IMDb RATING
5.9/10
5.5K
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When American Donna Lloyd is kidnapped during a trip to Europe, her son Chris and her husband Walter start searching for her.When American Donna Lloyd is kidnapped during a trip to Europe, her son Chris and her husband Walter start searching for her.When American Donna Lloyd is kidnapped during a trip to Europe, her son Chris and her husband Walter start searching for her.
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Ilona Grübel
- Carla
- (as Ilona Grubel)
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I'm a huge Gene Hackman fan and I remembered seeing this film many years ago and thinking it was quite cool, and when I saw the title in the paper again, I thought I would find out how right I was.
Well Hackman is once again excellent. He has such a natural and believable way about him in his roles that I find it hard not to be drawn into his character. He's definitely one of those actors who always plays himself, but it doesn't matter as his ability and style just carry it off without a thought. A truly great actor in my mind.
Matt Dillon is also very good, although his younger trademark look of startled deer is ever present.
The plot itself is a good one, in that Hackman plays Dillons father, a boring and very dull man with an equally dull job, in his sons eyes anyway. What quickly transpires is that he is not the speed limit sticking man that his son first thought, he is actually a ex CIA agent.
This change is done very well, with a short set piece in an airport. With the smallest of physical changes, Hackman flips from average father to confident and action ready agent. You can see it in his manner, and it shows his excellent capability as an actor.
The rest of the movie reveals the story as father and son are pulled deeper and deeper into his life, revealing the true extent of his agent activities. His son quickly realises that this is not the father he knew, and quickly grows from off-handedness to total rejection and then to acceptance again.
It is an interesting movie, and the plot is quite good with some interesting action sequences. Where it fails are some of the other actors and the hectic pace of the movie, it seems as though either in filming or editing that crucial parts of the movie have been missed or removed.
Big shame, but it is still good to watch for a Sunday afternoon movie. I think this may kick off my <i>watch every Gene Hackman movie</i> campaign.
Well Hackman is once again excellent. He has such a natural and believable way about him in his roles that I find it hard not to be drawn into his character. He's definitely one of those actors who always plays himself, but it doesn't matter as his ability and style just carry it off without a thought. A truly great actor in my mind.
Matt Dillon is also very good, although his younger trademark look of startled deer is ever present.
The plot itself is a good one, in that Hackman plays Dillons father, a boring and very dull man with an equally dull job, in his sons eyes anyway. What quickly transpires is that he is not the speed limit sticking man that his son first thought, he is actually a ex CIA agent.
This change is done very well, with a short set piece in an airport. With the smallest of physical changes, Hackman flips from average father to confident and action ready agent. You can see it in his manner, and it shows his excellent capability as an actor.
The rest of the movie reveals the story as father and son are pulled deeper and deeper into his life, revealing the true extent of his agent activities. His son quickly realises that this is not the father he knew, and quickly grows from off-handedness to total rejection and then to acceptance again.
It is an interesting movie, and the plot is quite good with some interesting action sequences. Where it fails are some of the other actors and the hectic pace of the movie, it seems as though either in filming or editing that crucial parts of the movie have been missed or removed.
Big shame, but it is still good to watch for a Sunday afternoon movie. I think this may kick off my <i>watch every Gene Hackman movie</i> campaign.
Missed seeing this film over the years as I am a big fan of Gene Hackman, (Walter Llyod/Duke Potter),"Absolute Power", who plays the role as the average husband and wife with a son who is not very close to his father at all. Matt Dillon,(Chris Llyod/Derek Potter),"Loverboy", plays the son and Gayle Hunnicutt(Donna Llyod) "Dream Lover", is the wife who tries her very best to get her Walter to become closer to their son Chris. Donna disappears while she is on a tour in a foreign country and then the story gets quite complicated with lots of guns going off and plenty of car chases and great photograph in Germany and France. This film builds you up as you start getting interested and sort of goes down hill real fast. I like Gene Hackman and that is the only reason I decided to finish seeing this film.
This movie is often dismissed as just an average Cold War spy flick. But in fact it is quite a bit more than that. It can well hold its own, thanks to the solid direction and first-rate performances by Hackman and Dillon.
These two never disappoint and seem to have had fun working together. They relaxedly fill in all the little character incongruities.
The story is interesting, but could have used much more exact local detail instead of this chain of insipid cutouts from travel brochures. The locals, but also the spies talk and behave like cardboard figures and tend to lessen the atmosphere a little. The same goes for a lot of the locations.
Recommended for fans of Dillon and Hackman, but also for those of you who like a solid spy movie.
These two never disappoint and seem to have had fun working together. They relaxedly fill in all the little character incongruities.
The story is interesting, but could have used much more exact local detail instead of this chain of insipid cutouts from travel brochures. The locals, but also the spies talk and behave like cardboard figures and tend to lessen the atmosphere a little. The same goes for a lot of the locations.
Recommended for fans of Dillon and Hackman, but also for those of you who like a solid spy movie.
The performances of Matt Dillon and Gene Hackman brought this film right over the top for me.
