Absolute Beginners

Julien Temple's extravagant musical adaptation of the classic Colin MacInnes novel never reached the audience it deserved, but it could be that filmgoers of the 1980's weren't ready for the breathless bravado of Temple's vision. A hyped-up take on the classic Freed Unit musicals at MGM, with a rock/jazz score featuring David Bowie, Sade, Gil Evans, Slim Gaillard and other notables, this movie is a visual feast and a treat for the ears as well.

Sadly, you have to hope for a theatrical screening to take in the extraordinary cinematography (there's an opening extended-take through the crowded streets of London that rivals the opening of "Touch of Evil" in complexity and beauty) because there has never been a letterbox release of the film on video or disc. Where's the DVD with a Temple commentary?

when you remove aliens and flying space ships from battlefield earth and put god awful music scores and terrible acting in it what do you have? a stupid musical that stars david bowie and some other actors in it that do a terrible job of acting stupid and crummy in a musical that should have been called absolute bummed out.

First, I must respectfully disagree with the other reviewer who hated this movie. It has a complex set of plot lines that deal with a number of issues revolving around the lives of a young up-and-coming "pop photographer", and his love interest -- played by Patsy Kensit. Then, there is the "old queen" (also an unscrupulous real estate developer) who marries Patsy. Now, add to that the ad agency aspect (David Bowie's song and dance routine to "Selling Out" is a classic), plus the racial tensions in 1950's or 1960's London, and you have a multi-layered plot tapestry.

Personally, I don't mind that David Bowie is only in the movie for ten minutes -- I am a fan of Bowie, but this is really not "his movie".

A fun musical with a lot of energy and great acting, 'Absolute Beginners' will win a place in your heart. This is the sharpest I've seen Bowie in a film, and Patsy Kensit was beautiful as Suzette. A political piece as well as a time piece, Temple captured the feel of a Broadway or West End musical perfectly. A great turnaround for Temple, who really had me worried after directing 'Mantrap'. It is a musical, so liberties have to be allowed, but for fans of the musical this is a great one to check out. Rating: 27/40

With the great era of musicals long past, it was interesting to see how stylized & clever this little "musical" film really was.

The story line was nil, but then great musicals don't need one, anyway. --Not to say that this was a "great musical", but the music WAS pretty good, and the film's use of thoughtful & colorful sets was stunning.

The camera movement, the scene changes, the hypnotic (almost psychedelic) fades, and the simply dazzling use of color, more than made up for the silly dialog and tripey sub-plots.

All in all, a good looking, well-mounted, and (except for the ending) enjoyable experience. The fast pace of the dream-like musical sequences made this a much better film than I had anticipated seeing.

I rated it 9, -mostly for sets, color, music, costumes, & photography.