Sense and Sensibility

I am very surprised about some of the reviews for this. Fans are spoiled with Sense and Sensibility because it is one of the few period novels that has had an excellent big budget Hollywood production (the 1995 Ang Lee film). So anyone who has seen the film and then has come across this 1981 BBC TV adaptation will in comparison find this much less exciting I am sure. However, I watch many many older TV adaptations, I have watched much of the Dickens, Hardy, Bronte, Austen etc from 1970 onwards. And I can say with certainty that this is a really good version for its time. Sense and Sensibility was adapted 10 years earlier (1971) and that version is very low in budget and quality. I gave that one a 6/10. It is unusual for the BBC to remake it so relatively soon after but you can totally see why they wanted to do so. You can tell that they took everything that didn't work in the 1971 version and improved it to create a much better version. In this version the pacing is excellent, there is no filler and each scene logically and with explanation moves on to the next. The short 25 minute episodes also assist in keeping the momentum flowing. The casting is much better in this one, each of the characters are unique and identifiable and similar in age to the characters in the novel (unlike the 1995 film for instance). All of the characters connections to each other and motivations in any given scene are clear well presented. There are no hugely enduring actors in this one which is perhaps unusual but everyone does their job well. There is no doubt in my mind that Ang Lee saw this version and held it in high regard because the 1995 film feels like a movie remake of this version in many ways.

Having watched the 1995 movie for the first time a few days ago,I decided to watch this fine BBC production again,and found it the more satisfying of the two.

The acting was of a good standard;Tracey Childs splendid as Marianne,and Bosco Hogan's interpretation of Edward Ferrers far exceeded Hugh Grant's peculiar effort in the Ang Lee film.The direction and location filming in Dorset/Somerset and the authentic early 1800's feel more than compensated for the budget constraints.

Also,Willoughby's telling confession to Eleanor as Marianne lay seriously ill upstairs was,thankfully,retained,unlike the 1995 version.

A good miniseries,more Jane Austen than it's "grander" successor!Nine out of ten!

This 3-hr miniseries seems to me much more faithful to the novel than the 1995 film by Ang Lee and Emma Thompson. the characters were as I pictured them while reading the novel. I find Edward a credible character and the love affair between him and Elinor skilfully and sensitively portrayed. (They make a much more convincing couple than stuttering Hugh Grant and Miss Thompson...) Best of all, the relationship between the two sisters : their tenderness and love in spite of their very different temperaments is convincingly depicted. I just felt the 1995 adaptation missed that aspect which made Elinor hysterics at ill Marianne's bedside all the more absurd and ill-timed. In this miniseries, there are no such hysterical scenes during Marianne's illness, Mrs Jennings is there just as in the book. The dialogues are almost word for word from the novel. The slow pace is suitable because so is the novel. Just one flaw : the end which seems a bit abrupt, as if they were running out of time. A really lovely series.

The advantage this television version has over the later 1995 film version directed by Ang Lee is that due to its length it allows more important scenes to be shown. This good BBC version keeps in the visit of Edward Ferrers to Barton Cottage and of Willoughby to see Marianne when she is ill. It also deletes the third sister Margaret, which I think is to the good.

It is important when doing Jane Austen not to over act, as suppression makes for tension, and in this the actors do a fine job. The scenes between Elinor Dashwood and Lucy Steele are excellent, seething and polite at the same time. Julia Chambers as Lucy Steele is excellent and equally as good as Imogen Stubbs in the 1995 film.

The male actors are not all bland, Donald Douglas gives a jolly performance and Peter Gale is perfectly unctuous as John Dashwood, but also sympathetic, caught as he is between a domineering wife and mother in law. Bosco Hogan and Robert Swann are a bit dull however.

This is not a sumptuous Hollywood version but fine on its own terms.

I have to disagree that the male performances were bland. Bosco Hogan did a very good job as the self-effacing Edward, and Douglas' portrayal of Sir John Middleton was so lively that as far as the interpretation of this character is concerned, the later S&S actor seems to have borrowed heavily from prior precedent. And Peter Woodward makes a dashing Willoughby, every bit as convincing as the more recent Willoughby. Woodward's voice and elocution are fantastic, and he sings remarkably well. I also enjoyed Marianne's performance in particular. In many ways, this adaptation is more faithful to the novel. The only flaw is that it begins in medias res rather than at the beginning, and it begins with a strangely stilted introduction, but that can be overlooked due to the brilliant performances, which improve with every minute of the film.