film for me, is the first act of the film and just getting to know this kind of 1984-ish dystopian world where everything is paperwork and is filled with machines that don't work. I appreciated the dream sequences and Jonathan Pryce's performance, but overall I also thought the movie was too long and I kind of checked out after the 100 minute mark or so. Even though I did enjoy the film, as a whole, especially for the special effects and set designs, which are really something.