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Swimming to Cambodia

  • 1987
  • R
  • 1h 25m
IMDb RATING
7.6/10
2.5K
YOUR RATING
Swimming to Cambodia (1987)
Clip: Vomiting in the Sand
Play clip2:02
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1 Video
6 Photos
ComedyDrama

Spalding Gray discusses his participation in the film The Killing Fields (1984) and the background story about the troubles of Cambodia.Spalding Gray discusses his participation in the film The Killing Fields (1984) and the background story about the troubles of Cambodia.Spalding Gray discusses his participation in the film The Killing Fields (1984) and the background story about the troubles of Cambodia.

  • Director
    • Jonathan Demme
  • Writer
    • Spalding Gray
  • Stars
    • Spalding Gray
    • Sam Waterston
    • Ira Wheeler
  • See production info at IMDbPro
  • IMDb RATING
    7.6/10
    2.5K
    YOUR RATING
    • Director
      • Jonathan Demme
    • Writer
      • Spalding Gray
    • Stars
      • Spalding Gray
      • Sam Waterston
      • Ira Wheeler
    • 19User reviews
    • 30Critic reviews
    • 68Metascore
  • See production info at IMDbPro
    • Awards
      • 5 nominations total

    Videos1

    Swimming to Cambodia
    Clip 2:02
    Swimming to Cambodia

    Photos5

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    Top cast3

    Edit
    Spalding Gray
    Spalding Gray
    • Self
    Sam Waterston
    Sam Waterston
    • Additional Cast from 'The Killing Fields'
    • (archive footage)
    Ira Wheeler
    • Additional Cast from 'The Killing Fields'
    • (archive footage)
    • Director
      • Jonathan Demme
    • Writer
      • Spalding Gray
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews19

    7.62.5K
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    Featured reviews

    10wasps_elbow

    This is my opinion. so don't be surprised if you disagree.

    Swimming to Cambodia, is deep, insightful and hillarious.

    You are caught up in Gray's fast paced account of his time in Thailand and boston and New York and god only knows how many other places, the whole experience is enhanced by the fabulous play on lighting, music and camerawork. You'll find yourself either leaning forward, swept up in the rythum of his speech, and the depth of both detail and insight. or sagging back in your chair as you catch your breath, or on the brink of tears, or clutching your sides as you laugh.

    I gave this film a ten, and i'm not easily impressed.

    watch this film with friends or on your own as it's perfect for either. But be sure watch it more than once, as it will never get old.
    davemart

    The best monologue ever captured on film

    Spalding Gray calls his version of performance art a "talking cure." The facts, opinions, insights, fears and hopes drawn from the epiphany he received from his experiences in the Asian Rim shooting "The Killing Fields" and his education of the plight of the Cambodian people circa early to mid seventies is overwhelming. This is a story of the human condition as told by a master. He is Dr. Frankenstein creating the monster that is ourselves through a tapestry of wordplay that never seems overwrought or cumbersome in the slightest. This movie is one man reading from a standard notebook, behind a plain table accented with a glass of water and shadowed by a ceiling fan and selection of maps. Demme's use of lighting and Laurie Anderson's soundtrack provide all the dramatic power needed to sustain Gray as he literally helps us all better understand life, humanity and our responsibilities to each other while we spend time on this planet. Intense, funny, heartbreaking and invigorating; this movie inspires and changes all who watch it.
    10Norrin Radd

    WORTH HUNTING DOWN

    Spalding Gray is an amazing orator. They way he can interweave various story aspects into a narrative patchwork is riveting. As you can tell I'm a big fan of his work and this is probably his best. Directed by Jonathan Demme in a no frills to the bone style. The star of this concert isn't demme or gray, it's the elocution.
    9ashakydd

    Spalding Gray is the father of my love child

    I have to admit that the quote from his second video-monologue "I didn't think that I could listen to a person talk for an hour & a half, let alone a man" is the most honest statement I have heard about Spalding Gray. Although I have to admit that his later video-monologues (after Monster In A Box) lacked some of the intensity of his first two (that I am aware of), he has produced a fascinating body of work between his stints as a bit actor. Swimming to Cambodia is an amazing film that I could not dare ruin for those who dare to explore this wonderful, dark and detailed world that Spalding Gray opens up and offers to us to explore. Watch this film, if you dare.
    10smragan

    The Ultimate Indie Film

    It doesn't get much lower-budget than this: A guy sitting at a desk on a stage with a notebook, a pointer, and a map of Cambodia on the wall behind him. And for an hour-and-a-half, he keeps you absolutely mesmerized, by doing little more than talking. The special lighting, cinematography, musical effects, and odd film inserts that Demme's production brings to Gray's monologue (which, like so many of the films I truly love, was performed on a stage before it was brought to the screen) work ever-so-slightly to enhance the performance at certain points, but by and large this is just Spalding Gray, a wonderful story-teller, doing his thing. In terms of bang for your production buck, Swimming to Cambodia has to be right up there with The Blair Witch Project. A great film.

    Best Emmys Moments

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    Related interests

    Will Ferrell in Anchorman: The Legend of Ron Burgundy (2004)
    Comedy
    Mahershala Ali and Alex R. Hibbert in Moonlight (2016)
    Drama

    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      Gray refers to the Cambodian photojournalist Dith Pran who survived the Khmer Rouge and ended up working for the New York Times. The year the present film was made, 1986, was the year that Pran received his U.S. citizenship. He passed away from cancer at the age of 65 in March, 2008.
    • Quotes

      [last lines]

      Spalding Gray: Farewell, to the fantastic breakfasts, free every morning and there they were, waiting on you with the papaya, mango, and pineapple like I'd never tasted before. Farewell, to the Thai maids with the king-sized cotton sheets and the big king-sized beds. Farewell, to the fresh meat flown in from America, daily. Roast potatoes, green beans and roast lamb, at 110 degrees under a circus tent, according to British Equity. Farewell to the drivers with the tinted glasses and the Mercedes with the tinted windows. Farewell to the cakes, teas and ices every day exactly at four o'clock. Farewell to those beautiful smiling people. Farewell to that single, fresh rose in a vase on my bureau every day. And just as I was climbing into that first-class seat, and wrapping myself in a blanket, just as I was adjusting my pillow behind my head, and having a sip of that champagne, and just as I was bringing down and adjusting my Thai purple sleep mask... I had an inkling, I had a flash... I suddenly thought I knew what it was that had killed Marilyn Monroe...

    • Alternate versions
      A&E cuts out the part of the sex performer doing tricks with her vagina (including the banana hitting the wall, which Gray alludes to early in the act.) In addition, the scene uses different close-ups, and ends with "boobly oobly."
    • Connections
      Featured in Siskel & Ebert: Blind Date/Dolls/The Hanoi Hilton/Swimming to Cambodia (1987)

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    FAQ17

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    Details

    Edit
    • Release date
      • April 1987 (United States)
    • Country of origin
      • United States
    • Language
      • English
    • Also known as
      • Spalding Gray's Swimming to Cambodia
    • Filming locations
      • New York City, New York, USA
    • Production company
      • The Swimming Company
    • See more company credits at IMDbPro

    Box office

    Edit
    • Gross US & Canada
      • $1,092,911
    • Gross worldwide
      • $1,092,911
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      • 1h 25m(85 min)
    • Color
      • Color
    • Sound mix
      • Mono
    • Aspect ratio
      • 1.85 : 1

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