Body Count

Body Count is excellent late night slasher fun, if you have a couple of hours to "kill" and you have access to Body Count then play it on your VHS or DVD and enjoy. This isn't rocket science but slasher films about nutty guys, masks and large knives have a select audience, being teenagers and twenty somethings, so the audience and screen market will go on forever. Mixing legends, slasher killings, campers and the question 'who will get it next' isn't original, the formulas been done before, but that doesn't matter here. The real entertainment is in the setting and the low budget film making, sure the director never meant it that way. But this is late night fodder for popcorn and fizzy drinks. Switch off brain and watch. There's some clever camera work and though there are holes in the plot and in the way some characters behave, this only adds to the spectacle. The hybrid US-Italian production has created a half decent half naff film with a young, willing to do anything cast and some useful forest and mountain settings. The story is worth watching for, though I couldn't help feeling some of the bigger name cast members, just turned up to say the lines and then run. The twentysomethings playing teenagers do well as dim wit campers looking for fun and a camping road trip. The magic-myth-legend Native American shaman element is a great touch and though the plot dwells on the haunted burial site well-used story it does create some tension. Budget and professional standards do take a toll and some stylish stalk and slash scenes are wasted in dumb sketches and weak visuals. The film is worth a watch and I would recommend it for slasher lovers. The cast are like-able and it is shocking to witness their demise when it seems some are going to survive the ordeal. All in all, 7 out of 10 for effort and imagination. Italian style and American balls.

(**1/2 out of *****) For his first venture into straight slasher territory, Deodato (famous for the notorious gross-out classic "Cannibal Holocaust") pulls together an interesting, international cast of B-movie/genre film veterans, including David Hess ("Last House on the Left" and Deodato's "The House on the Edge of the Park"), Mimsy Farmer (Dario Argento's "Four Flies on Grey Velvet"), Ivan Rassimov (from Deodato's other cannibal `epic' "Jungle Holocaust"), John Steiner(Argento's "Tenebre" and Deodato's "Cut and Run") and Charles Napier (one of Hannibal's unfortunate guards in "Silence of the Lambs"). With Deodato directing and this unique cast (not to mention Claudio Simonetti of Italian group Goblin providing the soundtrack), I expected -- well, I don't exactly know what I expected, but what I got was a so-so thriller with some interesting ideas, a bit more plot than usual, and a few suspenseful chase and murder sequences here and there, but not a whole lot else. Hess and Farmer play a dysfunctional married couple who own a campground that was closed down after two kids were murdered by an `Indian shaman' killer. Well, it's fifteen years later, and the killings are starting all over again, and, coincidentally, an RV full of dumb teenagers (including the couple's traumatized son) just happens to show up for the onslaught. There's your typical horny stud who wants to screw all the girls, your typical prankster clown who you'd like to see get offed after about three minutes, your typical nympho babes who take showers every five or ten minutes, and the hit list goes on. Hess's character, while still decidedly mean and ugly, is at least not quite as despicable as the sadistic characters he played in the two afore-mentioned House movies. Deodato tries to make the identity of the killer a surprise, but it's still pretty much a no-brainer. Thanks to the "Friday the 13th" franchise, these killer-in-the-woods movies are the most prolific of the slasher genre.

HIGHLIGHT: Hess's and Farmer's son has a totally WHACKED-OUT dream with sexy severed legs, strangling tentacles, constricting nets -- it reminded me of some of the frat parties I went to in college.

I'm a fan of backwoods slasher films such as The Forest and Don't Go In The Woods, so had to see this one. And since it was done by the same director as Cannibal Holocaust I was of course expecting something brutal and bloody. Well, it wasn't that bloody. But it was a fairly decent slasher. The focus is more on atmosphere than anything else, and there are some rather creepy moments especially in the old house in the woods. There are some good death scenes too, such as when one girl is looking in the mirror and suddenly a hand breaks through and kills her. There is quite a high body count (as the title would suggest) but sadly the deaths are just not gory or bloody enough. There's also the mystery of who the killer is...I never saw it coming.

Watch this if you're a fan of backwoods slashers or a general slasher fan, but don't expect anything special.

This a typical, formulaic, run-of-the-mill slasher movie from the mid-80s by a genre veteran ( Ruggero Deodato) who is known for his gross-out sensational jungle cannibals films ( CANNIBAL HOLOCAUST among others) of the late 70s. So I was expecting an over-the-top gory slasher with lots of body count but what I got is a routine slasher who has some decent moments but fails in delivering the goods in terms of bloodshed except for one or two enjoyable splatter sequences. There is nothing new here and it is rather dull but an interesting cast and the great soundtrack by Claudio Simonetti makes it a bearable ride if you don't expect too much.

What a relief to find out that Ruggero Deodato is a fallible human being after all. His teen slasher BODY COUNT is the perfect pill for anyone who might make the mistake of finding him to be maybe more than human. I've read comments from people saying he is a god, a genius, a bastard, and Satan, and my advice to any/all of those who feel that way is to watch this film.

It could have been made by anybody, with only the remarkable supporting cast of Italian cult movie favorites as the selling point: David Hess, Mimsey Farmer, Charles Napier, Ivan Rassimov, John Steiner -- these are heavyweight names, so what are they doing in a disposable, formulaic and ultimately silly teen slasher movie? The answer is making a living, which is exactly what Deodato was doing as well. I would imagine he was under contract to direct a movie that would have to sell and this was what he chose to do. Anyone who has seen any three slasher horror thrillers made since 1981 or so will have a fairly easy time figuring out what is going to happen next, and if like me you've developed a taste for slightly offbeat, lower budgeted examples of the form this will prove to be somewhat more interesting than most.

Besides it's cast the best thing the film has going for it is the use of locations -- one commenter has already identified much of it as Colorado, which may be the case but certain locations will be very, very familiar to anyone who has seen a Spaghetti Western or two. I recognized a waterfall location from THE GRAND DUEL, a field of boulders from DAYS OF VIOLENCE and some patches of woods from WHITE COMANCHE, so it looks like maybe they either filmed part of this in Spain or France in addition to Colorado and edited it all together to look like a seamless shoot.

Who knows. It's wonderful to see an actor like John Steiner with that hollow, unemotional deadpan alongside Ivan Rassimov scowling at a bunch of college nitwits who are about to be chopped to bits. Deodato does deliver some good gore sequences during the butchery and the film is replete with the nudity the genre calls for, but honestly it could have been directed by just about anyone with a feel for shot composition, has none of the crackling immediacy or controversial nature of CANNIBAL HOLOCAUST, and serves as a workmanlike effort by a director who has been hailed as some sort of a demigod or agent of the Devil, depending on your sentiment.

Nope, he's just a man, and as capable as anyone of making a routine, paint by the numbers movie that is of interest because he was the one that made it. How refreshingly stupid!

6/10