Finnegan Begin Again

This is a movie so relevant to baby-boomers --starting with a depiction of someone taking care of a relative (in this case, a wife) with dementia, and still trying to have a little bit of a life -- something many of us cope with on a daily basis. I first saw this movie on HBO when it came out in 1985, curious because the NPR had completely trashed it, completely mischaracterizing the relationship between Robert Preston and his wife, the sad, lost Sylvia Sidney. Sam Waterston isterrific as the lily-livered man who cheats on his wife with Mary Tyler Moore, and the friendship between Moore and Preston is grown-up and just lovely. This movie is impossible to find except on VHS, which is really a shame.

Warm comedy about an unlikely romance that develops between a cranky newspaperman (Preston) and a middle aged widow (Moore). Lovely chemistry between both stars, but it is the irreplacable Preston who charms his way into our hearts.

Home Box Office was still finding its footing in 1985 in regards to its original programming, but the romantic comedy "Finnegan Begin Again" was a bright spot for the cable network, a snug cross between a movie-of-the-week and a less-sensational film meant for theatrical release. Robert Preston does wonders with an impossible creation, that of Michael Finnegan, who might best be described as a cynical optimist (his anonymously-written advice column is tart and brutally truthful, while he skips along the crime-ridden streets of Virginia with joie de vivre); Mary Tyler Moore is a teacher having an affair with a married man who crosses his path. Walter Lockwood's teleplay, an original, is filled with interesting conversations and amusing repartee that bring out the best in both Preston and Moore (this was the warmest and most approachable Mary had been in some time). One particular scene of slapstick nonsense threatens to mar the film, and Sam Waterston is all over the place as Moore's married lover, but the main focus is on the satin-and-sandpaper relationship between the two principals, and they make the film worthwhile.

Robert Preston is in so many movies I like with so many of my favorite leading ladies, that he's become one of my most favorite leading men! He's so great at playing a guy that we love to love, one that we root for!

And Mary! Mary, Mary, Mary...Dear, sweet Mary, as her TV co-stars would say- is at her sweetest here. I've never seen such tenderness from her, so much so, that it has made me see her in a whole new light. I have always been her fan, which is why I watched this movie in the first place, but here, she made me want a hug! She made me want her to hold me, she was so kind and understanding and tender, that I totally understood why the men in this film were so crazy for her- and it wasn't just cause she could turn the world on with her smile! This is one of her best roles!

This is one of those simple little films that is all about character development. It's a slow-burning love-triangle, romance movie, that's a little rough around the edges in some ways, but ultimately very good. This is a film that builds empathy, as it's easy to see oneself in the predicaments of the characters. This is a film that will have raised ones emotional IQ by the time it's over. It's a sweet film, filled with heavy themes, done with a light touch and a dash of humor.

My favorite lines in the movie:

MTM: "I love you for doing my ironing!" Robert P.: "Now say it again, for no reason at all." MTM: "I love you, for no reason at all!" *Both break into laughs*

And that about sums it up!

Recommended!

This film handled the subject of infidelity in a very human way: People who are with partners who are not right for the other, meet ones who are right for them, and engage in a relationship. It is interesting how the relationship was handled by the screenwriter, directer and producer: At first, Michael (Robert Preston) and Elizabeth (Mary Tyler Moore) are somewhat antagonistic toward each other, but each seem to thrive on the challenge and slight tension, rather than succumb to the bhoredom of things-as-they-are.

Preston's performance is classic: I especially enjoyed the scene where he forgot his laundry at the laundromat, because of the heated discussion he and Liz were having (he followed her in there). She later brought his laundry to him (at his place of work). I thought that was precious.

Waterson's performance was quite intense at times, as he bordered on obsessive, begging that Liz not leave him, and implying threats or crazy behavior if he does. The relationship between Michael and his wife is extremely real and is worth watching the movie for, just by itself. Often, there is a long convalescence before death, and it is not romantic. Michael did his best to do the right thing.

Although health-conscious Liz would have eventually been at odds with Michael's prolific drinking, these two had something to share, and did so. Excellent movie.