The Doctor and the Devils

Nice retelling of the Burke and Hare murder case, which was about 2 low- life lads in the early part of the 19th century selling off bodies to an all too eager Doctor Of Anatomy. They started off grave robbing, but realized they could get more money if they had fresher bodies.... Actually, this seems more of a remake of the excellent "The Flesh And The Fiends " movie from 1960.., They've made the right move by trimming the plot and getting rid of some characters, perhaps they put more of a cliff hanger ending in there, but that's OK. Of course, Timothy Dalton is no Peter Cushing, but we'll let that slide. Actually contains a great cast for it's time.

The Doctor and The Devils is, ostensibly, a remake of the The Flesh and The Fiends (1960), which told of the nefarious true-life activities of infamous bodysnatchers and murderers Burke and Hare in the year 1828. In this telling of the story, the names have been changed, but the crimes remain the same: realising that good money can be made from supplying fresh cadavers to anatomical lecturers at a local medical school, a pair of wretched low-lifes turn to murder.

The pair of villains in this instance are Robert Fallon (Jonathan Pryce) and Timothy Broom (Stephen Rea), and the doctor who asks no questions about the origin of his corpses is Thomas Rock (Timothy Dalton). Julian Sands plays Rock's loyal assistant Dr. Murray, who falls for local prostitute Jennie Bailey (Twiggy). When Fallon brings the body of Jennie's close friend Alice to the school, the young doctor fears that Jennie is to be Fallon's next victim and rushes to her rescue.

The penultimate film from horror director Freddie Francis, The Doctor and The Devils is very much like a Hammer movie in look and feel, and will definitely appeal to fans of the 'studio that dripped blood'. However, despite plenty of atmosphere, good production values, an impressive roster of actors (which also includes Beryl Reid and Patrick Stewart), and a screenplay by noted Welsh writer/poet Dylan Thomas, the film is no match for The Flesh and The Fiends.

The pacing is off, with much of the film feeling like padding until such time as Murray is ready to leap to the rescue of Jennie, and, despite a fine cast, no-one is able to rival the brilliance of Peter Cushing and Donald Pleasence, whose memorable turns gave the earlier film such a wonderful, darkly humorous edge. Dalton and company are all fine actors, but even they have their off days, and there are some really dodgy accents on display in this film (Reid is particularly bad and I was glad when her character was finally silenced).

That said, the film is worth a shot for fans of historical horror and those particularly interested in the crimes of Burke and Hare, although I highly recommend seeing The Flesh and The Fiends first.

Another version of the Burke & Hare grave robber story. On the surface, this one has quite a few interesting things going for it. For starters, the script was based on one originally written in the 1940s by poet Dylan Thomas. That alone would be worth checking any movie out. Then we have, of all people, Mel Brooks producing it even though it's not a comedy at all. Freddie Francis, famed cinematographer and Hammer director, directs this and gives it that sort of throwback Hammer style. That's the film's strongest asset, by the way. To top it all off, there's a nice cast with Timothy Dalton, Jonathan Pryce, Stephen Rea, Julian Sands, and...um, Twiggy.

So, with all of this, why doesn't the movie work better? Well, the main problem is that it's all so drearily serious to the point of being dull. No excitement, no humor, no suspense. It's definitely not a horror movie, either, in case you were led to believe otherwise. Yes the attention to detail and getting the period right is to be acknowledged but it just reminds me why 'realism' is a double-edged sword in films. This looks realistic to the point of being depressing. I won't say you shouldn't see it because it's intriguing enough to warrant a look. But keep expectations low. If you're really jonesing for a grave robber movie, I would suggest you see the Val Lewton/Robert Wise classic The Body Snatcher starring Boris Karloff instead.

The story of Burke and Hare is one of horror's all time classics and has inspired some great films such as The Flesh and the Fiends and The Body Snatcher, among many others. The story is absolutely rife with intrigue; we have a central murder plot, plus the reasons behind the murder as well as the whole 'morality vs science' issue that runs throughout. The film has a period setting which it carries off very well, and the excellent cast all turn in great performances which helps to ensure that The Doctor and the Devils always feels like a very polished and professional production. The names used in this movie are not the real life names of the people involved - for some reason, Doctor Knox has become Doctor Rock and Burke and Hare are now Broom and Fallon, but anyone that knows the story of Burke and Hare will know what to expect. We focus on two criminals that realise they can make a killing by killing people and selling the fresh bodies to the local Doctor for seven sovereigns a time. It soon becomes clear to the doctor that the bodies aren't being taken from graves, yet he continues to accept them to test on...

The Doctor and the Devils is not the best film to be based on this classic story; though I have not seen every film it inspired, I am sure that The Flesh and the Fiends remains the best; though this is certainly an excellent take on it. The film is directed by one of Hammer's best directors, Freddie Francis, and Francis creates the period style excellently; there is nothing about the setting or atmosphere of this film that doesn't make you think that it's all taking place in the Victorian era. The cast is excellent also. The fourth James Bond, Timothy Dalton, takes the central role of the doctor and delivers an excellent performance. He doesn't do the role as well as Peter Cushing did in the 1959 take on this story...but few matches up to Cushing. The duo of Stephen Rea and Jonathan Pryce are the gravediggers/murderers and make up the core of the film excellently. The rest of the cast is padded out by Julian Sands and Twiggy in smaller but important roles. Overall, The Doctor and the Devils is an excellent and sadly overlooked take on the classic story of Burke and Hare and while it may not be easy to come by - this one is certainly worth the effort!

This is the third historical grave-robbing film I've watched after THE BODY SNATCHER (1945) and THE FLESH AND THE FIENDS (1960) – for the record, other cinematic versions of the same events out there are the Tod Slaughter vehicle THE GREED OF WILLIAM HART aka HORROR MANIACS (1948) and BURKE AND HARE (1972). While certainly the least of the three I'm familiar with (due perhaps to its graphic wallowing in the lurid details of the plot), it's pretty good for a product of its time (incidentally, the mid-1980s produced an unexpected but all-too-brief outburst of Gothic Horror which also included Franc Roddam's THE BRIDE [1985] and Ken Russell's Gothic [1986]).

The film was produced by Mel Brooks' company which had also been behind David Lynch's THE ELEPHANT MAN (1980) – which, incidentally, had marked Freddie Francis' own return to being a director of photography! Timothy Dalton as the overzealous doctor has a couple of good scenes in the first half, but he is clearly overshadowed by the more flamboyant turns of Jonathan Pryce and Stephen Rea as the nefarious night diggers. The impressive cast is completed by Twiggy, Sian Phillips, Beryl Reid, Julian Sands and Patrick Stewart; Twiggy (as another whore with a heart of gold) gets to sing as well and, predictably, medical student Sands falls for her charms.

I recall the film playing theatrically but, needless to say, I was too young to catch it back then. It's based on an original, unproduced script by celebrated Welsh playwright Dylan Thomas – adapted here by future Oscar-winning screenwriter Ronald Harwood; curiously, the names of the characters have been changed from the real ones of Knox, Burke and Hare – so had been the case with THE BODY SNATCHER, for that matter, but that one had the excuse of being based on a Robert Louis Stevenson novella! Apart from the starry cast and the film's undeniably evocative look, its main asset is a spare, unusual but effective score provided by longtime Mel Brooks collaborator John Morris.