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The Out of Towners

  • 1970
  • G
  • 1h 41m
IMDb RATING
7.0/10
9.8K
YOUR RATING
Jack Lemmon and Sandy Dennis in The Out of Towners (1970)
Watch Official Trailer
Play trailer1:32
1 Video
65 Photos
FarceComedy

Ohio sales executive George Kellerman accepts a higher position within the company and travels to New York City with his wife Gwen for his job interview. But things start badly and only grow... Read allOhio sales executive George Kellerman accepts a higher position within the company and travels to New York City with his wife Gwen for his job interview. But things start badly and only grow worse in Neil Simon's dark urban comedy.Ohio sales executive George Kellerman accepts a higher position within the company and travels to New York City with his wife Gwen for his job interview. But things start badly and only grow worse in Neil Simon's dark urban comedy.

  • Director
    • Arthur Hiller
  • Writer
    • Neil Simon
  • Stars
    • Jack Lemmon
    • Sandy Dennis
    • Sandy Baron
  • See production info at IMDbPro
  • IMDb RATING
    7.0/10
    9.8K
    YOUR RATING
    • Director
      • Arthur Hiller
    • Writer
      • Neil Simon
    • Stars
      • Jack Lemmon
      • Sandy Dennis
      • Sandy Baron
    • 116User reviews
    • 27Critic reviews
    • 72Metascore
  • See production info at IMDbPro
    • Awards
      • 1 win & 3 nominations total

    Videos1

    Official Trailer
    Trailer 1:32
    Official Trailer

    Photos65

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    Top cast40

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    Jack Lemmon
    Jack Lemmon
    • George Kellerman
    Sandy Dennis
    Sandy Dennis
    • Gwen Kellerman
    Sandy Baron
    Sandy Baron
    • TV Man
    Anne Meara
    Anne Meara
    • Woman in Police Station
    Robert Nichols
    Robert Nichols
    • Man in Airplane
    Ann Prentiss
    Ann Prentiss
    • Airline Stewardess
    Ron Carey
    Ron Carey
    • Cab Driver - Boston
    Philip Bruns
    Philip Bruns
    • Officer Meyers
    • (as Phil Bruns)
    Graham Jarvis
    Graham Jarvis
    • Murray
    Carlos Montalbán
    Carlos Montalbán
    • Cuban Diplomat
    • (as Carlos Montalban)
    Robert King
    • Agent in Boston
    Johnny Brown
    Johnny Brown
    • Waiter - Train
    Dolph Sweet
    Dolph Sweet
    • Police Sergeant
    Thalmus Rasulala
    Thalmus Rasulala
    • Police Officer
    • (as Jack Crowder)
    Jon Korkes
    Jon Korkes
    • Looter
    Robert Walden
    Robert Walden
    • Looter
    Richard Libertini
    Richard Libertini
    • Baggage Man - Boston
    Paul Dooley
    Paul Dooley
    • Hotel Clerk - Day
    • Director
      • Arthur Hiller
    • Writer
      • Neil Simon
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews116

    7.09.8K
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    Featured reviews

    8imseeg

    What can go wrong, will go wrong. Hilarious comedy with an excellent hysterical performance by nervous wreck Jack Lemmon. Especially recommended for New York tourists!

    Control freak Jack Lemmon from Ohio has gotten a new prestigeous job offer in New York. He only has to get there by 9 am the folowing morning. Will he or wont he get there on time? Everything was planned to the tee, but what can go wrong, will go hilariously wrong, cumulating in numerous aggrevating disasters that keep raining down on this man from out of town, who is completely unaware of the dangers of New York.

    If you like Jack Lemmon's nervous ticks and worrying antics then you will surely like "The Out of Towners", which is filled with more disasters then a shipwreck movie. "After Hours" by Martin Scorsese and "Plain, trains and automobiles" with John Candy and Steve Martin must have been inspired by this story, because it has got so many resemblances. Steve Martin did a remake of "The Out of Towners" but it has got none of the fantastic nervous antics that Jack Lemmon specializes in. This movie could also be called "Die Hard for Travellers", because at the end of his journey Jack Lemmon looks like Bruce Willis having been shot to pieces.

