A workaholic needs a date for a dinner with new important clientele, but who his brother sets him up with could lead to disaster.A workaholic needs a date for a dinner with new important clientele, but who his brother sets him up with could lead to disaster.A workaholic needs a date for a dinner with new important clientele, but who his brother sets him up with could lead to disaster.
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Herb Tanney
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- (as Sacerdo Tanney)
Featured reviews
Blake Edwards once again turned to his bread-and-butter genre, and kept things nice and simple. However, for whatever reason, this downplayed treat was and is often panned by critics left and right. I submit to you that this is because most of us just don't get it.
I'll use the plot portent to tell you what this movie isn't, first of all. Despite appearances, it's not about up-and-coming, wannabe yuppie Walter Davis (Bruce Willis), not really about his blind date of the title with the beautiful and potentially deadly Nadia Gates (Kim Basinger), not about psychotic defense lawyer and jealous ex David Bedford's (John Laroquette) attempts to break the two up and steal back his first love, and not about the punches and rolls with which these people, along with their families and acquaintances, must deal.
It's just my theory, but I think most of us didn't get this movie because it was a humorous commentary on the time during which it was made. This movie is all about the '80s; the yuppie culture, the self-absorption, the repeated attempts of folks to find solace in getting and having things, and our near-tragic couple's struggle to be who they are, even if it doesn't fit with '80s yuppie culture, and embrace what's important. Consider it--during her drunken binge, Nadia assaults everything that could make Walter a yuppie as if it were a well-organized plan. Walter, in turn, tries his hand at the same thing, mostly upon David and car salesman brother Ted (late, great Phil Hartman). Sure the details give a chuckle or two, but there's an almost cerebral humor going on under the surface of the film, right at the core, which pokes fun at a cornerstone of life in the '80s.
This led to the movie's downfall in favor, since the very people at which the movie so heavily pokes fun were probably among the first ones to see it premiere in the '80s. Even if they got it, they probably didn't appreciate the joke. Essemtially, Edwards had spoofed the '80s DURING the '80s. A gutsy move, and witting or unwitting, this gave it a kind of staying power. It really is about more than you think.
So, if you're one of the lonely soldiers who likes the movie, try to view it in this context and see what you think of it. If you hated it, please try to observe this point of view, and again, see what you think. Blind Date is one of the most different comedies to emerge from this decade. No matter where you sit on the quality issue, perhaps it deserves a second look.
I'll use the plot portent to tell you what this movie isn't, first of all. Despite appearances, it's not about up-and-coming, wannabe yuppie Walter Davis (Bruce Willis), not really about his blind date of the title with the beautiful and potentially deadly Nadia Gates (Kim Basinger), not about psychotic defense lawyer and jealous ex David Bedford's (John Laroquette) attempts to break the two up and steal back his first love, and not about the punches and rolls with which these people, along with their families and acquaintances, must deal.
It's just my theory, but I think most of us didn't get this movie because it was a humorous commentary on the time during which it was made. This movie is all about the '80s; the yuppie culture, the self-absorption, the repeated attempts of folks to find solace in getting and having things, and our near-tragic couple's struggle to be who they are, even if it doesn't fit with '80s yuppie culture, and embrace what's important. Consider it--during her drunken binge, Nadia assaults everything that could make Walter a yuppie as if it were a well-organized plan. Walter, in turn, tries his hand at the same thing, mostly upon David and car salesman brother Ted (late, great Phil Hartman). Sure the details give a chuckle or two, but there's an almost cerebral humor going on under the surface of the film, right at the core, which pokes fun at a cornerstone of life in the '80s.
This led to the movie's downfall in favor, since the very people at which the movie so heavily pokes fun were probably among the first ones to see it premiere in the '80s. Even if they got it, they probably didn't appreciate the joke. Essemtially, Edwards had spoofed the '80s DURING the '80s. A gutsy move, and witting or unwitting, this gave it a kind of staying power. It really is about more than you think.
So, if you're one of the lonely soldiers who likes the movie, try to view it in this context and see what you think of it. If you hated it, please try to observe this point of view, and again, see what you think. Blind Date is one of the most different comedies to emerge from this decade. No matter where you sit on the quality issue, perhaps it deserves a second look.
I actually love this movie, it's endearing and silly! Bruce Willis is similar to his Moonlighting character, and Kim Basinger is a charmingly tipsy blonde who takes the uptight Walter out on the Blind Date of his life!
