IMDb RATING
6.4/10
1.3K
YOUR RATING
The film revolves around Rajni, a shape-shifting cobra who marries a civilian to avenge the death of her spouse at the hands of an evil saint.The film revolves around Rajni, a shape-shifting cobra who marries a civilian to avenge the death of her spouse at the hands of an evil saint.The film revolves around Rajni, a shape-shifting cobra who marries a civilian to avenge the death of her spouse at the hands of an evil saint.
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- Writers
- Stars
- Awards
- 1 win total
Komal Mahuvakar
- Vijaya Singh
- (as Komal Madhuvakar)
- Director
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Featured reviews
This movie is great. It has a great story and it is one of the best Hindi movies of all time. It stars Sri Devi, Rishi Kapoor and Amrish Puri. Sri Devi does excellent acting and Amrish Puri portrays the sage perfectly. I think that everybody that likes Hindi movies should watch this.
I like this film. To me, it's about not paying attention to others when they speak ill of your relatives. Interesting and different film.
A beautiful film with excellent performances by Sridevi, the snakes, Amrish Puri, Rishi Kapoor and Sushma Seth. I adore Sridevi and she looks beautiful as ever. I am not a fan of her but whenever i watch this film or Himmatwala i just love her. The acting, the dances, the eyes, the costumes are just amazing.
I don't know if its a remake or whatever but i love the film. Rishi Kapoor looks gorgeous and acts well. Sushma i think played Rishi's mom in many films but her acting talent is shown as a mom in this one. The snakes act very well. When Sridevi dances shes like a goddess. She can dance and look beautiful at same time. Main teri dushman, dushman tu mera, i loved her in that song as well as all the other songs on her in the movie. Its a super hit film. If your a bollywood freak and don't mind watching old films of 1980s i think you should check it out. Sridevi fans can love her in this one. She is a dream of every women to be like her, look like her, dance like her. Sridevi dances to seduce her hubby but she is covered with clothes in that song when people today try to show more sex in seductive songs but cinema at its best to watch with family and at that time its a perfect one.
I don't know if its a remake or whatever but i love the film. Rishi Kapoor looks gorgeous and acts well. Sushma i think played Rishi's mom in many films but her acting talent is shown as a mom in this one. The snakes act very well. When Sridevi dances shes like a goddess. She can dance and look beautiful at same time. Main teri dushman, dushman tu mera, i loved her in that song as well as all the other songs on her in the movie. Its a super hit film. If your a bollywood freak and don't mind watching old films of 1980s i think you should check it out. Sridevi fans can love her in this one. She is a dream of every women to be like her, look like her, dance like her. Sridevi dances to seduce her hubby but she is covered with clothes in that song when people today try to show more sex in seductive songs but cinema at its best to watch with family and at that time its a perfect one.
The role of the Snake-Woman had been rejected by many leading ladies of the mid '80s. Most of them were unwilling to take a risk in their fairly new but stable careers by signing a film which had a story and screenplay written by two newcomers and a not-so-successful producer/director. Although Harmesh Malhotra has gone on record to say that he was very disappointed at the response he'd received from his fellow industry members, the audience were too entranced by Sridevi's performance to be worried about the "what-ifs?!" In fact, it's hard to imagine Nagina without Sridevi so I find it very difficult to understand why Malhotra hadn't approached her for this role in the first place? Much has been written about how this is the film that "made" Sridevi. I totally disagree as I firmly believe instead that Sridevi "made" the film. Her dedication and professionalism seeps through the entire film and its apparent that only an actor of her calibre could execute such a strong performance from a questionable script and low-budgeted film.
Ten years earlier, "Nagin" with it's snake-woman storyline only succeeded because it was a multi-starrer film and the snake assumed the form of almost every female actor that was in the star cast. And if that wasn't confusing enough, the audience couldn't decide if their sympathies lied with the Nagin (who was revenging the loss of her beloved but ultimately killed herself) or with the male characters that were being killed off one-by-one by her? Was the Nagin the villain or not who knows? Who cares? In "Nagina" however, there is a steady build-up to the character played by Sridevi and it's not until two-thirds of the film is complete, and the emergence of Amrish the Sapera that we realise that she is actually a snake-woman. Before that, we assume that Sri and Rishi are reincarnated as lovers who have the protection of two snakes for a nearby derelict mandir.
Or, we're led to believe that it's a film about an inheritance dispute with Prem Chopra swindling Rishi's family out of their wealth. But, we realise later that Prem isn't the main villain at all.
And then, we assume that the film is about Saas-Bahu relationship as Sushma Seth, the mother-in-law doesn't accept her son's choice of spouse. But even here, we're proved wrong as Sushma warms to her bahu as soon as she sees her.
If these red-herrings aren't enough, Sridevi, in the first portion of the film appears extremely subdued and mellow in comparison to all the other films that we've previously seen her in. Not only does she sound different (this being one of the first Hindi films that she actually used her own voice and wasn't dubbed for) but also, you'll notice from the first three songs, that her dancing is at a slower pace and without the jhatkas-matkas that are always expected from her.