    Especially recommended for tourists who are planning to visit New York!
    7ackstasis

    "I've got all your names and your addresses"

    I sat down at my computer, intent on writing a brief review of 'The Out of Towners (1970).' I figured it would take about thirty minutes to complete the review, and so planned my night accordingly. At first everything went to plan, and I remained on schedule; then – with a dull droning sound, like that of a whimpering animal – my computer suddenly took it upon itself to shut down for no apparent reason. With a light curse, I leaned across and rebooted it, and this time we got as far as the Windows welcome screen. Then the lights flickered brightly, and I was suddenly plunged into darkness; the power was out. Reflecting that perhaps it was only a problem with my own fusebox, I stepped out and circled around to the back of the house, where I fumbled somewhat pathetically with a few of the electrical dials. Just as I was heading inside, the power clicked back on, something in the fusebox sparked, and, before long, my entire home was ablaze… and nary a firetruck in sight.

    'The Out of Towners (1970)' might just be the most frustrating film I've ever seen. Whatever can go wrong will go wrong, and at the worst possible time, in the worst possible way. For a cocky businessman (Jack Lemmon) and his neglected wife (Sandy Dennis), a meticulously-planned trip to New York City is first disrupted by a seemingly-minor delay, which gradually blossoms into a fully-fledged urban disaster. With an important business interview scheduled for 9:00AM the following morning, George Kellerman must endure every difficulty known to Mankind, including the input of mousy wife, Gwen, with whom he is forced to form a shaky alliance. Flight delays, lost baggage, monsoon weather, muggings, kidnappings, city-wide transit strikes, vicious dogs, gas explosions – nothing is neglected, and George shouts himself hoarse throughout the proceedings, declaring his intentions to sue everybody whom he perceives as having contributed to his awful string of bad luck. Even God has seemingly neglected the pair, who are unceremoniously dismissed from a church by an unapologetic news camera crew.

    Lemmon and Dennis are very entertaining in the main roles, and the various supporting performances complement the story perfectly. It's interesting to note how the husband-and-wife relationship shifts constantly as they are confronted by each new setback: at first, George is rather dismissive of his wife, using her primarily to "verify" facts to be later used in the courtroom. Though she subsequently commits some rather foolish acts, such as handing over George's $200 watch to a strange caped man, the couple do eventually acquire a mutual respect towards each other. Neil Simon's story might also be interpreted as a critique of modern society, in which citizens in the bustling metropolises are unwilling to offer help to those in need of their assistance. Burdened by his own hefty share of difficulties, George is quickly consumed by the selfishness of the city and comes to care only for his own wellbeing. Gwen, however, retains her sense of moral rectitude and pauses to care for a lost boy in Central Park. Remind me never to go to New York.
    9mmitsos-1

    When Repetition Can Be Hysterical

    I've been reading some of the comments for this film, and I can't understand those who don't find it funny. Apparently they've never traveled or have never experienced a modicom of mess while traveling (and I LOVE to travel), or, have simply never had a really bad 48 hours, doing whatever! Lemmon's shear repetition of wanting to get everyone's phone number and address is hysterical, because through his fatigue in trying to cope with one problem after another in The Big Apple, he still finds the strength to take down everyone's name and number, and promises to retaliate at a later point in time. Sandy Dennis is a perfect, calm, albeit understandably very fatigued, foil for Lemmon's frustrated and hyper New Yorker-wannabe. For me, she's always a gem to watch.

    The scene in which Lemmon loses a tooth, followed by losing his hearing, followed by the ability to hear only every other word spoken, is quietly hysterical. Also very funny is his scene in the park "talking" to a little boy....that's all I'll say about that one. Overall, if you're in the mood for observing high-speed neurosis, played to comedic perfection by the inimitable Jack Lemmon, watch this film, and enjoy.
    dougdoepke

    Making The Unfunny Funny

    Hilarious Neil Simon comedy, that is, if you can tune into 80-minutes of what-else-can-go-wrong laughs. Seems upscale Lemmon and wife Dennis have to get from Ohio to NYC to accept his big time new job. Okay, no problem; except, the flight is detoured to Boston; there's a wrong train to NY; they're mugged in the city; then there's no room at their hotel, and a rain half-drowns them, etc., etc., etc. Like a string of slippery pearls, it's one adversity after another, and a real tribute to both performers that the frustrations are made amusing rather than off-putting. One thing for sure-- the flick's no valentine to NYC.

