Guilty Conscience

ANTHONY HOPKINS is the mentally agile lawyer who is continually thinking up ways to get rid of his wife, the fashionable and elegant BLYTHE DANNER. Evidently, their stormy marriage is at a breaking point and he decides he must plot her demise rather than go through with a messy divorce.

But what follows has enough plot turns to hold your interest, although the device of having Hopkins weigh all considerations against a trial lawyer (Hopkins in a dual role) gets a little tiresome after awhile. Not that he isn't a compelling actor whether playing the lawyer or the prosecutor, and he does create sympathy for a very detestable man.

The plot takes quite a surprising turn when SWOOSIE KURTZ shows up as his mistress, another very calculating character who has some surprises of her own to throw into the mix.

It all has the feel of a poor man's DIAL M FOR MURDER, showing its TV origins within some narrow settings. But you have to give credit to the writers who keep the tale spinning right until the sudden finish.

The cat-and-mouse byplay between husband and wife is reminiscent of the sort of banter between Laurence Olivier and Michael Caine in SLEUTH, but the overall result is not quite as clever.

This is a good movie, especially since I am a big Anthony Hopkins buff. I also like Blythe Danner, who plays his loving? wife. It's a fun, quirky and clever mystery with twists and turns. As Anthony Hopkiins makes plans for his future by planning the demise of his wife, he anticipates and participates, in his imagination, how he should perform in Court as he stands trial for murder.

There is a problem, however. I ordered a brand new, factory-sealed VHS by Quality Video and the sound and picture quality were dreadful and unwatchable! I re-ordered it on DVD and it was a little better, but the picture was dull and grainy. It is hard to believe that it is not possible to get a good quality picture and sound for this TV film.

What a shame... It's an interesting and clever movie!

As my brother might say, "This has more twists than a bag of pretzels."

I wasn't expecting much and came out with feeling of extreme satisfaction, for this film is great. The beginning is a little slow but it soon picks up speed quickly and then you are on the edge of your seat.

Some people said 'GuiltyConscience' was predictable, but I severely disagree. Not only did Ihave no idea was was going to happen, but I gasped out loud at several points. The plot was simple but complicated. Hopkins was fantastic as the scheming husband and cross examiner. The rest of the cast was excellent as well. Thoroughly entertaining.

Check this film out if you are looking for interesting mystery-drama; you won't regret it.

My edition is "Authored and remastered by DDC Labs - Made in Canada," packaged as a double feature with "Dangerous Relations." There is no other edition information on jacket. The DVD transfer is so bad, it is nearly unwatchable. The low price (USD 2 + tax) is no excuse for a sloppy job. This is very unfortunate because the movie is excellent, as far as murder mysteries go. I give it highest grade for story and acting. I am sure that there were other production values such as photography, sound, and production design, however I cannot evaluate those because of the poor video and audio quality. I would like to know what editions the other reviewers were evaluating.

Fans of Anthony Hopkins will delight in this carefully staged teleplay. Fans of Blythe Danner will also be pleased to see a favorite character actress given more screen time than usual.

Although the plot is fairly standard and the events mostly predictable, it comes off much better than say your average Perry Mason or Columbo Movie. Hopkins, as a high-priced, high-power attorney, is delightful as he comically and and viciously destroys his own plans for his wife's murder. The play succeeds in its own ability to recognize its weaknesses. Unlike most television mysteries where the audience is asked to ignore the plot holes and revel in the detective's brilliance at spotting the clue and solving the crime, this play takes pride in pointing out its own holes as it goes along. As an audience participation spectacle, it is fun to play along, spotting the holes before the characters do. Overall, it's a bit static, with the vast majority of the action never leaving the main house, and cynics will find fault or boredom with the events leading up to the conclusion. But fans of the genre, or of Hopkins, will no doubt remain intrigued and find the ending quite satisfying. The whole play comes off much like the great Olivier and Caine character study, "Sleuth" and those who have seen that longish masterpiece know what kind of a compliment that is, and will also appreciate that this is 34 minutes shorter.

Mystery fans can do much worse for an evenings entertainment.