No Mercy

Richard Gere is a Chicago cop on the vengeance trail as he follows his partner's killers to New Orleans to settle his own personal score. The film moves at a brisk pace as Gere and a Cajun sexpot flee through the Louisiana bayous from a murderous crime lord who wants his baby doll back and to destroy the Chicago detective who would avenge his partner's murder. Gere and Kim Basinger go very well together, and the chemistry between them adds to the film's realism. Basinger is the sexy swamp girl type who finds herself falling for Gere, although they clash repeatedly while handcuffed together as they attempt to elude the brutal underworld figure and his henchmen. George Dzundza is also good as Gere's superior and Jeroen Krabbe is measured and deliberate as the Cajun butcher. The film's final moments are explosive and predictable and close out an exciting thriller.

On the surface, this film, which I like, is like dozens of other revenge-the-death-of-a-cop-partner stories. But the saving grace of the movie is the characters, and some of the dialogue.

Spoilers in the following

Eddie Jilette is a tough cop. A tough Chicago cop. But what distinguishes the film that his Captain is tougher and nastier. In a later scene in the film, the captain and Eddie are in an airport where, in the Men's washroom, after making sure that they're alone, the captain gives Eddie a weapon to kill the villain, and expects him to use it. In most such films, a tough cop usually has a captain who's either a politician or a wimp. How refreshing!

The film also has a nice touch. Eddie rents all the rooms of a hotel in Algiers. The only inhabitants were the clerk and a cat. Eddie tells the clerk to beat it, because he's expecting a showdown battle there. Shortly before the battle commences, we see the cat leave the building.

One I've watched several times and one that's in my library.

(1986) No Mercy THRILLER

Chicago cop, Eddie Jillette (Richard Gere) trying to nab criminal mastermind for killing his partner in cold blood, but he has to resort to find and locate the witness first who happens to be a hostess, by the name of Michel Duval (Kim Basinger) who's somewhere in New Orleans. The implausible set up is used only as a backdrop to the New Orleans environment, which includes the parades as well as it's customs. The first of two movies Basinger and Gere star together. There's only like, one good gunfire sequence sometime during the end which is quite tame to what one can see these days.

Kim Basinger is young and gorgeous. Richard Gere is, well Richard Gere. He's dapper, sexy semi-nude and the good guy. What else is new? He's a Chicago cop who's partner gets murdered and he thinks Basinger, can lead him to the killer. Beautiful scenes of Louisiana bayou and attention-grabbing chase scenes make this an enjoyable movie for all. And don't forget the love scenes for the women and the fighting and torching of New Orleans for the men. A fun couple of hours.

**SPOILERS** Clash of culture film that goes from Chicago to the swamps bayous and streets of New Orleans with windy city cop Eddie Jillette, Richard Gere, looking to get even for the savage murder of his partner undercover cop Joe Collins, Gary Basaraba, by Cajun gangster Losado, Jeroen Krabbe. At the time Losado was in town to get back his runaway and personal slave girl.

Chicago police officers Jillette & Collins getting a tip from a local Chicago pot pusher Angles Ryan, Ray Starkey, that they busted that he was hired to do a hit for somebody from out of town. The two policemen acting as hit men meet later that evening New Orleans businessman Paul Deveneux, Terry Kinney, and his girlfriend Michel Duval, Kim Basinger, at a Chicago restaurant. Deveneux wants the two to take out this very dangerous and brutal New Orleans gangster, Losado, and is willing to pay big money to get the "Job" done.

Before anything could happen Deveneux is blown to pieces and officer Jillette barley escapes with his life as they were caught in a street ambush by the targeted Losado and his gang. Back at the hotel were police officer Collins is staying Michael Losado and a bunch of his hoods breaks in and catch Collins by surprise. slicing Collins open with a huge hunting knife Losado then takes off with Micheal who he considered to be his private property.

Getting to the hotel room too late to save his partner officer Jillette is deeply hurt for not being there in time to prevent Collins from being murdered. Trying to find Collins' killer in the city of New Orleans Jillette finds Michel at the Blue Parrot nightclub. Jillette had a hunch she would be there from the blue parrot tattoo she had on her right shoulder.

The movie then goes into overdrive with Jillette on the run with Michel as a hostage as Losado and his gang try to track down and kill him as well as rescue Michel. Jillette on the other hand is on a mission of revenge to find officer Collins murderer and bring him to Justice with him being the sole judge jury and executioner.

Getting away from Losado's goons Jillette makes it back to the main New Orleans police station with Michel only to get arrested and then told to check out of the city by the New Orleans police Lt. Hall, Bruce McGill. Determined not to leave without taking care of Lasado Jillette has Michel, who had since fallen in love with him, used as bait to get him out in the open which leads to the movies fiery conclusion in a deserted New Orleans hotel.

Average suspense/drama that's helped a lot by the presence of Jeroen Krabbe as the cold-blooded and murderous Cajun gangster Losado. Creepy yet soft spoken who without even the slightest show of emotions Lasado would lash out at his unsuspecting victim with his deadly blade like a coiled rattlesnake.

The showdown at the Algires Point Hotel had Lasado and his entire gang shoot and knife it out with an almost suicidal officer Jillette who didn't care if he lived through it or not. With him only wanting to take out the Cajun killer so he could finally feel that his partner didn't die in vain and that his killer didn't live to get away with murdering him.