Castaway

Nick Roeg did something which I am sure is way above most viewers' heads. A man decides to spend a year away from the madding crowd (who doesn't want to?) and takes a woman with him. So far, so good. But the man is so far removed from reality that he does not prepare properly, ignores warnings (they do not come at him as his normal world would deliver them: you should not, danger, etc. - friendly advice he sloughs off as inferior) and nearly starves to death. BUT, here's the interesting part, in his own mind he sees it all as idyllic and wants to continue. He creates his own fantasy i his head and lives there, while in truth he and the woman are starving to death. Anorexia anyone? If you know someone who believes in their own reality, make them watch this movie as psychotherapy. Will they survive? Watch and find out.

Two people who barely know each other, spend a year on an island together. They suffer malnutrition, stormy weather, and just plain I'm-sick-of-you-itis. I managed to catch this movie a while back on cable. I love watching movies from England, Australia or New Zealand because they're so different from what I'm used to. This movie didn't disappoint there. There was only one thing missing from this movie to make it totally realistic. Amanda Donohoe played a young, presumably fertile woman on an island for 12 months and never so much as had PMS, if you catch my drift. Forgive me, but as a woman, this is something I think of *whenever* I think about being stranded *anywhere* for months at a time. All in all, though, a very entertaining movie.

In the latter years of his film career Nicolas Roeg seemed to become a shadow of his former self and seemed to be working under increasingly limited budgets, but even a minor Roeg film is still worth watching.

The film's theme connects with several with his previous films, namely the breakdown in communication between women and men. Whether it is a communication barrier as in Walkabout or here where the two characters are isolated on an island and fail in their efforts to make it a liveable environment. Whether this is a reflection of the director's own views on relationships I cannot say, but, as noted above, it figures into many of his films.

Even if it is not prime Roeg it still has moments of flare that marked his cinematic style. It does play like an adult version of the 1980 film The Blue Lagoon but with more realistic consequences as they squander their food supplies and struggle to adjust to this primitive life. The cinematography is stunning and the early scenes have a lush and vivid quality that slowly begins to fade as their circumstances change and grow more dire. Both Amanda Donahoe and Oliver Reed give exceptionally good performances. This is not among my favourite of his films but I do enjoy watching it every so often.

Don't be misled by other comments posted here. The original uncensored version of this film shows Amanda Donohoe full frontal completely nude (yes, pubic hair and all). In fact she is fully nude in many, many scenes and with long lingering shots (almost voyeuristic).

She is a very beautiful woman and her nudity made the film far more realistic for 2 reasons. One is that people do often go about nude when there is nobody around, her nudity helped to convincingly portray a sense of isolation. Secondly, as a man I can get a sense of the frustration that Reed has when he sees her walking about and he can't touch.

I feel bad for the people who have seen this movie censored because there is very frequent high level nudity in this film, which means that the censored version would have been cut to ribbons. This may also explain the experience some people had with "short scenes" or "scenes that ended abruptly".

A very good film worth while watching (uncensored).

What a shame that the star of "Women in Love" and "Oliver" should end his days with such trash as this and "House of Usher". He overacts all through the movie. Of course, the plot is somewhat ridiculous but is every man's nightmare, "What if you were castaway on a desert island (by your own choice) with a beautiful woman who wouldn't let you near her?" She's a complete tease but is not portrayed as the villainess she actually is. She makes me, a woman, ashamed of my sex.

He is usually the gentleman, but despite the writing, Oliver shows the desperation of the man who really got screwed (and didn't). Can't waste any more time on this trivia. Oh, yes, I own the movie in case anyone wants it.