Encounter at Farpoint

** out of ****

Star Trek: TNG was one of my favorite TV shows growing up. Space adventures always appealed to me, but it was the cast and the concepts the show explored that often won me over. After having seen the pilot episode, a two-parter entitled Encounter at Farpoint, I see many of the qualities I enjoyed about the series, but this is a fairly subpar episode that's only occasionally compelling.

Set some 80 years after the original Star Trek (thus placing it, if I'm not mistaken, in the 24th century), the new crew of the starship Enterprise is headed by Captain Jean-Luc Picard (Patrick Stewart). The crew's assignment: to investigate Farpoint station, but before they can reach their destination they're intercepted by a god-like entity who calls "himself" Q (John De Lancey). Q has deemed the human race savage beasts and puts the Enterprise crew on trial. Their test is Farpoint and if they fail to uncover the dark secret of the station, then well...they'll assumingly receive a dreadful fate.

The first part of Encounter at Farpoint is pretty good, the characters are nicely introduced and mostly well-played by the cast. Patrick Stewart immediately stands out as the stern but well-meaning Picard. Brent Spiner is fantastic as Data, and Jonathan Frakes makes a likeable first officer as Commander Riker. Noticeably different from the original Star Trek is a larger female cast. Marina Sirtis, Gates McFadden, and Denise Crosby are all fairly attractive (Sirtis would later be a full-blown hottie by season two, and McFadden is actually the best-looking of all the Star Trek ladies right now, talk about aging gracefully; sorry, Jeri Ryan and Jolene Blalock just don't do it for me).

Unfortunately, the plot, while initially intriguing, ultimately doesn't really go anywhere and there's the certain feeling that fitting the whole story into two parts is really stretching it out. A lot of the material, obviously played for introductory purposes, could still have been cut out. In fact, all the stuff focusing on the mystery behind Farpoint barely adds up to a half-hour, excluding the really lengthy climax, which is just plain boring. When the secret of Farpoint is revealed (which you'll probably figure out before the cast does), all the conjecture and facts are messily spouted in one of those silly coversations where each character continues the sentence after the previous speaker has finished.

But Encounter at Farpoint works adequately enough as an intro to one of the best sci-fi television series, right up there with Stargate: SG-1 and the first two seasons of Sliders. Watch for Cary-Hiroyuki Tagawa as Q's bailiff.

As this series progressed and we got to know and love these characters, we must harken back to the inception of the series. It's an awful lot to throw out there. Multiple characters, most of whom continue in their roles for all or most of the series. The introduction of Picard, who is a real contrast to the James T. Kirk flamboyance. There is adventure and control. We are shown the ship and get to know how she came to be. Q enters at the start and will be a factor in the future. I've always struggled with this being because when a nearly omnipotent creature show his face, it diminishes the powers of the poor crew whose efforts seem somehow futile. It's good that he bows out, for the most part, as the series continues. The expense and effort of this experiment asked us to accept a new, modern version of the somewhat tacky, though highly entertaining, original. Commander Data takes on the Spock role, but as an android brings a different kind of detachment. His programming has a couple of interesting subsystems. The first plot test Picard and the crew to become more global (universal?) in investigating a force in the universe that doesn't play by their rules. How they approach this and deal with this while being tested by Q works very well for the most part. When I first saw this, I was so pumped. Just the thought of intelligent science fiction on prime time television made me long for its success.

Clunky first episode. The Q story was bolted on to make it movie length. Good thing ultimately because the Farpoint plot is quite weak.

There is a positively surreal scene where Riker is watching this very episode on TV.

I remember watching Encounter at Farpoint with my kids for the first time. My middle daughter was taking a Sci-Fi Philosophy class in school (lucky kid!) and they showed this episode on a day when she stayed home sick, so she wanted to catch up with the class. Naturally, I was only too happy to help her with her homework.

I had watched a lot of TNG episodes with my daughters over the years, but I avoided the pilot because I remember it being a little cheesy. Upon rewatching, it was better than I remembered. They did a good job of introducing the new Trekosphere.

There was a "bit of the old, bit of the new" feeling to the pilot. On the "old" side, we had the ladies wearing mini-dress uniforms, a cameo by McCoy, an all-powerful being behaving badly, and a plot that was very much in the "seek out strange new life" vein. On the new side, there was the holodeck (fun!), children on board (what?), a Klingon on the bridge (gasp!), an Enterprise that could separate the saucer (squee!), and a Captain that was very much Not Kirk. (In the future, we will have evolved beyond the need for toupees...)

I told my kids that when TNG first aired in 1987, loyal fans of the original series had been waiting 18 long years for another ongoing Trek series, and the anticipation was huge. I still remember the closing scene where Picard leans forward in the captain's chair and exclaims "Let's see what's out there..." I got a charge out of that line Back In The Day, and I got a charge out of it again.

It was fun to boldly go again, and especially fun to watch it with The Next Generation of fans in my family.

'Encounter At Farpoint' is the double-length pilot episode of The Next Generation and introduces us to the characters, the ship and... the writers, who at this point were the weakest link.

The two main plots are engaging enough. Going on commentary from Roddenberry, the Q entity was written in later at Paramount's behest but, to me, is the most amusing part of this outing. Q almost represents the studio's viewpoint - in the show, the whole human race is on trial, in reality, the entire TNG concept was on trial. His presence is a definite highlight and he would go on to be one of the most memorable characters of any Star Trek incarnation. Q's presence interweaves comfortably with 'the trial' itself which is the unravelling an enigma: how did an obviously technologically deficient race build a frontier outpost of high-technology to service the Federation, and can the mystery be solved without resorting to violent methods thereby proving Q correct in his definition of the human race as barbaric and child-like?

From a technical standpoint this episode is respectable. For particular commendation I would single out Industrial Light and Magic's excellent special effects work. The models of the Enterprise-D and the alien spacecraft(s) set a high watermark which remains, for me, an engrossing aspect of the show to this day. We now take complex and expensive shots like these for granted in television shows, but until TNG it wasn't all that common.

As for the performances, the cast are still tentative within their new roles, finding their comfort zones and strengths. Some of the dialogue allows them chances to connect with their characters and therefore with the audience, other sections would be better delivered tongue-in-cheek rather than with deadly earnestness, or omitted entirely. My own assumption is that at this point Roddenberry was working towards the strengths of the old cast, whom he was familiar with, expecting them to be partial clones of Kirk and crew instead of relying on his new actors to take Star Trek in interesting new directions. When he stepped down as Executive Producer and handed more responsibility to Braga (who, sadly, would go on to lose his deft touch while in control of Voyager) many of the problems were ironed out.

'Encounter At Farpoint: Parts I and II' represent some of the best moments of the first season but not necessarily the entire Next Generation run or the four films that would follow. It is abundantly obvious that the premise has great promise, but it would not be until late into the second season that consistency would improve and truly great stories would be added to the Star Trek canon.