Blastfighter

Adequate cheese ball entertainment should prove to be somewhat interesting for any fan of Lamberto Bava, son of Italian filmmaking maestro Mario Bava. Lamberto filmed all exteriors Stateside, in this tale of ex-cop "Tiger" Sharp (Michael Sopkiw, "Massacre in Dinosaur Valley"). Tiger has just gotten out of prison for his revenge-killing of the man who murdered his wife. Now he's trying to live a normal life, but he will soon be approached by Connie (Valentina Forte, "Cut and Run"), the daughter that he hasn't seen in ages. He makes enemies out of a bunch of mentally challenged redneck hunters, especially Wally (Stefano Mingardo), brother of Tigers' friend Tom (Italian genre & exploitation icon George Eastman).

The title seems to suggest something at least slightly futuristic, but that is not the case. This is more a tale of a private war in a woodsy setting; ultimately, the finale strongly echoes "First Blood". The only thing remotely futuristic is the title weapon, something that definitely earns the adjective "badass". It can fire just about anything, it seems. But it doesn't come into play until the final 10 minutes of the movie.

"Blastfighter" is rough going for a while - it's a loud, sometimes chaotic, sometimes incoherent mess of a movie. It sort of improves as it goes along, and the characters become more engaging. The actors on screen are fine; also among them are future director Michele Soavi ("Stagefright", "Cemetery Man") and stuntman / actor Ottaviano Dell'Acqua ("Rats: Night of Terror"). Sopkiw is a decent B movie hero, handsome and rugged, and Eastman is always good value. But the people doing the dubbed-in American voices tend to be over the top, especially the gal doing Fortes' voice. It renders her character rather annoying.

Overall, it shows you an amusing enough time, with a fun electronic score by Fabio Frizzi ("Zombi 2"), and a particularly lively finish that features explosions aplenty.

Five out of 10.

How many movies were inspired by the horror classic "the most dangerous game" ?Even such recent works as Gibson's "Apocalypto" were . This one is not worse than the others ,and if the two leads had shown more emotion ,had they "played" ,it could have been even endearing.As an action movie ,it's moderately entertaining ,with a hackneyed screenplay -just one thing "happens" which would not generally happen in this kind of superman flick-And it's after "it " happens that the movie has nothing more in store for the viewer.Well filmed in nice landscapes which recall " Deliverance" another movie "blastfighter" borrows from.And the same horrible cliché that claims that country people are savage uneducated brutes.

Having watched "Blastfighter", I can now proudly say for myself that I've seen the entire repertoire of lead actor Michael Sopkiw. Not that this is such an exhausting or praiseworthy accomplishment, as this peculiar macho star only ever appeared in four movies, but they are nevertheless rare and offbeat highlights in the category of shameless early 80's Italian exploitation cinema. Sopkiw's career was quite bizarre, because he only played four leading roles and then completely disappeared from the film industry, but the movies he did are forever printed in my head and all still rank high in my list of personal guilty pleasures. "After the Fall of New York" and "Massacre in Dinosaur Valley" are his two most superior achievements, whereas the double feature he shot with director Lamberto Bava is putrid but tremendously amusing cheese-material! "Monster Shark" is a daft and utterly retarded "Jaws" rip-off and this "Blastfighter" is an outrageously inane travesty of the Sylvester Stallone vehicle "Rambo". This is an incredibly askew and misfire of an action flick; hilariously entertaining for all the wrong reasons. The screenplay is incoherent and full of holes big enough to rush a reasonably large bobsled through, the inept dialogs make you go "WTF?" every couple of minutes and the overuse of typically 80's syrupy chansons is mildly infuriating. We open with Sopkiw's character – awesomely named Tiger Sharp, ha – walking out of prison after doing his eight years of time for murdering his wife's murderer. Why his wife died or in what sort of scandal Tiger got involved eight years ago we never find out. We just knew he was a cop in the Bronx and now he returns to his hillbilly-infested hometown somewhere in Arizona. At least I think it's in Arizona, because that annoying theme song repeatedly sings something about "Sunset across the Arizonian border". Anyway, Tiger promptly gets into conflict with a bunch of redneck lumberjacks led by the crazed brother of Tiger's former best friend Tom. George "Anthropophagous" Eastman depicts Tom and I truly, madly, deeply adore this guy! Tiger then receives a visit from his teenage daughter Connie (although it takes an awful long time before he realizes she's his offspring) and it looks as if he finally found some peace and quiet in his chaotic existence. But the vendetta with the rednecks escalates, and Tiger is unwillingly forced again to dust off his multifunctional machine gun. Watching "Blastfighter" is an indescribable experience and I only address myself towards fans of Italian exploitation cinema, because all the other 'normal' movie lovers are likely to label this as the worst movie ever made. Don't get me wrong, it IS one of the worst movies ever made but also amateurishly charming, irresistibly cheesy and the ideal piece of junk to watch together with friends. Every slightest aspect about this movie is unintentionally zany, like the wannabe sentimental moments with the Bambi deer, the "Deliverance" homage near the beginning, the continuously straight-faced acting performances, the exaggerated showcasing of hillbilly clichés, the copious amount of action sequences that look identical to "Rambo", the seemingly unceasing number of hostile lumberjacks that our hero is up against, the demented father/daughter interactions and the totally bonkers final confrontation with Tom. Michael Sopkiw is a handsome (kind of resembling Franco Nero) and reasonably talented actor and he probably deserved better than to star in trash like this. I can't possibly afford to grant a positive rating to "Blastfighter", but rest assured it's an entertaining and highly recommended film!

