Big Trouble in Little China

This movie occupied most my junior high years. Action, suspense, cheesy diaologue, and martial arts galore. What more could you ask for from a b-movie that is clearly a b-movie? Carpenter and the cast and crew must have had a blast on this film because I can't think of a single movie that combines some of my favorite things about movies: Action, comedy, violence, martial arts, and a small tour bus driver named Egg who also knows a little magic. Magic indeed. This is movie magic. Agree or disagree, you can't deny that Carpenter succeeded on all levels when he made this movie. Saturday matineeish? Yes. B-movie cheese? Yes. Pure movie-going fun? Absolutely. Watch and enjoy.

I EMPHATICALLY recommend Big Trouble in Little China, but I must say that if you didn't grow up with this movie, I can see being very entertained but not in awe of it. I and many others like me repeatedly viewed this film throughout childhood and still love it just as much now as then. Nowadays, a new viewer who is past puberty will regard it with a more skeptical eye, comparing it to things it shouldn't be compared to. Some newcomers might get it right away, but I don't think they get the same thrill out of it as they might have as a child in the eighties. That's why this film needs to be shared with children (especially boys), who hopefully won't be too jaded by flashy nineties schlock to be impressed, which I think is exactly the problem for adults who are new to the movie. Perhaps it can't be taught, the reverence I mean, but the movie isn't any less fun and awesome for new viewers, just less magical. I would rate it with stars or something but that's like trying to grade your own religion. I love you, Mr. Burton.

If you`ve ever heard of the director John Carpenter, you`ll be familiar with his works (of art), like Hallowe`en, Escape From New York, Assault On Precient 13, The Thing, They Live, and this movie, a mid 80`s classic starring none other than Carpenter`s favourite front man, Kurt Russell. Set in Chinatown, Los Angeles, its a modern day fable of good versus evil, Chinese black magic, the hero storms the castle type affair. Russell plays Jack Burton, a wise cracking long distance truck triver and all American hero, passing through Chinatown on some business. After a card game with old friend Wang Chi (Dennis Dun), Wang (now penniless thanks to Burton`s good fortune) pursuades Jack to drive him to the airport, to pick up his childhood sweetheart, a girl Wang has not seen since they were children. Its here the story begins, as Mao Yin, Wang`s girlfriend, is captured by a mysterious gang. The two form a pact to rescue the girl from the clutches of the evil Lo Pan, former crimelord of Chinatown, a myth who has apparently lived to the age of almost 200, with a little help from some black magic.

Thats it, I`m saying no more, cos I don`t want to spoil it. You`ve probably seen the movie anyway.

Its hard to pick a favourite John Carpenter film, very hard, but this one has it all. Its a great action movie, a great comedy, an original story, great lines, and even a love story, a perfect blend of what big screen entertainment should be. Its strange though, that the ending was left so open, begging for a sequel that was never made.

What can one say. The movie plays like one of those great old comic books you read as a kid. The dialogue is so cartoonish that you expect to see balloons appear above the characters heads. The acting is excellent, with everyone taking a tongue in cheek approach and obviously having a good time making the film. Some of the best fight scenes in recent memory, with everyone "kung-fu fighting" at the drop of a hat. Kurt Russel is a hoot as the more than slightly dumb macho hero. Cartoon violence minus the gore, humourous special effects, evil magicians, green eyed damsels in distress, even a monster or two.

A great film for a night of light movies! See it if you get a chance!

One of the Best Maverick, B-Movie Directors Ever, John Carpenter has Gained Legions of Fans and has Attained an Almost Deity Status that, say, Roger Corman Never Could, Mostly because of Home Video and the Internet.

He has Directed a lot of Entertaining Movies, mostly Outside the Hollywood System and has Always been Comfortable Making Low to Mid Budget Movies with that Carpenter Vision. He has made Sure Enough Classics, a Few Mediocre (although His Cult would never admit it) Movies, and a Handful of Bad Ones (Blasphemy).

This is One that when First Released was Unfairly Maligned, Dismissed, and Outright Blasted by the Critics. It was Ignored at the Box Office and was a Big Flop. But the Director Never thought He was in Big Trouble. He just Continued Making Movies as if Nothing Ever Happened. This Film is Part of the Carpenter Canon and has become a Cult Favorite.

It is a High Energy Hoot of a Movie. The Director's Homage to those Mystical Asian Movies Full of Sorcery, Fun and Fantasy, Combined with an Over the Top Take on Marital Arts and Monsters. This was a Colorful, Costumed Creation Done with Wire Works and Real Life Make Up with a Minimal Use of the Primitive CGI Available. It is Entertaining as All Get Out.