An ambitious Pakistani Briton and his white boyfriend strive for success and hope when they open a glamorous laundromat.An ambitious Pakistani Briton and his white boyfriend strive for success and hope when they open a glamorous laundromat.An ambitious Pakistani Briton and his white boyfriend strive for success and hope when they open a glamorous laundromat.
- Nominated for 1 Oscar
- 6 wins & 6 nominations total
Daniel Day-Lewis
- Johnny
- (as Daniel Day Lewis)
Charu Bala Chokshi
- Bilquis
- (as Charu Bala Choksi)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
We saw this movie when it was first released on the big screen. It just happen to start when we needed a movie to so we had no idea what to expect. What a pleasant surprise this film was. Daniel Day Lewis (in one of his earliest roles) stars with Gordon Warnecke in this unconventional love story. Warnecke plays young Omar, who is given the opprtunity to run his uncle's laundrette. He enlists the aid of his ex-lover, Johnny (played by Lewis) to get the business back on it's feet. The scene in the laundrette that includes Omar and Johnny in the foreground and Omar's uncle and his mistress in the background, is one of the most sensual celluloid scenes I ever scene.
If you are looking for something good and out of the ordinary, I would recommend this one.
If you are looking for something good and out of the ordinary, I would recommend this one.
Stephen Frears' film of Hanif Kureshi's script about the Pakistani and the NF punk who grew up as friends, and find themselves attracted to each other again. Gordon Warneke and Daniel Day-Lewis play the lovers in this intelligent movie which has a cheap British tinge but has some superb moments (Saeed Jaffrey as Warneke's uncle, a professional businessman, not a professional Pakistani') within it.
Perhaps the longest-lasting image is the two boys in the back room of the launderette, splashing each other with water, and putting aside the political differences between them. Whether it truly makes its points about race and sexuality I'm not sure.
Perhaps the longest-lasting image is the two boys in the back room of the launderette, splashing each other with water, and putting aside the political differences between them. Whether it truly makes its points about race and sexuality I'm not sure.
Want to see a side of London you won't get from any other director? Then watch My Beautiful Launderette... The film opens with a scene in which squatters are forcibly evicted from a derelict building. Londoner viewers will recognize this as a sad yet common event... Immediately, we are attuned to the political bent of the movie. Fortunately for that intent, the dialogue in the film is intelligently written (note: this will not appeal to the lowest common denominator -- it scores low on commercial appeal). Unfortunately, the often "stiff" delivery of that dialogue is a significant impediment. That said, Daniel Day Lewis lends a powerful presence to his role as the punk squatter, Johnny.
The climax of the film aptly integrates the various tensions in the film: political, sexual, and social. We're surprised with a love scene between Johnny and Omar which is well-paced, erotic, and genuine.
The climax of the film aptly integrates the various tensions in the film: political, sexual, and social. We're surprised with a love scene between Johnny and Omar which is well-paced, erotic, and genuine.
For its time MBL was a break through movie. London is a very complicated place for colonials and for punks. As the friendship between the boys develops- complications arise. What I liked about this film was its unpretentiousness. You can hear and almost smell the various neighborhoods of London. And Daniel Day Lewis certainly showed his potential for the star he would become.
A rare instance of magic-realism that actually works in the cinema. The realism is a scrupulously observed portrait of 80s London, its people (entrepreneurs, drunks, racists, wide-boys), locales (dingy flats, delapidated laundrettes, murky car lots) and attitudes (strutting capitalism, dessicated liberalism, farcical extremism).
The magic comes from Frears' style, tweaking and heightening the real; from stylised scenes such as Omar's reuniting with Johnny; from some magical set-pieces, especially the opening of the laundrette, Omar and Johnny making love cut with Nasser and Rachel's waltz; from the clashing of an exotic, Oriental world in a determinedly materialist context.
Kureishi's script is occasionally heavy-handed, but sex is never far from his analyses of power and identity - Omar's crucial tirade against Johnny has a thrilling, Genet-esque frisson.
The magic comes from Frears' style, tweaking and heightening the real; from stylised scenes such as Omar's reuniting with Johnny; from some magical set-pieces, especially the opening of the laundrette, Omar and Johnny making love cut with Nasser and Rachel's waltz; from the clashing of an exotic, Oriental world in a determinedly materialist context.
Kureishi's script is occasionally heavy-handed, but sex is never far from his analyses of power and identity - Omar's crucial tirade against Johnny has a thrilling, Genet-esque frisson.
Did you know
- TriviaThis film and A Room with a View (1985) both opened in New York on the same day, March 7, 1986. Both movies featured Daniel Day-Lewis in prominent and very different roles: in A Room with a View, he played a repressed, snobbish Edwardian upperclassman, while in Laundrette, he played a lower-class gay ex-skinhead in love with an ambitious Pakistani businessman in Thatcher's London. When American critics saw Day-Lewis, who was then virtually unknown in the US, in two such different roles on the same day, many (including Roger Ebert of The Chicago Sun-Times and Sheila Benson of the LA Times) raved about the talent it must have taken him to play such vastly different characters. In his review of My Beautiful Laundrette, Roger Ebert wrote, "A movie like this lives or dies with its performances, and the actors in 'My Beautiful Laundrette' are a fascinating group of unknowns.... The character of Johnny may cause you to blink if you've just seen the wonderful 'A Room with a View.' He is played by Daniel Day-Lewis, the same actor who, in 'Room,' plays the heroine's affected fiancee, Cecil. Seeing these two performances side by side is an affirmation of the miracle of acting: That one man could play these two opposites is astonishing."
- ConnectionsFeatured in Hooray for Holyrood (1986)
- How long is My Beautiful Laundrette?Powered by Alexa
Details
- Release date
- Country of origin
- Languages
- Also known as
- Mein wunderbarer Waschsalon
- Filming locations
- 245 Queenstown Road, Battersea, London, England, UK(papa's flat)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- £650,000 (estimated)
- Gross US & Canada
- $2,451,545
- Gross worldwide
- $2,507,160
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