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While an unfaithful criminal lawyer considers killing his wife, his spouse develops some schemes of her own.While an unfaithful criminal lawyer considers killing his wife, his spouse develops some schemes of her own.While an unfaithful criminal lawyer considers killing his wife, his spouse develops some schemes of her own.
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Fans of Anthony Hopkins will delight in this carefully staged teleplay. Fans of Blythe Danner will also be pleased to see a favorite character actress given more screen time than usual.
Although the plot is fairly standard and the events mostly predictable, it comes off much better than say your average Perry Mason or Columbo Movie. Hopkins, as a high-priced, high-power attorney, is delightful as he comically and and viciously destroys his own plans for his wife's murder. The play succeeds in its own ability to recognize its weaknesses. Unlike most television mysteries where the audience is asked to ignore the plot holes and revel in the detective's brilliance at spotting the clue and solving the crime, this play takes pride in pointing out its own holes as it goes along. As an audience participation spectacle, it is fun to play along, spotting the holes before the characters do. Overall, it's a bit static, with the vast majority of the action never leaving the main house, and cynics will find fault or boredom with the events leading up to the conclusion. But fans of the genre, or of Hopkins, will no doubt remain intrigued and find the ending quite satisfying. The whole play comes off much like the great Olivier and Caine character study, "Sleuth" and those who have seen that longish masterpiece know what kind of a compliment that is, and will also appreciate that this is 34 minutes shorter.
Mystery fans can do much worse for an evenings entertainment.
Although the plot is fairly standard and the events mostly predictable, it comes off much better than say your average Perry Mason or Columbo Movie. Hopkins, as a high-priced, high-power attorney, is delightful as he comically and and viciously destroys his own plans for his wife's murder. The play succeeds in its own ability to recognize its weaknesses. Unlike most television mysteries where the audience is asked to ignore the plot holes and revel in the detective's brilliance at spotting the clue and solving the crime, this play takes pride in pointing out its own holes as it goes along. As an audience participation spectacle, it is fun to play along, spotting the holes before the characters do. Overall, it's a bit static, with the vast majority of the action never leaving the main house, and cynics will find fault or boredom with the events leading up to the conclusion. But fans of the genre, or of Hopkins, will no doubt remain intrigued and find the ending quite satisfying. The whole play comes off much like the great Olivier and Caine character study, "Sleuth" and those who have seen that longish masterpiece know what kind of a compliment that is, and will also appreciate that this is 34 minutes shorter.
Mystery fans can do much worse for an evenings entertainment.
ANTHONY HOPKINS is the mentally agile lawyer who is continually thinking up ways to get rid of his wife, the fashionable and elegant BLYTHE DANNER. Evidently, their stormy marriage is at a breaking point and he decides he must plot her demise rather than go through with a messy divorce.
But what follows has enough plot turns to hold your interest, although the device of having Hopkins weigh all considerations against a trial lawyer (Hopkins in a dual role) gets a little tiresome after awhile. Not that he isn't a compelling actor whether playing the lawyer or the prosecutor, and he does create sympathy for a very detestable man.
The plot takes quite a surprising turn when SWOOSIE KURTZ shows up as his mistress, another very calculating character who has some surprises of her own to throw into the mix.
It all has the feel of a poor man's DIAL M FOR MURDER, showing its TV origins within some narrow settings. But you have to give credit to the writers who keep the tale spinning right until the sudden finish.
The cat-and-mouse byplay between husband and wife is reminiscent of the sort of banter between Laurence Olivier and Michael Caine in SLEUTH, but the overall result is not quite as clever.
But what follows has enough plot turns to hold your interest, although the device of having Hopkins weigh all considerations against a trial lawyer (Hopkins in a dual role) gets a little tiresome after awhile. Not that he isn't a compelling actor whether playing the lawyer or the prosecutor, and he does create sympathy for a very detestable man.
The plot takes quite a surprising turn when SWOOSIE KURTZ shows up as his mistress, another very calculating character who has some surprises of her own to throw into the mix.
It all has the feel of a poor man's DIAL M FOR MURDER, showing its TV origins within some narrow settings. But you have to give credit to the writers who keep the tale spinning right until the sudden finish.
The cat-and-mouse byplay between husband and wife is reminiscent of the sort of banter between Laurence Olivier and Michael Caine in SLEUTH, but the overall result is not quite as clever.
Hopkins and Danner are great as the opposing spouses. His conversations with himself are fun to watch, as he tries to work out how to kill his wife. Not so much a whodunit, as a who's going to do it, with a wonderful twist at the end. And don't miss a word of the dialogue.
For a TV movie, this is awfully good. Hopkins spends much of the movie playing out scenarios of how his murder trial would play out if he killed his wife, with a portrait of his father playing the judge. He goes through different methods of killing her, and plays out the trial until he finds the mistake in his plan. These one-man scenes are very funny, and Hopkins delivers them expertly, as one would expect.
As my brother might say, "This has more twists than a bag of pretzels."
I wasn't expecting much and came out with feeling of extreme satisfaction, for this film is great. The beginning is a little slow but it soon picks up speed quickly and then you are on the edge of your seat.
Some people said 'GuiltyConscience' was predictable, but I severely disagree. Not only did Ihave no idea was was going to happen, but I gasped out loud at several points. The plot was simple but complicated. Hopkins was fantastic as the scheming husband and cross examiner. The rest of the cast was excellent as well. Thoroughly entertaining.
Check this film out if you are looking for interesting mystery-drama; you won't regret it.
I wasn't expecting much and came out with feeling of extreme satisfaction, for this film is great. The beginning is a little slow but it soon picks up speed quickly and then you are on the edge of your seat.
Some people said 'GuiltyConscience' was predictable, but I severely disagree. Not only did Ihave no idea was was going to happen, but I gasped out loud at several points. The plot was simple but complicated. Hopkins was fantastic as the scheming husband and cross examiner. The rest of the cast was excellent as well. Thoroughly entertaining.
Check this film out if you are looking for interesting mystery-drama; you won't regret it.
Did you know
- TriviaTV Guide gave a rave review, writing "Tightly plotted, flawlessly paced and clever rather than gimmicky, Guilty Conscience is the sort of Hitchcock homage that can hold its own against the master's work."
- GoofsWhen Arthur shoots Louise, the gun is pointed downward, but when shot she grabs her left lower chest. He would have shot her in the waist or lower.
- Quotes
Arthur Jamison's Double: Isn't it a fact that you are one of the prominent criminal attorneys in the state if not the country?
Arthur Jamison: Guilty!
Arthur Jamison's Double: Beg pardon?
Arthur Jamison: You make it difficult to be modest, counselor. Since I am under oath I'm simply agreeing with you.
- ConnectionsReferenced in The Silence of the Lambs (1991)
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- Die vielen Tode der Louise Jamison
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