IMDb RATING
5.3/10
2.1K
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A young woman abducts and subjects a doctor whom she holds responsible for the death of her boyfriend to acts of sexual torture.A young woman abducts and subjects a doctor whom she holds responsible for the death of her boyfriend to acts of sexual torture.A young woman abducts and subjects a doctor whom she holds responsible for the death of her boyfriend to acts of sexual torture.
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Featured reviews
not a horror or porn but a pure sleazefest
I do know Fulci as a horror buff from his splatter flicks but I even knew him from his sometimes almost porn look-a-like flicks. This here doesn't fit in one of those categories.
There isn't any blood to see in a gory fashion but it do gives the viewer a lot of nudity. Weird for being made in the late eighties that armpits are still hairy and bushes aren't trimmed. Nevertheless, for me this is a pure sleazefest. We do see some kind of masturbation done by a saxophone and we do have a close up of a pussy being satisfied with lipstick. If that isn't sleazy enough one guy is being wanked off by his girlfriend while riding a motorbike. Corinne Cléry is almost naked the whole flick and it is as gratuitous as it can get. It also contains the Stockholm Syndrome.
it's a weird story full of sex and torture towards the end. Fulci fans do search this rare to find flick but it's findable on fleamarkets in the Netherlands and Belgium on VHS. Most copies that are being sold on DVD do contain Dutch subs.
As I said before, not a typical Fulci but not boring at all.
Gore 0/5 Nudity 3,5/5 Effects 0/5 Story 2/5 Comedy 0/5
There isn't any blood to see in a gory fashion but it do gives the viewer a lot of nudity. Weird for being made in the late eighties that armpits are still hairy and bushes aren't trimmed. Nevertheless, for me this is a pure sleazefest. We do see some kind of masturbation done by a saxophone and we do have a close up of a pussy being satisfied with lipstick. If that isn't sleazy enough one guy is being wanked off by his girlfriend while riding a motorbike. Corinne Cléry is almost naked the whole flick and it is as gratuitous as it can get. It also contains the Stockholm Syndrome.
it's a weird story full of sex and torture towards the end. Fulci fans do search this rare to find flick but it's findable on fleamarkets in the Netherlands and Belgium on VHS. Most copies that are being sold on DVD do contain Dutch subs.
As I said before, not a typical Fulci but not boring at all.
Gore 0/5 Nudity 3,5/5 Effects 0/5 Story 2/5 Comedy 0/5
Kinkfest by Fulci
Lucio Fulci, who is sometimes referred to as the "Godfather of Gore" (an honorific he shares with Herschell Gordon Lewis) is best known for horror films in which logic takes a step back to striking visual aesthetics and over-the-top gore. I don't mean this as criticism but rather as an observation in the spirit of acceptance that art does not necessarily always have to make sense.
In DEVIL'S HONEY, Fulci brings the same kind of aesthetics to the erotic thriller genre, and it makes for a movie which contains several scenes that have to be seen to believed. There is no gore to speak of, but it seems Fulci applied the same approach he uses in his gore scenes to his sex scenes.
All the major characters have kinks, and when tragic circumstances bring two of them together in a highly unusual manner-one kidnaps the other as part of a revenge plan-lo and behold, the kinks of the two turn out to complement each other.
This film is not for vanilla lovers. It is hard to categorize, as it is not quite porn and also not mainstream in any sense. There are not very many movies like it out there, the closest I can think of being THE IMAGE (1975) in terms of the kink, and the much tamer SEX &THE OTHER MAN (1995) in terms of the basic concept.
The movie is probably most of interest for those who would like to broaden their horizons in terms of what has been captured on film.
In DEVIL'S HONEY, Fulci brings the same kind of aesthetics to the erotic thriller genre, and it makes for a movie which contains several scenes that have to be seen to believed. There is no gore to speak of, but it seems Fulci applied the same approach he uses in his gore scenes to his sex scenes.
All the major characters have kinks, and when tragic circumstances bring two of them together in a highly unusual manner-one kidnaps the other as part of a revenge plan-lo and behold, the kinks of the two turn out to complement each other.
This film is not for vanilla lovers. It is hard to categorize, as it is not quite porn and also not mainstream in any sense. There are not very many movies like it out there, the closest I can think of being THE IMAGE (1975) in terms of the kink, and the much tamer SEX &THE OTHER MAN (1995) in terms of the basic concept.
The movie is probably most of interest for those who would like to broaden their horizons in terms of what has been captured on film.
