Madhouse

The opening is good and creepy. There's pretty good atmosphere throughout the film. I would say for the most part they pull off the evil sister + rottweiler combo pretty well. The kills in the film are decent as well. The biggest downside to this movie is that the effects are not the best. You'll see what I mean. They work for the most part, but the opening scene makes you wonder whether it's supposed to be a doll or a human she is hitting in the face.

One other complaint is that there are some (movie) deaths of animals on screen which not everyone might tolerate, even if it isn't real. Other than that, can't complain about much else. The acting was actually quite good. For the most part the film is well executed and makes a fine contribution to the roll of 80s slasher films. I do think this is one of the better ones, and would definitely recommend you see it if this is the kind of film you seek out.

Ovidio G.Assontis "Madhouse" is a pretty good shocker which offers plenty of mood and bloody violence.This obscure little gem appeared on the infamous 'video nasties' list,but personally I don't know why.The film features some really gruesome moments,but nothing too shocking or memorable.The killings are actually pretty tame,but the power-drill scene is quite nasty.The finale is very gory and should satisfy fans of splatter.The score by Riz Ortolani of "Cannibal Holocaust" fame is decent as it provides some chills.The film is pretty tough to find,but if you like Italian horror give it a look.8 out of 10.

This is a fun 80s horror movie. It's a bit unpredictable because it doesn't make sense. But it has such a zany energy that it's forgivable imo. Dennis Robertson's performance stands out as being memorable. I will reiterate - you'll have to turn your brain off to enjoy this one. It's creepy and well-made. And it will not answer the questions it raises. It doesn't care about logic.

Julia, a teacher in a school for the deaf, has a hideously deformed and deranged twin sister that resides in the local loony bin. She escapes to gate-crash a surprise birthday party for Julia. Sort of like "Halloween", but not exactly. This is more like the left-handed, red-headed little step-cousin through marriage. That is to say, a much lesser breed. (Some have gone so far as to call it a ripoff of "Happy Birthday to Me", but that is unfair.)

In the world of Italian horror, the name Ovidio G. Assonitis doesn't get floated around much. I mean, did you ever see the "Jaws" ripoff "Tentacles"? The one where Shelley Winters wears the giant hat? If you have seen one of Assonitis' films, it was most likely one of these two. And even then, it was probably on accident unless you searched "Madhouse" out for being on the Video Nasties list.

Critic Jim Harper's analysis of this film is well-stated. Harper describes the film, aside from the notorious dog scene (which is not as shocking as you may think), as "not quite so interesting". He deems that the movie "can't be considered a total failure", which is a bit of a forced compliment. Really, the plot is not much to work with, and the only thing that distinguishes this film from other Italian films of the same period is the superior video quality (which looked great in 2008 and looks even better in 2017 thanks to the Arrow 2K restoration).

Harper understates the score of Riz Ortolani as "annoying". While annoying is an accurate summary, this doesn't really highlight the full extent of its inanity. What you will hear is an odd group of space sounds that would fit perfectly on an Atari game, such as "Asteroids", but has no place in a movie of this kind -- or maybe any kind. What is called "music" is little more than sound effects poorly strung together. This is a shame as Riz Ortolani was also the composer of "Mondo Cane" and "Cannibal Holocaust", among many others, so he can clearly do better.

Fans and collectors of Italian horror or slashers will take delight in watching this one. Yes, it is poorly scripted, low budget and comes with minimal plot. But, frankly, this is something that makes the slasher film enjoyable. If this is what you're looking for, give "Madhouse" (or "There Was a Little Girl", as it is sometimes called) a try. If you're looking for superior horror fare or a positive introduction to Italian horror, this is not it. Try some Fulci or Argento from this period first.

The Arrow Blu-ray features audio commentary with Justin Kerswell, author of "The Slasher Movie Book", and his friends. We have a new interview with actress Edith Ivey (who recounts the way the director had to direct through an interpreter). There is also a new 18-minute interview with cinematographer Roberto D'Ettorre Piazzoli, who may perhaps be the one who knew the director best. And, surprise, a brief interview with Ovidio Assonitis himself (and his English is actually very good). The only thing missing is a chat with the lead actress (Trish Everly), who never appeared in anything else before or since. Where is she?

"Madhouse," also released under the titles "And When She Was Bad" and "There Was a Little Girl," focuses on Julia, a teacher in Savannah, Georgia whose twin sister, Mary, has spent most of her life in a psychiatric institution. After an overdue visit to see her, Julia becomes increasingly paranoid about her sister's ominous warning that she will take revenge on her, and as their mutual birthday approaches, people in Julia's life start dying.

Co-written and directed by Italian filmmaker Ovidio G. Assonitis (who several years prior directed the fever-dream "Exorcist" ripoff "Beyond the Door"), "Madhouse" is a halfway decent slasher film that draws on a confluence of contemporaries, but doesn't quite manage to live up to what it sets out to do. The film has been credited by genre fans for its atmosphere and photography, and that is most definitely where I feel the film excels as well. The house it's set in is wildly eerie and the Georgia setting lends an additional layer of Southern Gothic atmosphere that is at times intoxicating.

At times the film feels like a straightforward slasher; at others, it seems like it's edging into the territory of the supernatural, and this lack of transparency keeps the audience on their toes for the first half. The film begins to lose this balancing act though in the last thirty minutes with a premature slipshod reveal and a conclusion that feels uninspired and lazily unfurled. It doesn't necessarily go where you expect it to—I'll give it that— but it's less about the nature of the revelation and more about how it's broached in the narrative. The film was notoriously banned in the UK during the "video nasty" era, and it does boast some considerable gore, though I did feel the bulk of the killings relied a bit too much on the canine dispatch (which itself seems to be a riff on "The Omen" and "Suspiria"). The cast is mostly made up of unknowns, but the performances are decent for a film of this type.

Overall, I found "Madhouse" to be a bit underwhelming, mainly because it sets itself up for greatness, and then handles its conclusion in a way that feels lazy and uninspired given all that precedes it. As sluggish as the last act is, I do have to praise the film for its curation of atmosphere and the moody cinematography. There are some truly unnerving scenes in the house that are memorable, and the film does manage to establish a sense of foreboding before it nearly undoes itself. 6/10.