IMDb RATING
6.6/10
1.6K
YOUR RATING
New York journalist visits her distant cousin for the first time to write an article about her hard life in the bayous of Louisiana. Journalist's wild drug addicted daughter just adds to ten... Read allNew York journalist visits her distant cousin for the first time to write an article about her hard life in the bayous of Louisiana. Journalist's wild drug addicted daughter just adds to tensions between two families' cultures.New York journalist visits her distant cousin for the first time to write an article about her hard life in the bayous of Louisiana. Journalist's wild drug addicted daughter just adds to tensions between two families' cultures.
- Awards
- 2 wins & 2 nominations total
Featured reviews
It's hard to even put one's finger on what Konchalovskiy actually thought he was doing because as a whole the film doesn't hold together and looks rather fragmented. Maybe he wanted to do a horror flick or he didn't even have a coherent concept but just went shooting and hoping that something will come out of it?
The script has distinctive feeling of an old school Russian theatrical play - too much pathos and sharp separations between formal acts. That damages the flow and makes it look too verbal and melodramatic (which does work for live theater), as if it was used because they (3 writers) didn't have enough ideas for a smooth flow. Also a retard son was a cliché without any purpose or history.
The cast was very uneven in quality and makes me think that maybe Konchalovskiy run out of ideas on what do do with actors. Barbara Hershey has done a great job but the character is still monotone and that's a direction flaw (she has done enough very different characters to be able to portray a character transition). Martha Plimpton did well as Grace but it looks like she was left to her own devices and she needed directional help to go from "well" to "great". Jill Clayburgh was abysmal, ruined half of the flick and made me think how would Meryl Strip or Glenn Close make that role fly sky high.
Cinematography was way to much of a Chris Menges showing off and not thinking about the whole. In some scenes it looks so artificial that it make you snap out of the flow. Also it's way too much of a flat gray and lacking a range which is a trap that indulgent cinematographers sometimes fall into. Whatever he saw as gradations of gray on the set is lost even on celluloid and turns into a smudge in digital.
Portraying eerie requires enough contrast for the audience at large to see visual structure instead of a flat surface. Some thinking and effort to transition from say lush green to foggy to rainy to "vapor above a water" and some testing to check what is realistically discernible on screen with the tech at hand.
The script has distinctive feeling of an old school Russian theatrical play - too much pathos and sharp separations between formal acts. That damages the flow and makes it look too verbal and melodramatic (which does work for live theater), as if it was used because they (3 writers) didn't have enough ideas for a smooth flow. Also a retard son was a cliché without any purpose or history.
The cast was very uneven in quality and makes me think that maybe Konchalovskiy run out of ideas on what do do with actors. Barbara Hershey has done a great job but the character is still monotone and that's a direction flaw (she has done enough very different characters to be able to portray a character transition). Martha Plimpton did well as Grace but it looks like she was left to her own devices and she needed directional help to go from "well" to "great". Jill Clayburgh was abysmal, ruined half of the flick and made me think how would Meryl Strip or Glenn Close make that role fly sky high.
Cinematography was way to much of a Chris Menges showing off and not thinking about the whole. In some scenes it looks so artificial that it make you snap out of the flow. Also it's way too much of a flat gray and lacking a range which is a trap that indulgent cinematographers sometimes fall into. Whatever he saw as gradations of gray on the set is lost even on celluloid and turns into a smudge in digital.
Portraying eerie requires enough contrast for the audience at large to see visual structure instead of a flat surface. Some thinking and effort to transition from say lush green to foggy to rainy to "vapor above a water" and some testing to check what is realistically discernible on screen with the tech at hand.
This is one of my favorite movies. Barbara Hershey is awesome. The portrayal of the bayou is very realistic, claustrophobic, eerie, and downright real. It's kind of a feminine Deliverance. I'm glad I saw this when it came out as it is hard to find now--not on DVD. Definitely worth it. Should have been up for a few Oscars. Why can't it be out on DVD? This is an important film also in that it shows there is more drama to the swamp as landscape that one would think with all the swamp creature movies out there. Yes, there really are creatures in the swamp, but there are also people, just like us. The brothers are also great and the cinematography is stupendous.
10Rod Evan
Beautiful photography of the Louisiana bayou and excellent performances by Barbara Hershey and the rest of the cast make for a gripping drama. Criticised by some for being melodramatic, this film is more than a comparison of the city and country life. It is also surely an analogy by director Konchalovsky for the Soviet Union progressing through harsh but effective tyranny to a more uncertain and questionable "freedom".
Barbara Hershey was incredible as usual. This film will stay with you well after its over.
I agree with the previous poster that Shy People has definitely fallen through the cracks. It is haunting, and sometimes even a bit hard to watch. However the performances by Jill Clayburgh, Barbara Hershey and the supporting cast are awesome. Ever been to the bayou? I spent two years in Lousiana and explored the landscape every chance I got. I have to say that this film probably captures that life better than any I've ever seen. The clash between that isolated world, seemingly cut off from the rest of society, and that of Jill Clayburgh's classy New York existence is fascinating. On the surface, these two families have absolutely nothing in common, and yet, they somehow have a profound affect on one another. Since this film isn't on DVD, it can be hard to find. However if you do, don't miss it. It's one that tends to stay with you for a while afterward which seems to rarely happen these days.
Did you know
- TriviaWas #4 on Roger Ebert's list of the Best Films of 1988.
- SoundtracksShy People
Written and Arranged by Tangerine Dream
Lyrics by Ron Boustead
Vocal Performance Arranged by Michael Bishop
Produced and Mixed by Michael Bishop and Barry Rudolph
- How long is Shy People?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Shy People - Bedrohliches Schweigen
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $769,119
- Runtime
- 1h 58m(118 min)
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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