With any other film, the audience would probably get confused with the plot and walk out of the theatre. But "Alak Niranjan", in walks Amrish Puri with his snake sniffing skills and his magical "been" and to everyone's surprise (not at least the Mother in Laws), Sridevi reveals the other side of her character.
Then in every scene that follows, we get more excited seeing her transform from a loving pativrata nari into a Nag-Goddess, protecting her husband and family. The icing on the cake, of course, is the powerful dance at the end. A combination of her large expressive eyes, the hypnotising music and Sridevi's tremendous ability to captivate her audience but without being influenced by the Sapera, leaves the audience wanting more.
And trade-figures prove that the audience came back regularly to see more of their screen-goddess in this semi-mythological but modernly adapted character. In fact, this was the most popular film and successful film of that year. It's a shame that the "popular awards of Indian cinema" failed to recognise this. Luckily, Malhotra didn't as he made a sequel called "Nigahen" three years later which consolidated his position as an established film-maker and made him the proud recipient of an award.
Needless to say, Malhotra too became a devotee of Sridevi after worked with her in Nagina. In addition to Nigahen, he made Sherni, Banjaran and Heer Ranjha with Sridevi, and this time, for all these films, he made sure that she was given first-refusal!!
Ten years earlier, "Nagin" with it's snake-woman storyline only succeeded because it was a multi-starrer film and the snake assumed the form of almost every female actor that was in the star cast. And if that wasn't confusing enough, the audience couldn't decide if their sympathies lied with the Nagin (who was revenging the loss of her beloved but ultimately killed herself) or with the male characters that were being killed off one-by-one by her? Was the Nagin the villain or not who knows? Who cares? In "Nagina" however, there is a steady build-up to the character played by Sridevi and it's not until two-thirds of the film is complete, and the emergence of Amrish the Sapera that we realise that she is actually a snake-woman. Before that, we assume that Sri and Rishi are reincarnated as lovers who have the protection of two snakes for a nearby derelict mandir.
Or, we're led to believe that it's a film about an inheritance dispute with Prem Chopra swindling Rishi's family out of their wealth. But, we realise later that Prem isn't the main villain at all.
And then, we assume that the film is about Saas-Bahu relationship as Sushma Seth, the mother-in-law doesn't accept her son's choice of spouse. But even here, we're proved wrong as Sushma warms to her bahu as soon as she sees her.
If these red-herrings aren't enough, Sridevi, in the first portion of the film appears extremely subdued and mellow in comparison to all the other films that we've previously seen her in. Not only does she sound different (this being one of the first Hindi films that she actually used her own voice and wasn't dubbed for) but also, you'll notice from the first three songs, that her dancing is at a slower pace and without the jhatkas-matkas that are always expected from her.
With any other film, the audience would probably get confused with the plot and walk out of the theatre. But "Alak Niranjan", in walks Amrish Puri with his snake sniffing skills and his magical "been" and to everyone's surprise (not at least the Mother in Laws), Sridevi reveals the other side of her character.
Then in every scene that follows, we get more excited seeing her transform from a loving pativrata nari into a Nag-Goddess, protecting her husband and family. The icing on the cake, of course, is the powerful dance at the end. A combination of her large expressive eyes, the hypnotising music and Sridevi's tremendous ability to captivate her audience but without being influenced by the Sapera, leaves the audience wanting more.
And trade-figures prove that the audience came back regularly to see more of their screen-goddess in this semi-mythological but modernly adapted character. In fact, this was the most popular film and successful film of that year. It's a shame that the "popular awards of Indian cinema" failed to recognise this. Luckily, Malhotra didn't as he made a sequel called "Nigahen" three years later which consolidated his position as an established film-maker and made him the proud recipient of an award.
Needless to say, Malhotra too became a devotee of Sridevi after worked with her in Nagina. In addition to Nigahen, he made Sherni, Banjaran and Heer Ranjha with Sridevi, and this time, for all these films, he made sure that she was given first-refusal!!
This movie is definitely a classic. I used to love watching it as a kid. If you are willing to suspend your disbelief or if you are a little kid, you'll like the movie. If you like snakes, you might like the movie. It's about a woman who can turn into a snake. It's great.
Did you know
- TriviaJaya Pradha was approached for the lead role but she refused because she was scared of snakes.
- GoofsThroughout the entire film, the old haveli is depicted as mostly walls with a few windows. Although it has one floor, there are no rooms on that level, making it feel empty. It seems the art director might have been working with a limited budget, leading to cost-cutting measures. Interestingly, while there's a fountain placed at the center of the haveli, there are no actual rooms to complement the structure.
- ConnectionsEdited into Nigahen: Nagina Part II (1989)
- SoundtracksAaj Kal Yaad Kucch Aur Rahta Nahin
Sung by Mohammed Aziz
Music composed by Laxmikant Shantaram Kudalkar and Pyarelal Ramprasad Sharma (as Laxmikant Pyarelal)
Lyrics by Anand Bakshi
- How long is Nagina?Powered by Alexa
Details
- Runtime
- 2h 17m(137 min)
- Sound mix
- Aspect ratio
- 1.37 : 1
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