Cop

Cop is based on the book 'Blood and the Moon' by James Ellroy. I have not read the book that the film is based on; although I am a big fan of the first three books in Ellroy's 'L.A. Quartet'. It is often said of Ellroy that his writing got better as it went along; and assuming that this film is closely based on the book, I would say that there's a good chance that is true as the story here is not exactly solid. The entire film hinges on one major and quite unbelievable coincidence that boggles the mind if you care to think about it. However, it's the style and atmosphere that saves it; and that's the main reason I loved this film! The plot focuses on your everyday hard-bitten cop, Lloyd Hopkins, who after investigating the murder of a woman in Los Angeles, comes to believe that a serial killer may be operating in the area. Naturally, the police captain doesn't believe a word of it and Lloyd is forced to investigate on his own; leading him to a revelation closer to home than he was expecting.

Director James B. Harris creates a fabulous atmosphere for the film to take place in and ensures that L.A. seems to be every bit the gritty and sleazy location needed to facilitate a tale like this. Similarly, James Woods fits the central role like a glove and is always believable in the role; even when the plot is getting out of hand. The first half of the film is really rather good and plausible; but then the twist hits and it really requires a suspension of disbelief from the viewer. It's not that the twist could not happen; it's more the way that it does happen which comes off as silly. It's just far too convenient and the whole film is turned on its head from that point on. Still, the atmosphere is retained and the story continues to be gripping; which are the film's strongest elements. Certain elements of the film are rather nasty, and indeed the book was originally denied by many different publishers for being too graphic! Still, a lot of it focuses on dialogue and from what I know of Ellroy, this part of the film is quite faithful. It all boils down to a rather hurried and coincidental ending; but I really do feel that this is a film where the style of it is much more important than the plot line. For some it will no doubt be too much of a problem...but I wouldn't hesitate to recommend this to anyone that enjoys a good crime thriller!

There are times that this feels like a TV Movie. In fact, if it were not for the presence of James Woods that is all this would be, a good TV movie. As it is, Woods acts his socks off without overdoing it. He manages to pull this up to a much higher standard, very watchable stuff, in fact. There is nothing really ground shaking in the script and, to be truthful, it kind of gets a bit lost at a couple of points. Like others have pointed out, the dark twisted aspect of the original book do not quite come across to the screen, but nevertheless is a very passable transition. In summary, not one to watch for your main film on a Saturday night, but certainly worth a look on any other night.

James Woods is our hardboiled detective as he navigates the dark web of a mass murderer. Woods' wife and child have recently left him, and he is under investigation at the police department. He is unwilling to give up the case, and no one is going to stop him.

"Cop" displays Film Noir disillusionment and it's bleakest and the dark ending (not going to be spoil it) only adds to the Noir-iness. In the 1980's Film Noirs started to come out again, beginning with remakes like "D.O.A.", and new originals like "To Live and Die in LA." In this revival, "Cop" is a crown jewel, a wonderfully mysterious tale of man willing to risk and loose everything to find a killer.

As a Noir enthusiast, I highly recommend this film. It may be overacted at times, and the detective may seem a little to gung ho to be believable. But, Woods'es excellent performance is able to hold the film together. It is a thriller from start to end, and overall a very enjoyable film. Watch it, trust me.

If you want to watch a cool movie, I suggest you see it. James Woods did a great job as a hard egotistical cop out to solve a serial killing. Maybe it is like other cop thrillers, but this was made a while back before a lot of others. So, if you're not a 'critic' I'd say it's nothing short of intriguing. I came away saying "it was a good movie," a couple of times.

Sometime ago a sadistically violent novel written by James Ellroy was published under the title 'Blood on The Moon.' Having read the book, I was most surprised to see the story up on the silver screen under the marquee of " Cop." The tragic tale was so woefully violent, I wondered how it's stark terror and black suspense would transferred to the Big Screen. However, I was pleased when I saw that James Wood would be the hero and it would be directed by James B. Harris. Woods plays detective Sgt. Lloyd Hopkins a hard-as-nails police officer seemly obsessed with solving an unsolved series of murders dating back years. Seemingly at a dead-end, he is frustrated and on the verge of giving it up, when a ray of hope inspires him to continue. As he does, he enlist the aid of Kathleen McCarthy (Lesley Ann Warren) a Feminist poet and his police mentor Dutch Peltz (Charles Durning) who is in line to become a police Captain. Despite his unorthodox methods, Hopkins gets results even if it means stepping on toes and challenging his superiors. The movie is powerfully dark, suspenseful and dotted with terrifying scenes which are not for the faint of heart. Still any Woods' fan is sure to enjoy the power and skill with the main actor and I for one look forward to this film becoming a milestone for Woods. Excellent rendition of the book and if one wants to peek under the ambulance sheet, I suggest you read the novel. ****