IMDb RATING
6.4/10
7.3K
YOUR RATING
A Los Angeles detective meets a feminist poet during a murder case.A Los Angeles detective meets a feminist poet during a murder case.A Los Angeles detective meets a feminist poet during a murder case.
- Director
- Writers
- Stars
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
If you want to watch a cool movie, I suggest you see it. James Woods did a great job as a hard egotistical cop out to solve a serial killing. Maybe it is like other cop thrillers, but this was made a while back before a lot of others. So, if you're not a 'critic' I'd say it's nothing short of intriguing. I came away saying "it was a good movie," a couple of times.
Cop is based on the book 'Blood and the Moon' by James Ellroy. I have not read the book that the film is based on; although I am a big fan of the first three books in Ellroy's 'L.A. Quartet'. It is often said of Ellroy that his writing got better as it went along; and assuming that this film is closely based on the book, I would say that there's a good chance that is true as the story here is not exactly solid. The entire film hinges on one major and quite unbelievable coincidence that boggles the mind if you care to think about it. However, it's the style and atmosphere that saves it; and that's the main reason I loved this film! The plot focuses on your everyday hard-bitten cop, Lloyd Hopkins, who after investigating the murder of a woman in Los Angeles, comes to believe that a serial killer may be operating in the area. Naturally, the police captain doesn't believe a word of it and Lloyd is forced to investigate on his own; leading him to a revelation closer to home than he was expecting.
Director James B. Harris creates a fabulous atmosphere for the film to take place in and ensures that L.A. seems to be every bit the gritty and sleazy location needed to facilitate a tale like this. Similarly, James Woods fits the central role like a glove and is always believable in the role; even when the plot is getting out of hand. The first half of the film is really rather good and plausible; but then the twist hits and it really requires a suspension of disbelief from the viewer. It's not that the twist could not happen; it's more the way that it does happen which comes off as silly. It's just far too convenient and the whole film is turned on its head from that point on. Still, the atmosphere is retained and the story continues to be gripping; which are the film's strongest elements. Certain elements of the film are rather nasty, and indeed the book was originally denied by many different publishers for being too graphic! Still, a lot of it focuses on dialogue and from what I know of Ellroy, this part of the film is quite faithful. It all boils down to a rather hurried and coincidental ending; but I really do feel that this is a film where the style of it is much more important than the plot line. For some it will no doubt be too much of a problem...but I wouldn't hesitate to recommend this to anyone that enjoys a good crime thriller!
Director James B. Harris creates a fabulous atmosphere for the film to take place in and ensures that L.A. seems to be every bit the gritty and sleazy location needed to facilitate a tale like this. Similarly, James Woods fits the central role like a glove and is always believable in the role; even when the plot is getting out of hand. The first half of the film is really rather good and plausible; but then the twist hits and it really requires a suspension of disbelief from the viewer. It's not that the twist could not happen; it's more the way that it does happen which comes off as silly. It's just far too convenient and the whole film is turned on its head from that point on. Still, the atmosphere is retained and the story continues to be gripping; which are the film's strongest elements. Certain elements of the film are rather nasty, and indeed the book was originally denied by many different publishers for being too graphic! Still, a lot of it focuses on dialogue and from what I know of Ellroy, this part of the film is quite faithful. It all boils down to a rather hurried and coincidental ending; but I really do feel that this is a film where the style of it is much more important than the plot line. For some it will no doubt be too much of a problem...but I wouldn't hesitate to recommend this to anyone that enjoys a good crime thriller!
If you are a big fan of James Wood's work than please go to your video store right now and rent this gem. You see I'm more into the performance side of a film, not the writing or story (even though it does help). Trust me, you've seen it all before. An over-the-top detective (Woods) gets caught up in a murder case which takes over his professional and private life. With the clues stacking up, Woods begins to believe that he is not only dealing with a murderer but a serial killer as well, who preys on females. This opinion on the matter doesn't sit well with his captain or coworkers, except one, a long time friend named Dutch. As the film moves along you begin to notice that Woods is a womanizer who usually ends up in bed with the witnesses. Everything Woods did made me laugh. I know this probably isn't "right" of me but he is just so FUNNY!! Even in a serious murder mystery such as this, I still can't help it. This film also contains one of the quickest endings I've seen in a long time. It's great!! Trust me though, I won't give it away. Thanks for reading.
There are times that this feels like a TV Movie. In fact, if it were not for the presence of James Woods that is all this would be, a good TV movie. As it is, Woods acts his socks off without overdoing it. He manages to pull this up to a much higher standard, very watchable stuff, in fact. There is nothing really ground shaking in the script and, to be truthful, it kind of gets a bit lost at a couple of points. Like others have pointed out, the dark twisted aspect of the original book do not quite come across to the screen, but nevertheless is a very passable transition. In summary, not one to watch for your main film on a Saturday night, but certainly worth a look on any other night.
Extremely entertaining film about a cop (Woods) who tries to hunt down a criminal who is murdering women downtown in an apparently random order. I saw this on AMC one Friday night, very late, and I was blown away. Great acting, particularly by James Woods, and just a very fine film with a good fade-to-black ending.
It's sort of dumb and predictable sometimes, but it's one of the best endings I can remember in recent years.
4/5 stars.
It's sort of dumb and predictable sometimes, but it's one of the best endings I can remember in recent years.
4/5 stars.
- John Ulmer
Did you know
- TriviaThe novel "Blood on the Moon" upon which the movie is based was rejected by 17 publishers due to its violent content.
- GoofsHopkins goes to the initial murder scene by himself, even though the killer might still on the premises. Once there, he handles the doorknob, phone and other objects with his bare hands. No experienced police officer, even one who's supposed to be a bit of a loose cannon, would make such rookie mistakes.
- Quotes
Lloyd Hopkins: [Last lines] Well, there's some good and there's some bad news. The good news is you're right - I'm a cop and I've gotta take you in. The bad news is I've been suspended and I don't give a fuck.
- ConnectionsFeatured in Siskel & Ebert: Oscar Nomination Surprises for 1987 (1988)
- How long is Cop?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Blood on the Moon
- Filming locations
- Harper House - 1334 North Harper Avenue, West Hollywood, California, USA(Julia Lynn Niemeyer's apartment building)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $3,000,000 (estimated)
- Gross US & Canada
- $1,984,315
- Gross worldwide
- $1,984,315
Contribute to this page
Suggest an edit or add missing content