Dillon's character grows from being an obnoxious teenager, who sees Dad as an un-hip set of car keys with a hand attached to them, through the astonishing realization that Dad just may be "James Bond".
And Gene Hackman brings his blazing talent to the table, unfolding from a middle-aged, pokey, conservative, 35-mile-an-hour, aw-shucks businessman into a multilingual, multitalented super-spook.
The two interact perfectly! As they face dangers and intrigue together in a wild ride across the globe to save Mom, it is a delight to see them discover and appreciate the depths of each others' characters and become friends and partners.
"Saving Mom", was almost irrelevant!
Dillon's character grows from being an obnoxious teenager, who sees Dad as an un-hip set of car keys with a hand attached to them, through the astonishing realization that Dad just may be "James Bond".
And Gene Hackman brings his blazing talent to the table, unfolding from a middle-aged, pokey, conservative, 35-mile-an-hour, aw-shucks businessman into a multilingual, multitalented super-spook.
The two interact perfectly! As they face dangers and intrigue together in a wild ride across the globe to save Mom, it is a delight to see them discover and appreciate the depths of each others' characters and become friends and partners.
"Saving Mom", was almost irrelevant!
A husband / father (Gene Hackman) and his estranged son (Matt Dillon) team up during an eventful trip to Europe. The wife / mom (Gayle Hunnicutt) has disappeared during a solo vacation, and they're determined to find out what has happened and why. They must dodge attempts on their lives as they work to solve this mystery.
A large part of the problem is a not-so-hot script, with its fair share of bad lines. "Don't get funny, get good." But it improves as it progresses, with a stronger second half, and some decent action sequences. (The third and final teaming of Hackman and filmmaker Arthur Penn, after "Bonnie & Clyde" and "Night Moves", certainly promised something more special than this.) Particularly effective are scenes with Hackman and the antagonist once they are revealed. It turns out, they don't have an unsympathetic motivation. Still, the twists here are plenty predictable, which works against whatever fun factor that Penn is able to generate.
Making the difference are the international settings (Germany, France) and the location usage, as well as a typically fine performance by Hackman. The star once again demonstrates his ability to be consistently engaging, whether playing a hero or villain. He and Dillon may not be the most believable father-son duo ever assembled for the movies, but they work together well enough. The supporting cast is just fine, although it must be said that Hunnicutt, as the victim who sets the plot in motion, is by nature of her role largely wasted. Providing able support are character actors Josef Sommer ("Witness"), Guy Boyd ("Body Double"), Herbert Berghof ("Cleopatra"), in his final film role, and Richard Munch ("Patton"), as well as an enchanting Viktoriya Fyodorova as Hackmans' old comrade; she and he do have good moments together.
One can do better than this if they're looking for an intrigue-thriller, but it's certainly not a total waste of time, either.
Six out of 10.
A large part of the problem is a not-so-hot script, with its fair share of bad lines. "Don't get funny, get good." But it improves as it progresses, with a stronger second half, and some decent action sequences. (The third and final teaming of Hackman and filmmaker Arthur Penn, after "Bonnie & Clyde" and "Night Moves", certainly promised something more special than this.) Particularly effective are scenes with Hackman and the antagonist once they are revealed. It turns out, they don't have an unsympathetic motivation. Still, the twists here are plenty predictable, which works against whatever fun factor that Penn is able to generate.
Making the difference are the international settings (Germany, France) and the location usage, as well as a typically fine performance by Hackman. The star once again demonstrates his ability to be consistently engaging, whether playing a hero or villain. He and Dillon may not be the most believable father-son duo ever assembled for the movies, but they work together well enough. The supporting cast is just fine, although it must be said that Hunnicutt, as the victim who sets the plot in motion, is by nature of her role largely wasted. Providing able support are character actors Josef Sommer ("Witness"), Guy Boyd ("Body Double"), Herbert Berghof ("Cleopatra"), in his final film role, and Richard Munch ("Patton"), as well as an enchanting Viktoriya Fyodorova as Hackmans' old comrade; she and he do have good moments together.
One can do better than this if they're looking for an intrigue-thriller, but it's certainly not a total waste of time, either.
Six out of 10.
Did you know
- TriviaThird and final collaboration between actor Gene Hackman and director Arthur Penn. The others were Night Moves (1975) and Bonnie and Clyde (1967).
- GoofsChris changes his mind and boards the Berlin plane instead of the Frankfurt plane without rebooking his ticket.
- Quotes
Walter Lloyd: I hope you're not going to fool around because I have a lot of things to do.
Donna Lloyd: You mean Miss Twinkle Tits in banking?
- ConnectionsFeatured in At the Movies: The Holcroft Covenant/Bring on the Night/Target (1985)
- How long is Target?Powered by Alexa
Details
- Release date
- Country of origin
- Languages
- Also known as
- Target - Entführt in Paris
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $13,000,000 (estimated)
- Gross US & Canada
- $9,023,199
- Opening weekend US & Canada
- $2,670,522
- Nov 10, 1985
- Gross worldwide
- $9,023,199
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