An ambitious Pakistani Briton and his white boyfriend strive for success and hope when they open a glamorous laundromat.An ambitious Pakistani Briton and his white boyfriend strive for success and hope when they open a glamorous laundromat.An ambitious Pakistani Briton and his white boyfriend strive for success and hope when they open a glamorous laundromat.
- Nominated for 1 Oscar
- 6 wins & 6 nominations total
Daniel Day-Lewis
- Johnny
- (as Daniel Day Lewis)
Charu Bala Chokshi
- Bilquis
- (as Charu Bala Choksi)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Johnny and Omar live in a world of multiple cogenerating, coexisting, modifying, negating, enforcing and enhancing forms of discrimination -- racism, sexism, groupism, homophobia, cultural elitism, snobbery, reverse colonialism, neocolonialism and fascism -- which they successfully grapple and topple in the form of their launderette with the power of economic enterprise. These squabbling goblins are left to each others excesses as economic success lifts them up and out of these, but many questions remain: will they remain; would others succeed; what does luck have to do with it? Kureshi has pissed off all groups who find themselves part of this smashing satire, prime among them the identity conscious confused second/third generation Subcontinental British kids, the same contingency that staunchly supported the Rushdie fatwa. Brilliant and stupendously enjoyable.
A rare instance of magic-realism that actually works in the cinema. The realism is a scrupulously observed portrait of 80s London, its people (entrepreneurs, drunks, racists, wide-boys), locales (dingy flats, delapidated laundrettes, murky car lots) and attitudes (strutting capitalism, dessicated liberalism, farcical extremism).
The magic comes from Frears' style, tweaking and heightening the real; from stylised scenes such as Omar's reuniting with Johnny; from some magical set-pieces, especially the opening of the laundrette, Omar and Johnny making love cut with Nasser and Rachel's waltz; from the clashing of an exotic, Oriental world in a determinedly materialist context.
Kureishi's script is occasionally heavy-handed, but sex is never far from his analyses of power and identity - Omar's crucial tirade against Johnny has a thrilling, Genet-esque frisson.
The magic comes from Frears' style, tweaking and heightening the real; from stylised scenes such as Omar's reuniting with Johnny; from some magical set-pieces, especially the opening of the laundrette, Omar and Johnny making love cut with Nasser and Rachel's waltz; from the clashing of an exotic, Oriental world in a determinedly materialist context.
Kureishi's script is occasionally heavy-handed, but sex is never far from his analyses of power and identity - Omar's crucial tirade against Johnny has a thrilling, Genet-esque frisson.
For its time MBL was a break through movie. London is a very complicated place for colonials and for punks. As the friendship between the boys develops- complications arise. What I liked about this film was its unpretentiousness. You can hear and almost smell the various neighborhoods of London. And Daniel Day Lewis certainly showed his potential for the star he would become.
We saw this movie when it was first released on the big screen. It just happen to start when we needed a movie to so we had no idea what to expect. What a pleasant surprise this film was. Daniel Day Lewis (in one of his earliest roles) stars with Gordon Warnecke in this unconventional love story. Warnecke plays young Omar, who is given the opprtunity to run his uncle's laundrette. He enlists the aid of his ex-lover, Johnny (played by Lewis) to get the business back on it's feet. The scene in the laundrette that includes Omar and Johnny in the foreground and Omar's uncle and his mistress in the background, is one of the most sensual celluloid scenes I ever scene.
If you are looking for something good and out of the ordinary, I would recommend this one.
If you are looking for something good and out of the ordinary, I would recommend this one.
Stephen Frears' film of Hanif Kureshi's script about the Pakistani and the NF punk who grew up as friends, and find themselves attracted to each other again. Gordon Warneke and Daniel Day-Lewis play the lovers in this intelligent movie which has a cheap British tinge but has some superb moments (Saeed Jaffrey as Warneke's uncle, a professional businessman, not a professional Pakistani') within it.
Perhaps the longest-lasting image is the two boys in the back room of the launderette, splashing each other with water, and putting aside the political differences between them. Whether it truly makes its points about race and sexuality I'm not sure.
Perhaps the longest-lasting image is the two boys in the back room of the launderette, splashing each other with water, and putting aside the political differences between them. Whether it truly makes its points about race and sexuality I'm not sure.
Did you know
- TriviaThis film and A Room with a View (1985) both opened in New York on the same day, March 7, 1986. Both movies featured Daniel Day-Lewis in prominent and very different roles: in A Room with a View, he played a repressed, snobbish Edwardian upperclassman, while in Laundrette, he played a lower-class gay ex-skinhead in love with an ambitious Pakistani businessman in Thatcher's London. When American critics saw Day-Lewis, who was then virtually unknown in the US, in two such different roles on the same day, many (including Roger Ebert of The Chicago Sun-Times and Sheila Benson of the LA Times) raved about the talent it must have taken him to play such vastly different characters. In his review of My Beautiful Laundrette, Roger Ebert wrote, "A movie like this lives or dies with its performances, and the actors in 'My Beautiful Laundrette' are a fascinating group of unknowns.... The character of Johnny may cause you to blink if you've just seen the wonderful 'A Room with a View.' He is played by Daniel Day-Lewis, the same actor who, in 'Room,' plays the heroine's affected fiancee, Cecil. Seeing these two performances side by side is an affirmation of the miracle of acting: That one man could play these two opposites is astonishing."
- ConnectionsFeatured in Hooray for Holyrood (1986)
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Details
- Release date
- Country of origin
- Languages
- Also known as
- Mein wunderbarer Waschsalon
- Filming locations
- 245 Queenstown Road, Battersea, London, England, UK(papa's flat)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- £650,000 (estimated)
- Gross US & Canada
- $2,451,545
- Gross worldwide
- $2,507,160
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