Bernardo Bertolucci's Oscar-winning dramatization of China's eleventh and final monarch of the Qing dynasty: Emperor Puyi.Bernardo Bertolucci's Oscar-winning dramatization of China's eleventh and final monarch of the Qing dynasty: Emperor Puyi.Bernardo Bertolucci's Oscar-winning dramatization of China's eleventh and final monarch of the Qing dynasty: Emperor Puyi.
- Won 9 Oscars
- 58 wins & 20 nominations total
Ruocheng Ying
- The Governor
- (as Ying Ruocheng)
Cary-Hiroyuki Tagawa
- Chang
- (as Cary Hiroyuki Tagawa)
Tsou Tijger
- Pu Yi (8 years)
- (as Tijger Tsou)
Tao Wu
- Pu Yi (15 years)
- (as Wu Tao)
Guang Fan
- Pu Chieh (Adult)
- (as Fan Guang)
Featured reviews
Every time I mention to someone that I hadn't seen The Last Emperor, the first reaction is disbelief, and the second is `It is such a good movie'. And indeed it was. I'm not sure what the non-director's cut was, because the version I saw was the director's cut, but it was absolutely fantastic. Not once did I think that the nearly four hour run time was too long because the story was so compelling, the direction brilliant and the acting engaging. I find it hard to believe that it took me this long to see this film, and I also find it hard to believe it is not in the IMDB Top 250. Its Best Picture and Director honors were well-deserved, and the Oscar-winning score is amazing. I'll admit that I was left hanging a bit in regard to the Emperor's wife, but that is the only thing that I can remotely find slightly lacking in this film. An outstanding film, The Last Emperor is entertaining, informative and important.
--Shelly
--Shelly
Best movie about the East I've ever seen.
The credo of many famous western movies (from "Die Hard" to "Truman show") is a lonely hero who challenges fate or numerous "bad guys". He usually wins on the screen. Unfortunately, it rarely happens in real life. Especially, on the East.
Six years ago I thought about this movie as a metaphor of "history-person" relations. Past and present of my birthplace (Russia) is exceptionally rich with biographies of worthy people that have become puppets in the hands of history or some dictator (e.g.Stalin).
Now a "parallel" interpretation arose. We can think also about "fate-person" relations. Our fate is often personalized by the forces of subconscious. Historical and subconscious forces have much in common. Both are very strong and tend to provocation. An attempt to beat them often comes to end in the same way as the attempt of Pu Yi to "use Japan". In both cases, information that we have in our struggle is extremely restricted.
The last remark. We had all been Emperors in early childhood. Then we've been overthrown and it's impossible to return the Kingdom. I wonder, why the Scotland tutor haven't told it to Pu Yi?
The credo of many famous western movies (from "Die Hard" to "Truman show") is a lonely hero who challenges fate or numerous "bad guys". He usually wins on the screen. Unfortunately, it rarely happens in real life. Especially, on the East.
Six years ago I thought about this movie as a metaphor of "history-person" relations. Past and present of my birthplace (Russia) is exceptionally rich with biographies of worthy people that have become puppets in the hands of history or some dictator (e.g.Stalin).
Now a "parallel" interpretation arose. We can think also about "fate-person" relations. Our fate is often personalized by the forces of subconscious. Historical and subconscious forces have much in common. Both are very strong and tend to provocation. An attempt to beat them often comes to end in the same way as the attempt of Pu Yi to "use Japan". In both cases, information that we have in our struggle is extremely restricted.
The last remark. We had all been Emperors in early childhood. Then we've been overthrown and it's impossible to return the Kingdom. I wonder, why the Scotland tutor haven't told it to Pu Yi?
Bernardo Bertolucci's "The Last Emperor" is a monumental, perfect film, and stands as one of the great artistic achievements in any artistic medium.
Told in a complicated flashback/ flash-forward style, it's the story of Pu Yi (born 1906) who was the last absolute monarch of China. During his lifetime he falls from the Lord of Ten Thousand Years, the emperor/God of billions of Chinese, to an anonymous peasant worker in communist China.
Pu Yi was the child emperor from 1908 until the Chinese revolution in 1911 when he had to abdicate. He was allowed to remain in the Forbidden City but was stripped of his power by the communists. He was expelled from the city in 1924 by a warlord. In 1932, Puyi was installed by the Japanese as the ruler of Manchukuo, a puppet state of Imperial Japan. At the end of World War II, Pu yi was captured by the Soviet Red Army and turned over to the Chinese communists. Considered a traitor, he spent ten years in a reeducation camp until he was declared reformed. He voiced his support for the Communists and worked at the Beijing Botanical Gardens.
This film vividly portrays the change from the imperial and religious traditions of ancient China to the godless totalitarianism of modern communist China, so the film is, on one level, the story of China's revolutionary transition from imperialism to communism.
Visually the film is stunning especially the scenes in the Forbidden City. It was the first film to receive permission to film in the Forbidden City.
The film can be enjoyed on the first viewing but really demands more than one viewing and some knowledge of history. In this respect it resembles Akira Kurasawa's masterpiece "The Seven Samurai.
The cast includes John Lone as emperor Pu Yi, Joan Chen, and Peter O'Toole.
The film won 9 Oscars including best director and best film. A must see on DVD widescreen or in the theater.
Told in a complicated flashback/ flash-forward style, it's the story of Pu Yi (born 1906) who was the last absolute monarch of China. During his lifetime he falls from the Lord of Ten Thousand Years, the emperor/God of billions of Chinese, to an anonymous peasant worker in communist China.
