IMDb RATING
6.2/10
2.5K
YOUR RATING
Hercule Poirot attends a dinner party in which one of the guests clutches his throat and suddenly dies. The cause seems to be natural until another party with most of the same guests produce... Read allHercule Poirot attends a dinner party in which one of the guests clutches his throat and suddenly dies. The cause seems to be natural until another party with most of the same guests produces another corpse.Hercule Poirot attends a dinner party in which one of the guests clutches his throat and suddenly dies. The cause seems to be natural until another party with most of the same guests produces another corpse.
- Nominated for 1 Primetime Emmy
- 1 nomination total
Pedro Armendáriz Jr.
- Col. Mateo
- (as Pedro Armendariz)
Ángeles González
- Housekeeper
- (as Angeles Gonzalez)
Claudia Guzmán
- Rosa
- (as Claudia Guzman)
Rodolfo Hernández
- Miguel
- (as Rodolfo Hernandez)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Ustinov is great, as always, but the movie is your basic made-for-TV fare. The setting is changed from the novel. I think this really hurt the production. You feel more like your watching an episode of "The Love Boat" than an Agatha Christie mystery. The plot is pretty decent, but it feels as if the cast is just going through the motions. And in my opinion, being that many of the stars just seem to have small parts, I find it's rather easy to spot the murderer. Still, it makes sense and everyone does a decent job with what's there, but I'd def. like to see this remade, esp. with David Suchet. Still, not bad for an afternoon's viewing.
I cannot say the same about this film. Poirot dotters about...Hastings is a wimp! Quite frankly, the whole thing put me to sleep. Read the book instead.
Watching a less-engaging Agatha Christie movie adaptation is like watching an extended episode of Murder, She Wrote. Like Hercule Poirot, Jessica Fletcher is a walking crime magnet, making you wonder if the world wouldn't be a safer place for the rest of us if people like them were put away for good.
Agatha Christie movies often host a potpourri of stars to be the suspects. Sometimes they're a mix of renowned actors, like Vanessa Redgrave, John Gielgud, Ingrid Bergman et al, in 1974's Murder on the Orient Express; and sometimes, like in Murder in Three Acts, they're a mix of actors you vaguely recall seeing on some TV show or other, like Emma Samms from Dynasty and Diana Muldaur from Star Trek: The Next Generation. Though the former makes for a more attractive package, even when they're the latter, they usually still turn out to be decent viewing, as this movie is.
Agatha Christie movies often host a potpourri of stars to be the suspects. Sometimes they're a mix of renowned actors, like Vanessa Redgrave, John Gielgud, Ingrid Bergman et al, in 1974's Murder on the Orient Express; and sometimes, like in Murder in Three Acts, they're a mix of actors you vaguely recall seeing on some TV show or other, like Emma Samms from Dynasty and Diana Muldaur from Star Trek: The Next Generation. Though the former makes for a more attractive package, even when they're the latter, they usually still turn out to be decent viewing, as this movie is.
This is a fine movie. Watching Peter Ustinov play Poirot is always a treat. The dialogue between him and Hastings provides adequate humor. And the Agatha Christie whodunit puzzle is fairly good.
The film suffers though when compared to two previous Ustinov films: "Death On The Nile", and "Evil Under The Sun", both of which were grand and stately big-budget theatrical productions. By contrast, "Murder In Three Acts" is a made-for-TV movie, and therefore seems small and cheap. The scenery, the music, and the casting cannot compete.
Further, the suspects in "Murder In Three Acts" seem too "normal"; there are no really eccentric characters. The women especially seem bland and undifferentiated.
Still, if you can avoid the temptation to compare this film to other Hercule Poirot films, as well as Christie's source novel, the movie "Murder In Three Acts" is still entertaining.
The film suffers though when compared to two previous Ustinov films: "Death On The Nile", and "Evil Under The Sun", both of which were grand and stately big-budget theatrical productions. By contrast, "Murder In Three Acts" is a made-for-TV movie, and therefore seems small and cheap. The scenery, the music, and the casting cannot compete.
Further, the suspects in "Murder In Three Acts" seem too "normal"; there are no really eccentric characters. The women especially seem bland and undifferentiated.
Still, if you can avoid the temptation to compare this film to other Hercule Poirot films, as well as Christie's source novel, the movie "Murder In Three Acts" is still entertaining.
This features a top row performance contributed by Tony Curtis, and was the second Poirot movie I found to feature the inner-inner circle of Hollywood big-wigs, and their sycophantic hangers-on. This time in Acapulco, we are given "movie stars, martinis, and murder." I found this highly entertaining, though it was mildly difficult to solve.
Breathtaking vistas, another all-star cast, and fine direction by Gary Nelson (Get Smart, Get Smart Again, and Alan Quartermain and the Lost City of Gold, to name but a few), make worthy contributions to this wonderful adaptation of a great Agatha Christie mystery.
All in all? This was not rated, but made for television in 1986, so I think I can safely say it is suitable for all audiences. Great Sunday afternoon/rainy day fare.
It rates a 6.7/10 from...
the Fiend :.
Breathtaking vistas, another all-star cast, and fine direction by Gary Nelson (Get Smart, Get Smart Again, and Alan Quartermain and the Lost City of Gold, to name but a few), make worthy contributions to this wonderful adaptation of a great Agatha Christie mystery.
All in all? This was not rated, but made for television in 1986, so I think I can safely say it is suitable for all audiences. Great Sunday afternoon/rainy day fare.
It rates a 6.7/10 from...
the Fiend :.
Did you know
- TriviaOriginally published under the title "Three Act Tragedy" in 1934.
- GoofsIn the end of the movie as Poirot is explaining how the police will prove the murderer crossed into Mexico from the US he states they can prove when he crossed the border by using his passport. At the time this movie was made Americans could enter Mexico without a passport. You only had to show proof of valid US citizenship (US driver's license, I. D. card, or birth certificate) and there was no record of you entering or leaving Mexico.
- Quotes
Hercule Poirot: Porot is only on the side of one thing... and that is the truth.
- ConnectionsFollowed by Appointment with Death (1988)
Details
Contribute to this page
Suggest an edit or add missing content