The Boy Who Could Fly

Like other commentators before me I watched this film as a young man and it touched me. In fact it moved me to tears. Now I am older I am still touched by the simplicity of this film and yet it is complex in showing us that from adults to children we all have things to deal with. The reason why Eric Gibb could fly is the most touching of all and in case there are people who do not believe that it is possible for one to sense tragedy in one close to you, believe me it's real.

As I pen this comment I have just watched it again and cannot help but feel that even twenty years plus since this movie came out there is the scope for a sequel 'The Man who could fly' I am not talking about a TV series but a one off movie showing our stars meeting again in adult hood. Something to think about. I liked this movie and I would like to own it on DVD should it be released for the European audience.

Milly Michaelson (Lucy Deakins), her little brother Louis (Fred Savage) and mother Charlene (Bonnie Bedelia) move into their new home. She gets a new friend in pushy Geneva Goodman (Mindy Cohn) while Louis gets bullied by Geneva's brother and his friends. Charlene has a difficult time to start anew after losing her husband. Eric Gibb (Jay Underwood) is a mysterious mute boy living in the room facing Milly. His drunken uncle Hugo (Fred Gwynne) is his guardian. People think Eric is autistic. He started to believe that he could fly at 5 when his parents died in a plane crash. Milly wonders if he could truly fly. Their teacher Mrs. Sherman (Colleen Dewhurst) works to keep him from being institutionalized with Milly's help.

It's a wonderful sensitive film that is good for the whole family. Lucy Deakins is endearing and sweet. There is a gentle magic about the movie. It's very romantic in the simple childlike way and also surprisingly funny. The family drama is poignant. It's a live action fairy tale.

I also watched this movie as a young teenager. And it's a movie I will never forget, I just remember it changed me somehow, as a person.

I'm so tired of modern family movies full of fart jokes or movies where teenagers make love to pastries and it's supposed to be funny and then they staple on some superficial message at the end in an attempt to be poignant and balance out all the trash that came before. Every other week we are tortured with some nonsense of this calibre and whenever I wish for a movie that stands out from the crowd I have to go back in time and consider some overlooked gem. The Boy Who Could Fly is exactly that.

The characters seem so real and their emotions genuine, it builds at a slow pace but it never gets boring and story development is consistent. This is not a ferociously loud summer crowd-pleaser or something bloated with pointless SFX. Very few movies have the power to make a whole story out of characters and situation alone without feeling the need for some ridiculous set piece or blaring thrash metal guitars.

In fact Bruce Broughton's score is the wonderful opposite of that. The performances, especially the two leads, are flawless and the direction is far more refined than the typical. Everything in this movie comes together perfectly to make a film so unique and charming. If you have lost your faith in the current dreck that graces our screens and if you want a family movie with some meaning and subtext then check this out. And keep an eye out for director John Carpenter as on of the Coupe De Villes.

The DVD is in 1.78:1 anamorphic widescreen and in Dolby 2.0. It has an introduction by Jay Underwood and director Nick (Michael Myers) Castle, they also feature in a commentary with Lucy Deakins and Fred Savage.

Sappy? Yeah, I guess at times… but this also mostly earns its big heart, and treats early teens with more far dignity and insight than most films.

Lucy Deakins is terrific as an intelligent, thoughtful 14 year old, who slowly grows to care for the autistic boy next door. He doesn't speak, but dreams only of flying away, a condition brought on by the deaths of his parents in a plane crash years before. Now he's in the care of an alcoholic uncle (the always wonderful Fred Gwynne), and the powers that be think he might be better off being institutionalized.

Almost all the acting is top notch, which is crucial in this character based story. Jay Underwood walks various fine lines as the titular boy, named Eric. By turns mysterious, locked in, charming he seems believable as an emotionally isolated adolescent as well as a possible source of magic. Colleen Dewhurst doesn't have a lot of screen time, but makes something rich and real out of a concerned teacher who doesn't want to see Eric locked away, knowing it will kill his spirit. And Bonnie Bedelia makes a touching warm and understanding widowed mom.

There are some scenes where the comic relief is more than a little forced, and a sub-plot about a little brother taking on neighborhood bullies seems grafted on from a far more Disney-ish film. But this Capra-esque gentle, bittersweet fantasy is a great 1980s film for tweens even today, and not a bad one for adults as well.