IMDb RATING
6.5/10
1.9K
YOUR RATING
The mysterious death of an enigmatic young man newly arrived in the suburb of Wetherby releases the long-repressed, dark passions of some of its residents.The mysterious death of an enigmatic young man newly arrived in the suburb of Wetherby releases the long-repressed, dark passions of some of its residents.The mysterious death of an enigmatic young man newly arrived in the suburb of Wetherby releases the long-repressed, dark passions of some of its residents.
- Nominated for 1 BAFTA Award
- 5 wins & 2 nominations total
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
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Featured reviews
A Puzzle?
The mysterious death of an enigmatic young man newly arrived in the suburb of Wetherby releases the long-repressed, dark passions of some of its residents.
Roger Ebert called it "a haunting film, because it dares to suggest that the death of the stranger is important to everyone it touches – because it forces them to decide how alive they really are." That is one way of looking at it. Others have called the film a "puzzle" with pieces out of order and perhaps even missing.
I liked the idea of a man who kills himself for no reason, and everyone around left to wonder. I am less thrilled about some of the follow-up. His life as a mystery seems better to me than exploring it, but others may disagree.
Roger Ebert called it "a haunting film, because it dares to suggest that the death of the stranger is important to everyone it touches – because it forces them to decide how alive they really are." That is one way of looking at it. Others have called the film a "puzzle" with pieces out of order and perhaps even missing.
I liked the idea of a man who kills himself for no reason, and everyone around left to wonder. I am less thrilled about some of the follow-up. His life as a mystery seems better to me than exploring it, but others may disagree.
Haunting, but occasionally maudlin
Besides qualms with the musical score, Wetherby has a killer script, intriguing editing, fantastic acting (Vanessa Redgrave is incredible), and a compelling idea driving the film. The echoes of film noir in the intense, high-contrast lighting and the starkness of the violence was perfect, especially when combined with naked silence. It is more than a story about a disturbed young man who shoots himself in front of an aging school teacher, Jean Travers (Redgrave). That comes early in the film. It is about the psychological consequences for Jean in her life and past, violently revealed through that shocking act. Life can never be normal again. Beneath even the most pleasant veneer lurks sadness, secrets, and dark sexuality.
The record, set straight
This is a great film. I just saw it for the first time. The comment above is completely wrong, however. I must set the record straight. The military scenes are not US soldiers, but rather a flashback for Vanessa Redgrave to a love lost. Royal Air Force, sir, in Malay. I whole-heartedly recommend the film. It has a great dramatic score. It also has tackles some real dark ideas about love and life. And it has a pace that doesn't exist anymore in many films, especially those with stars. Great performances from Ian Holm and Tom Wilkinson. Also a fine performance from a very young Joely Richardson (Vanessa Redgrave's daughter), who now stars on FX's Nip Tuck.
bizarre
Another puzzle movie where there is are ludicrously scrambled pieces. If this is all about loneliness and despair, look at how much more gripping something like The Entertainer is. There is something extremely shallow about this film: I guess if you want to make something about despair and keep it really boring, really empty, voila, then people can read about what they want the full extent of their own despair and loneliness into it.
Probably one of the reviewers here is very right: Pinter seems always lurking in the wings of any scene. Hare, however is certainly his own man, very determined fellow to lead us nowhere with some kind of minor supine surprise at the end, to let us think we have solved the Rosebud mystery of this movie: like Kane, another jigsaw puzzle of a movie.
Even Kubrick's The Killing, another scrambled movie, though hardly on this scale, would have been better told straight forwardly.
Moreover, notice the blah response of the great unwashed public to this film. This baby shot past them on quiet rails in the dead of night, because it was just too tortured for its own good.
As for a great performance by Redgrave, well, sure. The woman cannot deliver a single unbelievable line. She is one of the great great actress of all time: spooky how she disappears into every role she ever did.
The only real puzzle for me, is...you guessed it. Why did they ever bother to shoot the first reel.
Probably one of the reviewers here is very right: Pinter seems always lurking in the wings of any scene. Hare, however is certainly his own man, very determined fellow to lead us nowhere with some kind of minor supine surprise at the end, to let us think we have solved the Rosebud mystery of this movie: like Kane, another jigsaw puzzle of a movie.
Even Kubrick's The Killing, another scrambled movie, though hardly on this scale, would have been better told straight forwardly.
Moreover, notice the blah response of the great unwashed public to this film. This baby shot past them on quiet rails in the dead of night, because it was just too tortured for its own good.
As for a great performance by Redgrave, well, sure. The woman cannot deliver a single unbelievable line. She is one of the great great actress of all time: spooky how she disappears into every role she ever did.
The only real puzzle for me, is...you guessed it. Why did they ever bother to shoot the first reel.
David Hare's tribute to, or influence of Pinter
A Pinteresque landscape of a movie. Not quite upper upper class, but upper middleclass, educated, intelligent people, endlessly talking, and trying to "relate". An opening scene that jarred me: Redgrave describing the "sly" look of a student in a literature class. I responded to it as a average thirteen year old nerd would. "Please don't call on me, AND PLEASE DON'T DISCUSS MY LOOKS IN THIS CLASS, OR IN ANY PUBLIC FORUM. YOU'RE KILLING, AND EMBARRASSING ME, TEACHER!" This is a young Judi Dench, and Ian Holm no longer twentysomething, entering middle age. I wonder if they could forsee the international superstardom that would be theirs in a few years? The Richardson and Redgrave clan turns out yet another great contribution to the British stage in the delightful Jolley, Vanessa's daughter in real(not reel) life, playing, you guessed it Vanessa as a young girl. If you had any doubt why I rate London over Hollywood watch this movie. Even if you think it's boring, and, "they talk with funny accents" you can see that these people are artists and are so good the "art" hardly shows. It's not supposed to.
Did you know
- TriviaThis movie and The Hotel New Hampshire (1984) were the first screen roles of Joely Richardson. This movie was Richardson's first significant part in a movie.
- Quotes
Stanley Pilborough: I remember once my father, also a solicitor, said, "I have learnt never to judge any man from his behavior with money and the opposite sex". Yet it is my own saddened experience that those are the only ways to judge him.
- Crazy creditsThe cast credits are divided up into groups under the following headings: The Wetherby Characters; In the Past; The School; Miss Travers' Class; The Police; and From the University of Essex.
- ConnectionsFeatured in At the Movies: Godzilla 1985/Creator/Wetherby/Key Exchange (1985)
- How long is Wetherby?Powered by Alexa
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Un pasado en sombras
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $1,299,985
- Opening weekend US & Canada
- $37,283
- Jul 21, 1985
- Gross worldwide
- $1,299,985
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