Iron Warrior

This is the third sequel to Ator The Fighting Eagle. Ator was a cheapo Italian barbarian movie that was bad that I did like. This flick is even cheaper, cheesier and more poorly acted. Ator( a different actor from the original film) must help the princess reclaim her kingdom from a evil witch that also has Ator's evil twin brother under her command. This is a clumsy film and is super cheesy, even by 80's standards. The fight sequences are mostly bad, the chemistry between Ator and The Princess is not there, making the love story really awkward. The editing and overall continuity of the movie is really bad. In the realm of cheapozid sword and sorcery flicks, Iron Warrior scrapes towards the bottom of the barrel of beefcake fantasy action. It's good for a laugh, but I would much rather watch Death stalker or any movie in that series over this.

I can understand why fans of Sword and Sorcery films might be disappointed with this film. However it is a distinctive tale with some genuinely artistic direction. The Maltese locations are inspired especially when you consider the mystique surrounding those early cultures.

The action sequences don't stand up to modern scrutiny, but the hero certainly looks the part. Trogar isn't the worst unstoppable creature I've seen. The two leads are restrained - you might say 'wooden' but that works well if you accept the film's legendary feel.

The real liveliness of the film comes from the Witchy bad girl who is clearly having fun; and the Timelord-style goddesses who oppose her.

The film isn't exciting but neither is it predictable. The script isn't bad at all and seems to have some ambitions with regard to dualism and the need for balance in the universe.

I won't throw my copy away.

"Iron Warrior" introduces a new style both for Ator (he has black hair now, in a ponytail, and barely utters more than fifty words in the entire movie) and for the series itself. Director Brescia drops the silliness and campiness of the two D'Amato-directed "Ator" flicks in favor of a pseudo-arty approach. He employs every trick in the book: slow-motion, fast-motion(!), wide-angle lenses, cheap editing tricks to make people "disappear", etc. But the result in nothing more than a ponderous, often incomprehensible film that you may have to struggle to get through. The Malta locations are admittedly very beautiful, though. (*)

I recently watched the Italian fantasy film 🇮🇹 Iron Warrior (1987) on Tubi. The storyline follows a kingdom plagued by a witch who returns who they threw out before and is back for revenge. The princess of the kingdom escapes and seeks help from a man with a grudge against the witch. Can they overthrow her together?

Directed by Alfonso Brescia (The Conqueror of Atlantis), the film stars Miles O'Keeffe (The Blade Master), Elisabeth Kaza (Rosebud), Savina Gersak (The Lone Runner), and Iris Peynado (Warriors of the Wasteland).

Iron Warrior is undeniably low-budget, and it shows. The costumes, props, wigs, and sets all appear cheap, giving the film a made-for-television feel. It embodies the essence of the 80s with its characters and premise. The acting and dialogue leave much to be desired, and the random poses by characters come across as awkward. However, it's worth noting that the Italian damsels are gorgeous, and there is occasional splashes of nudity. The soundtrack, reminiscent of 80s arcade video game background music, and stands out as a positive aspect.

In conclusion, Iron Warrior is a mediocre addition to the fantasy genre that may only appeal to diehard fans. I would rate it 4/10.

The first Ator film, Ator The Fighting Eagle, was, for undiscriminating sword and sorcery fans, an enjoyable enough low-budget Conan ripoff. It was about on par with the first Deathstalker movie. The second Ator film, The Blade Master, was incredibly cheap and cheesy with hang-gliding and possibly the fakest looking giant snake I have ever seen in a motion picture. The fourth film, Quest for the Mighty Sword, did not have Miles O'Keefe as Ator and thus was not the same. I have no idea why O'Keefe did not come back for the fourth film, maybe because he knew there was no way it would top the third, Iron Warrior, easily the weirdest entry in the series.

Weird, how, some may ask. Joe D'Amato is gone as director and new director and co-writer Alfonso Brescia (Al Bradley) brings an artificially arty look to the film and proceedings. Its low-fi existentialism suggests Monte Hellman making a fantasy, but the bright colored lighting is like mid-1980s Miami Vice. Iron Warrior does far more than suggest with some of its influences.

Remember that scene in the 1978 Superman movie when General Zod and his co-conspirators are tried and exiled? Well, prepare to see a variation on the scene early on in Iron Warrior. How about when the evil sorceress Phoedra crashes the princess's birthday party with a "gift," a scene that comes straight from Sleeping Beauty. Fantasy fans may remember how in Excalibur Morgana imprisoned Merlin, well, guess what, it is here as well. Oh, a boulder similar to The Raiders of the Lost Ark is also present. These blatant thefts, in a way, add to the film's unusual charm.

Charm? Is there anything to recommend Iron Warrior? Yes, Miles O'Keefe, who played Ator in the first three films, brings some much needed gravity to the role in this movie. The character has lost his swagger and is more weary. O'Keefe plays this well. Iron Warrior does have the best performance I have ever seen from O'Keefe. Second, the film is not boring. It is so odd that one keeps wondering what will happen next.

Iron Warrior's story is mostly typical of fantasy films - an evil sorceress, separated brothers, a princess, and a quest. There is disappointingly no monster however. The film does have an unusual, for the genre, female driven plotline. The beings controlling the mere mortals are all women, sorceresses. It is a change that makes Iron Warrior feel different than the other Ator movies. Although, to be honest, story continuity is pretty much ignored throughout the Ator series.

Some may wonder why I am defending what is clearly a low budget, genre-robbing movie.

Sometimes one will watch a "good" movie and like it but never watch it a second time, either deliberately or one just never gets in a mood to re-watch it. Then, there is the occasional "bad" film that one will watch multiple times. I have watched Iron Warrior twice now. I strongly suspect I will watch it at least a third time. I do still prefer Ator, the Fighting Eagle, but I have soft spot for Iron Warrior.