I saw this film when it first came out and I laughed out loud at quite a few scenes and thoroughly enjoyed it. Both Bruce Willis and Kim Basinger are excellent and there was obvious comic chemistry between them. There also plenty of great lines and performances from the supporting cast too, especially from John Larroquette (Basinger's psychotically obsessed erstwhile boyfriend). It was a complete mystery to me why it was so panned on release, but reading some of the comments here I am glad to see that this minor gem is finally getting the recognition it deserves. All I'll add is: dobermans, golf balls, moonwalking and an abject lesson in why you should never get your new girlfriend drunk.
Bruce Willis (in his pre-action hero days)is perfect as the hapless Walter Davis who finds his whole life crashing down on him after just one night with his sister-in-law's cousin, Nadia (Kim Basigner). The reliable Blake Edwards is in the director's chair so there are many funny moments in store. A winning romantic comedy.
I've always loved Blake Edwards films and although this may not have been regarded as his best work, I feel it was highly underrated. Though thoroughly implausible in many ways, I have to say that this movie made me laugh harder than any movie I've ever seen. My sides literally hurt after watching it. Although I've only seen it a few times since it came out because none of the networks other than FX ever show it. Why I don't know because it's really great!!
The main reason I'd have to say was John Laroquette as Nadia's psychotic ex-boyfriend. I was cracking up in every single scene he was in with his standard line (I'll kill you). His physical comedy is totally brilliant. I don't know why he didn't end up with a film career of his own. But my favorite scene has to be at the end when Nadia sees David hanging from the balcony of the house and squeals as they both dive into the pool and meet at the bottom in a kiss as they come up for air, with David yelling; "Nadia, get your mouth off of him"!!
The movie is flawed in places though. What are the odds that a house moving company would be moving a house at the exact moment that Nadia decides to knock on the door. And it is never explained why Walter is facing 2 years in prison for his night on the town, yet David completely escapes any legal obligations for plowing his car into 3 seperate businesses.
Kim Basinger and Bruce Willis were great as well. Though I didn't understand why they dyed her gorgeous blonde hair brown. Maybe because her image was supposed to be that of a sweet girl looking for love and Edwards thought she'd look too much the vamp and would lack credibility without the dye job. It's also a good chance to see the late Phil Hartman early in his career. I also loved the love song played at the end by Gary Morris and Jennifer Warnes.
All in all, a fun ride from beginning to end. If you haven't seen it yet, go out and rent it now. You won't be disapointed, it's a 10+++!
The main reason I'd have to say was John Laroquette as Nadia's psychotic ex-boyfriend. I was cracking up in every single scene he was in with his standard line (I'll kill you). His physical comedy is totally brilliant. I don't know why he didn't end up with a film career of his own. But my favorite scene has to be at the end when Nadia sees David hanging from the balcony of the house and squeals as they both dive into the pool and meet at the bottom in a kiss as they come up for air, with David yelling; "Nadia, get your mouth off of him"!!
The movie is flawed in places though. What are the odds that a house moving company would be moving a house at the exact moment that Nadia decides to knock on the door. And it is never explained why Walter is facing 2 years in prison for his night on the town, yet David completely escapes any legal obligations for plowing his car into 3 seperate businesses.
Kim Basinger and Bruce Willis were great as well. Though I didn't understand why they dyed her gorgeous blonde hair brown. Maybe because her image was supposed to be that of a sweet girl looking for love and Edwards thought she'd look too much the vamp and would lack credibility without the dye job. It's also a good chance to see the late Phil Hartman early in his career. I also loved the love song played at the end by Gary Morris and Jennifer Warnes.
All in all, a fun ride from beginning to end. If you haven't seen it yet, go out and rent it now. You won't be disapointed, it's a 10+++!
Did you know
- TriviaThis was Bruce Willis's first credited film.
- GoofsThe night before the wedding, Rambo, the Doberman Pinscher, is threatened with castration by Jordan, the butler, if he doesn't stop barking. The dog playing Rambo in the scene is a female.
- Quotes
David Bedford: I swear on my mother's grave.
Judge Harold Bedford: Your mother is playing the back 9 at Bel-Air.
David Bedford: I was speaking in the future tense.
- SoundtracksSimply Meant to Be
Written by Henry Mancini, George Merrill and Shannon Rubicam
Performed by Gary Morris and Jennifer Warnes
Gary Morris courtesy of Warner Bros. Records
Jennifer Warnes courtesy of Cypress Records
- How long is Blind Date?Powered by Alexa
Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- Bella pero peligrosa
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $16,000,000 (estimated)
- Gross US & Canada
- $39,321,715
- Opening weekend US & Canada
- $7,531,273
- Mar 29, 1987
- Gross worldwide
- $39,337,581
- Runtime
- 1h 35m(95 min)
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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