My review was written in December 1985 after watching the film on Vestron video cassette.

"Blastfighter" is a routine action picture, filmed in Georgia in 1983 by Italian filmmakers. Unreleased theatrically, it is now available Stateside in home video format.

Yank actor Michael Sopkiw (of "After the Fall of New York") toplines as Tiger, a cop on the Atlanta police force just released from a lengthy prison term for killing the thug who murdered his wife and partner (but couldn't be proved guilty in court).

Returning to his small hometown in Georgia, Tige soon runs afoul of th young Good Ole Boys tere, who are mistreating animals -they hunt deer and other forest denizens but do not kill them, delivering them seriously wounded to a local Hong Kong-derived merchant who requires live animals to fabricate medicine and aphrodisiacs from their innards. Tiger tries to run the H. K. dude out of town and stop the cruelty to animals, but as a result the heavie kill his pet deer and terrorize him.

Matters deteriorate further when Tiger i hiking in the woods with his grownup daughter and two friends -the locals kill the friends and later shoot down his daughter, precipitating a fight-to-the-death climax. Film's title derives from a high-tech rifle Tiger uses in the final reel, which blasts out fireballs rather than conventional ammunition.

Cast is personable, especially Sopkiw and Valerie Blake as his attractive, feisty daughter, but the crudely postsynched dialog stamps this effort as an Italian import rather than an All-American picture. Dumb, inconclusive ending involving a shootout between Sopkiw and Italian thesp Geroger Eatman (duo previously teamed in "After the Fall of New York") is very disappointing.

Oddest touch here, perhaps a first, is a pseudonym used for the director's credit. Lamberto Bava helmed the picture, but is credited as "John Old, Jr."; his late father Mario Bava occasionally used the Anglicized name John Old with the fake moniker apparently handed down.

The always fun to watch Michael Sopkiw stars in this highly enjoyable action yarn. In it he plays an ex police officer who having just been released from an eight year prison sentence, now seeks the solitude of the great outdoors. However, with a film title such as Blastfighter, you can bet your bum that solitude is a luxury that our hero won't be attaining.

Sure enough he finds himself in a heated dispute with some local rednecks who repeatedly antagonise him after he attempts to interfere with their cruel deer poaching activities. This initial antagonising eventually escalates to attempted murder and later on, the actual murder of one of our hero's friends plus our hero's estranged daughter's boyfriend (whoa, that was quite a mouthful!)

Matters reach a dramatic peek when the daughter herself is also killed thus finally sending our hero over the edge..... It is at this point that in true Rambo style he takes drastic action and basically kills every one of the scumbags! To aid him with this joyous task our man utilises a rather nifty shotgun that fires multiple projectiles such as explosives, smoke grenades, darts etc. (COOL!!!)

The climax of the picture has our hero up against the legendary George Eastman who plays the BIG brother of the head redneck.

What can I say, this is a really satisfying movie with some stunning location shooting and in addition, plenty of shooting of the ammunition kind!

Sopkiw gives probably his best performance and makes for a very sympathetic hero. It's such a shame that he retired as an actor after only four films.

If there is one criticism I would level at the film however, then it is that although the special weapon our hero carries is supposedly the main draw of this film (as regards the advertising at least) it is only actually used proper in the final 15 or so minutes of the running time. In addition, despite a fair number of cool explosions, these final scenes are not handled as spectacularly as perhaps one might have hoped for (although the scene where our hero blows off a mans arm at point blank range is pretty awesome!)

Still, as a whole, as I previously said, this is solidly entertaining stuff and I wholeheartedly recommend it to all serious action fans.

....Now where can I get one of those guns from?