House of Games

I knew nothing about this movie when I saw it on tv many years ago and had never seen 'The Sting' before seeing this. It's best to enjoy these type of movies without any prior knowledge, because if you knew anything about it before hand, you could work out the plot after 10 minutes. A movie that seems a straight forward thriller, but actually deals more with the desire to explore one's darker side. Mamet maybe made some of the plot twists seem a tad to obvious and doesn't quite manage to shake of a 'tv' approach, but that doesn't matter because Joe Mantegna gives a superb performance that lifts the other cast members above tv standard.

One of David Mamet's better movie efforts (like Untouchables, Spanish Prisoner and Glengarry Glen Ross), it's best knowing nothing about this movie before seeing it.

8/10.

In Seattle, Margaret Ford (Lindsay Crouse) is a successful psychiatrist and writer of a best-seller. When her client Billy Hahn (Steven Goldstein) tells that he owes US$ 25,000 to the gambler Mike (Joe Mantegna), he threatens to commit suicide with a gun. Billy also tells that Mike will kill him anyway and she is not helping him. Margaret feels powerless but she promises to help him if he delivers his pistol to her. Margaret goes to the House of the Games, a place where gamblers play pool in the saloon and poker in the rear, and she meets the cynical con man Mike. He tells that Billy owes him only US$ 800 and he would forget the debt if she helps him in a poker game. Margaret observes a player but she finds in the end that it was a scheme of Mike and his friends to take money from her. On the next morning, Margaret visits a patient and she feels that she cannot help her. Her friend and adviser Dr. Maria Littauer (Lilia Skala) suggests that she should give a break in her career and write another book. Margaret seeks out Mike and asks to see how he operates since she wants to study the confidence games to write a book. He agrees and Margaret begins her journey to her dark side.

"House of the Games" is the directorial debut of the writer David Mamet with an intelligent thriller. The story of a psychiatrist that feels powerless to help her patients and befriends the con man Mike and his friends to write a new book is a powerful characters study. Mike' scheme is predictable but the plot keeps the attention of the viewer until the last scene. In addition, the cinematography is top-notch. My vote is eight.

Title (Brazil): "O Jogo de Emoções" ("The Game of Emotions")

A renowned therapist is charmed by a confidence man and soon finds herself drawn into a deadly web that threatens her reputation. A big problem is the central character, a supposedly smart doctor who makes bone-headed decisions. The lackluster performance of Crouse (then Mrs. Mamet) doesn't help. Mantegna is fine as the con man. In his directorial debut, Mamet creates an appropriately dark atmosphere. Ironically, the script by this Pulitzer Prize winning writer is disappointing. The plot has too many holes and the twists and turns can be seen from a mile away. The story is too contrived and ultimately unsatisfying.

Wealthy psychiatrist Lindsay Crouse has just published her first novel and is feeling down about her profession feeling that it's hopeless to help her patients. A young gambling junkie client asks her to help him pay off his debts if he truly wants to help him get better. Here she gets involved with Joe Mantegna. To reveal any more of the plot would spoil one hell of a fun movie and 'House of Games' may very well be the best con movie I've seen. David Mamet wrote and directed this gem that's full of snappy dialogue, great one-liners, and enough twists to keep you guessing til the end. Crouse is perfect as the uptight psychiatrist needing a change and Mantegna tops her as the devilishly sly con-man. And with the exception of a coincidence in the last quarter of the movie, the film is in utter control of it's audience; and we are loving the con.

*** out of ****

I've viewed this film four times and at each viewing my interest was piqued a little more and I appreciated the film a little more. Granted the stylized approach is a little off-putting at first, but on repeated viewings, it becomes appropriate in the context of the film. Lindsay Crouse,(Mamet's wife at the time), plays a psychiatrist who methodically approaches her treatment of her patients, is a very closed person, and seemingly unfulfilled; hence, her interest and eventual immersion into the activities happening in the House of Games. Her almost robotic reading of the lines seems to fit her screen personality. She is at first curious and then becomes obsessed with Joe Mantegna and his way of life. As we will see, she plays right into his hands, and so do we. I won't go into detail about the story and it's strengths since it has been said better in previous reviews on this board. But the big con is on us, the viewers......we think we know what is happening...in fact we think we know several times. WRONG!! The ending will blow you away and if you figured it out, you need to be working the con game. This is a strange, almost erotic movie that will fascinate you, even though it might take a couple a viewings to fully appreciate it.