The Devil's Honey
Devil's Honey, The (1986)
** 1/2 (out of 4)
Bizarre film for Fulci sees him in more of a Jess Franco type of territory. In the film, a woman (Blanca Marsillach) loses her mind after the death of her boyfriend. Even though it was his fault, she blames the doctor (Brett Halsey) who was operating on him when he died. Soon the woman kidnaps the doctor and plans to torture him both physically and sexually. This certainly isn't the type of film you'd expect someone like Fulci to make especially during this period in his career. Throughout this decade we were getting non-stop violence and gore but that's all cut out here and in its place is non-stop nudity and bizarre sex scenes. The first twenty-minutes of this film features one sex scene after another and it appears they each get more and more bizarre. Fulci's THE NEW YORK RIPPER was pretty perverse but so is this film and that includes a scene where the boyfriend "satisfies" the woman by putting his trumpet up to her private parts and playing. The sex scenes never reach the hardcore stage but Fulci handles them pretty well, although he never quite reaches a full erotic mode. The biggest problem for me was the actual screenplay and the entire revenge aspect. One could compare this film to Franco's SHE KILLED IN ECSTASY but that movie worked a lot better because we understood the woman's need for revenge. That's not the case here for a couple of reasons. The first being that the man is a complete jerk to her so we really don't care when he dies. The second reason is because the woman is simply blaming the wrong person for his death. There's no way around that and it's hard to buy into anything she's doing because you simply don't agree with her. Halsey, a soon to be Fulci regular, does a pretty good job in his role but there's no question that the film belongs to Marsillach who really digs deep into her character. The two work quite well together and certainly make the film a lot better than it really has the right to be. The brisk 78-minute running time moves pretty well and the jazz score is quite nice as well. Fans of Fulci will certainly want to check this one out but others probably won't find too much entertainment here.
** 1/2 (out of 4)
Bizarre film for Fulci sees him in more of a Jess Franco type of territory. In the film, a woman (Blanca Marsillach) loses her mind after the death of her boyfriend. Even though it was his fault, she blames the doctor (Brett Halsey) who was operating on him when he died. Soon the woman kidnaps the doctor and plans to torture him both physically and sexually. This certainly isn't the type of film you'd expect someone like Fulci to make especially during this period in his career. Throughout this decade we were getting non-stop violence and gore but that's all cut out here and in its place is non-stop nudity and bizarre sex scenes. The first twenty-minutes of this film features one sex scene after another and it appears they each get more and more bizarre. Fulci's THE NEW YORK RIPPER was pretty perverse but so is this film and that includes a scene where the boyfriend "satisfies" the woman by putting his trumpet up to her private parts and playing. The sex scenes never reach the hardcore stage but Fulci handles them pretty well, although he never quite reaches a full erotic mode. The biggest problem for me was the actual screenplay and the entire revenge aspect. One could compare this film to Franco's SHE KILLED IN ECSTASY but that movie worked a lot better because we understood the woman's need for revenge. That's not the case here for a couple of reasons. The first being that the man is a complete jerk to her so we really don't care when he dies. The second reason is because the woman is simply blaming the wrong person for his death. There's no way around that and it's hard to buy into anything she's doing because you simply don't agree with her. Halsey, a soon to be Fulci regular, does a pretty good job in his role but there's no question that the film belongs to Marsillach who really digs deep into her character. The two work quite well together and certainly make the film a lot better than it really has the right to be. The brisk 78-minute running time moves pretty well and the jazz score is quite nice as well. Fans of Fulci will certainly want to check this one out but others probably won't find too much entertainment here.
Sax Solos Are an Aphrodysiac
This is a movie that opens with a man erotically blowing a saxophone up against a woman's vagina. That's really all you need to know. If that offends you, best to leave now before your head explodes. If it sounds like a hoot to you, come sit by me.
So where do I sign up to become a slave to Blanca Marsillach?
Lucio Fulci's films are not known for their great scripts, and indeed the storytelling in "Devil's Honey" is often sloppy and the ending is weak. They are known for their gore (almost completely absent here), and their directorial flair (some of which is present here). Of course this is a rather atypical outing for Fulci (his answer to "9 ½ Weeks", perhaps?), and it works mostly thanks to Blanca Marsillach's surprisingly good performance: she's a beautiful young woman with a perfect body who walks around in the nude a lot, but beyond her looks she gives more depth than you'd expect to her character, making her innocent and curious (and easily aroused!) at first, sadistic and vengeful in the second half (I loved those little smirks that showed how much pleasure she got from her power over her male captive), but always very human underneath. Although she is 3rd-billed, make no mistake: she is the star of this film (2nd-billed Corinne Clery has a relatively small part, but she DOES get fully nude as well!). This is why this erotic thriller is so much more "erotic" than "thriller": who wouldn't want to be captured by a woman like Blanca and become her plaything? **1/2 out of 4.
Did you know
- TriviaBlanca Marsillach is trash talked on the extras of the DVD version of the film. The actors and crew persons who worked on the film have said that she was very troublesome and unliked by everyone during the filming and even that one of the film's producers left her at the airport and punched her in the face. In an 2016 interview for Severin about the making of the film, Brett Halsey said Marsillach was a bad actress and a troublemaker.
- Quotes
Dr. Wendell Simpson: [to Jessica] Have you no feelings? Are you squeamish?
- ConnectionsFeatured in Have a Nice Vacation, Doctor Fulci! (2016)
- How long is The Devil's Honey?Powered by Alexa
Details
- Release date
- Countries of origin
- Language
- Also known as
- Dangerous Obsession
- Filming locations
- Barcelona, Catalonia, Spain(some exteriors)
- Production companies
- See more company credits at IMDbPro
- Runtime
- 1h 23m(83 min)
- Sound mix
- Aspect ratio
- 1.85 : 1
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