    Happily, no one could do jangled nerves better than the comedic Lemmon, while Dennis offers perfectly measured support. Together, they bring off the challenge with artful flair. The rest of the cast appear only momentarily as our benighted twosome move from one frustration to the next. In many years of movie viewing, I've seen nothing like this daring storyline. All in all, it's tricky material done slickly and to the proverbial T. Meanwhile, I won't be going to NY any time soon, and if I do, I'll take a fat paper pad for all the names I'll have to sue to get there. Many thanks, Jack and Sandy.
    10Sylviastel

    Better than the Remake!

    I didn't appreciate this film until I saw the updated version. This film starring Jack Lemmon and Sandy Dennis as Ohio visitors to New York City. The trip is nearly disastrous from the moment that they get off the airplane. Of course, this film is one of Neil Simon's better works. The couple lose their luggage, get robbed, and don't have a clue about the way that the city works. George is here for a job interview and has high hopes of moving to the city with his wife, kids, and dogs. He has a romanticized notion of New York City that he sees in the films and television shows. Being there is different from just the movies, I think the ending speaks for itself. New York City is not for everyone but it's how they came to the realization of how tough it is to be New Yorker and even the ending is something that could have generated a sequel.

    Best Emmys Moments

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    Related interests

    Leslie Nielsen, Robert Hays, Julie Hagerty, and Lorna Patterson in Airplane! (1980)
    Farce
    Will Ferrell in Anchorman: The Legend of Ron Burgundy (2004)
    Comedy

    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      Jack Lemmon was almost killed in the manhole explosion scene. The blast was much stronger than anticipated, and instead of only lifting the manhole cover a few inches up and away from the hole, it threw it several feet into the air. A few seconds later, it falls hard in the ground, very close to Jack Lemmon's head. The actor was then hit in his left leg when the cover bounced, and although startled and in pain, he stayed in character. That shot was used in the final film.
    • Goofs
      As George and Gwen pull over on the way to the airport to have a brief chat, it is clear they are in a country setting - the view out of the front window is of trees, grass, and foliage. But after their brief conversation, and without driving anywhere, they are on a busy street with a diner and businesses all around them.
    • Quotes

      Gwen Kellerman: [after hearing George had been offered the Vice-President position] What did you say, George?

      George Kellerman: What did I say? What do you think I said?

      Gwen Kellerman: I don't know, George. I was hoping you would say no. I was hoping you would say that you and your wife don't really belong in New York. That you wanted to live the rest of your life in Ohio. That you never wanted to see a big city again as long as you live. That you didn't want to live here or in, uh, Chicago, or San Francisco, or New Orleans or Paris or any other place where people have to live on top of each other, and they don't have enough room to walk or to breathe or to smile at each other. That you don't want to step on garbage in the streets, or be attacked by dogs or have to give away watches in the middle of your sleep to men in black capes. That you were through traveling on trains that had no place to sit & no food to eat. And you didn't want to fly in airplanes that have no place to land, and no luggage for you when you land there. That you wish you never came here, and the only thing in the world you really wanted was to pick up your wife and carry her to the airport and fly home... and live happily ever after. That's what I was hoping you would say, George.

      George Kellerman: That's funny... that's what I told him, word for word.

    • Alternate versions
      There are two different available versions of this film. One which is shown on television (American Movie Classics), features music in certain spots of the movie, and the title song is the theme used in the night driving scenes in the picture. The other version, on home video, features slighly different songs through the picture and a title song which is used at the end in all versions.
    • Connections
      Featured in America at the Movies (1976)

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    FAQ17

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    Details

    Edit
    • Release date
      • May 28, 1970 (United States)
    • Country of origin
      • United States
    • Languages
      • English
      • Spanish
    • Also known as
      • The Out-of-Towners
    • Filming locations
      • Islip MacArthur Airport, Ronkonkoma, Long Island, New York, USA(The "Ohio" airport that the Kellermans arrive at)
    • Production company
      • Jalem Productions
    • See more company credits at IMDbPro

    Box office

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    • Gross US & Canada
      • $4,337,392
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      • 1h 41m(101 min)
    • Color
      • Color
    • Sound mix
      • Mono
    • Aspect ratio
      • 1.78 : 1

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