Pu Yi was the child emperor from 1908 until the Chinese revolution in 1911 when he had to abdicate. He was allowed to remain in the Forbidden City but was stripped of his power by the communists. He was expelled from the city in 1924 by a warlord. In 1932, Puyi was installed by the Japanese as the ruler of Manchukuo, a puppet state of Imperial Japan. At the end of World War II, Pu yi was captured by the Soviet Red Army and turned over to the Chinese communists. Considered a traitor, he spent ten years in a reeducation camp until he was declared reformed. He voiced his support for the Communists and worked at the Beijing Botanical Gardens.
This film vividly portrays the change from the imperial and religious traditions of ancient China to the godless totalitarianism of modern communist China, so the film is, on one level, the story of China's revolutionary transition from imperialism to communism.
Visually the film is stunning especially the scenes in the Forbidden City. It was the first film to receive permission to film in the Forbidden City.
The film can be enjoyed on the first viewing but really demands more than one viewing and some knowledge of history. In this respect it resembles Akira Kurasawa's masterpiece "The Seven Samurai.
The cast includes John Lone as emperor Pu Yi, Joan Chen, and Peter O'Toole.
The film won 9 Oscars including best director and best film. A must see on DVD widescreen or in the theater.
Bernardo Bertolucci left a remarkable impression on the Academy with The Last Emperor, taking away nine oscars including one for best film and best director. This film will leave a lasting impression on those who view it as well. Last Emperor provides a strong message through its main character Pu-Yi. Although the film bases its story on the true life accounts of the last emperor of China, Last Emperor shows that life can deal one undesirable circumstances and the way one reacts and handles these circumstances determine one's place in history. Bertolucci's powerful method of storytelling also further enhances the greatness of Last Emperor. The motif of pursuing a forbidden love that remains out of reach presents a tearful message. Who cannot get misty eyed seeing an eight year old Pu-Yi chasing after his beloved nanny or an almost exact similar scene when a much older Pu-Yi chases his insane first wife? Last Emperor will move even the most adamant viewer. "To his majesty, the emperor... Ten thousand years!"
'The Last Emperor' tells the story of Pu Yi, as an adult played by John Lone, the last emperor of China. He was three years old when he first sat down on the Dragon Throne. He didn't know anything. The movie tells his story from that moment in flashbacks. We also get to see Pu Yi when the Chinese Communists have the power and he is imprisoned. Because people have taken care of him the rest of his life, from three years old to the moments inside the prison, it still feels he knows nothing.
To tell you about the life of Pu Yi would be a mistake. You have to see this movie to learn more about it. The strange thing is that Pu Yi can not do and decide much for himself. He is a hero of a movie where he is controlled by rules and other people. That is one of the reasons not many real things happen. We see the emperor grow up, we see him take an empress and a concubine, and then he has to leave the Forbidden City because the enemy is at the gate.
The impressive thing here are the locations and the costumes. Everything looks fabulous and it is not a surprise to find out that the movie was shot on location. With all the extras in those beautiful costumes there are a lot of very impressive scenes. May be the movie is a bit too long for some, it didn't really bother me. Director Bernardo Bertolucci has made a terrific movie.
To tell you about the life of Pu Yi would be a mistake. You have to see this movie to learn more about it. The strange thing is that Pu Yi can not do and decide much for himself. He is a hero of a movie where he is controlled by rules and other people. That is one of the reasons not many real things happen. We see the emperor grow up, we see him take an empress and a concubine, and then he has to leave the Forbidden City because the enemy is at the gate.
The impressive thing here are the locations and the costumes. Everything looks fabulous and it is not a surprise to find out that the movie was shot on location. With all the extras in those beautiful costumes there are a lot of very impressive scenes. May be the movie is a bit too long for some, it didn't really bother me. Director Bernardo Bertolucci has made a terrific movie.
Oscars Best Picture Winners, Ranked
Oscars Best Picture Winners, Ranked
See the complete list of Oscars Best Picture winners, ranked by IMDb ratings.
Did you know
- TriviaThe first Western film made in and about the country to be produced with full Chinese government cooperation since 1949.
- GoofsThe Emperor was not in the Forbidden City to witness the expulsion of the eunuchs. This action was carefully planned with few people knowing, since the Emperor could trust very few of his intimates. The order to remove the eunuchs was received in the Forbidden City while the Emperor was visiting at a friend's home. Also, not all of the eunuchs were dismissed, as the Empress Dowager begged Pu Yi to allow a few of her personal servants to remain.
- Quotes
Reginald Fleming 'R.J.' Johnston: Words are important.
Pu Yi, at 15: Why are words important?
Reginald Fleming 'R.J.' Johnston: If you cannot say what you mean, Your Majesty, you will never mean what you say and a gentleman should always mean what he says.
- Alternate versionsThe theatrical version runs 163 minutes. A 218 minute version was released in the US in 1998 under the mistaken title of the "Director's Cut". It was known by this erroneous title until the 2008 Criterion DVD and Blu-ray Disc came out. Bertolucci and DP Vittorio Storaro made it clear while working on the DVD and BD that the shorter theatrical version is without doubt the director's cut. The 218 minute version was an early cut meant only to be aired as a four-part television mini-series by the Italian television network that funded the film.
- SoundtracksKaiser Walzer (Emperor Waltz) op. 437
Written by Johann Strauss (as Johann Strauss)
Performed by Berliner Philharmoniker (as The Berlin Philharmonic Orchestra)
Conducted by Herbert von Karajan
with kind permission of Polydor International GmbH
Details
- Release date
- Countries of origin
- Languages
- Also known as
- El último emperador
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- £23,000,000 (estimated)
- Gross US & Canada
- $43,984,230
- Opening weekend US & Canada
- $149,460
- Nov 22, 1987
- Gross worldwide
- $44,043,391
- Runtime
- 2h 43m(163 min)
- Color
- Aspect ratio
- 2.39 : 1
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