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Chocolat

  • 1988
  • PG-13
  • 1h 45m
IMDb RATING
7.3/10
4.9K
YOUR RATING
Chocolat (1988)
A French woman returns to her childhood home in Cameroon - formerly a colonial outpost - where she's flooded by memories, particularly of Protée, her servant.
Play trailer2:05
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99 Photos
Drama

A French woman returns to her childhood home in Cameroon - formerly a colonial outpost - where she's flooded by memories, particularly of Protée, her servant.A French woman returns to her childhood home in Cameroon - formerly a colonial outpost - where she's flooded by memories, particularly of Protée, her servant.A French woman returns to her childhood home in Cameroon - formerly a colonial outpost - where she's flooded by memories, particularly of Protée, her servant.

  • Director
    • Claire Denis
  • Writers
    • Claire Denis
    • Jean-Pol Fargeau
  • Stars
    • Isaach De Bankolé
    • Giulia Boschi
    • François Cluzet
  • See production info at IMDbPro
  • IMDb RATING
    7.3/10
    4.9K
    YOUR RATING
    • Director
      • Claire Denis
    • Writers
      • Claire Denis
      • Jean-Pol Fargeau
    • Stars
      • Isaach De Bankolé
      • Giulia Boschi
      • François Cluzet
    • 30User reviews
    • 36Critic reviews
    • 81Metascore
  • See production info at IMDbPro
    • Awards
      • 1 win & 3 nominations total

    Videos1

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    Trailer 2:05
    Trailer

    Photos98

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    Top cast28

    Edit
    Isaach De Bankolé
    Isaach De Bankolé
    • Protée
    Giulia Boschi
    Giulia Boschi
    • Aimée Dalens
    François Cluzet
    François Cluzet
    • Marc Dalens
    Jean-Claude Adelin
    • Luc
    Laurent Arnal
    • Machinard
    Jean Bediebe
    • Prosper
    Jean-Quentin Châtelain
    • Courbassol
    Emmanuelle Chaulet
    • Mireille Machinard
    Kenneth Cranham
    Kenneth Cranham
    • Boothby
    Jacques Denis
    • Joseph Delpich
    Cécile Ducasse
    • France enfant…
    Clementine Essono
    • Marie-Jeanne
    Didier Flamand
    Didier Flamand
    • Capt. Védrine
    Essindi Mindja
    • Blaise
    Donatus Ngala
    Edwige Nto Ngon a Zock
    Philemon Blake Ondoua
    Mireille Perrier
    Mireille Perrier
    • France Dalens
    • Director
      • Claire Denis
    • Writers
      • Claire Denis
      • Jean-Pol Fargeau
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews30

    7.34.9K
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    Featured reviews

    10Orgelist

    For use in high school classes

    My 3rd-year French classes always enjoyed this film very much. In a multi-cultural, inner-city high school, the film provided many subjects for discussion (in French in class, but I know a lot of discussion went on in English after class). The most obvious is the relationship between Protée and Aimée compared to the one between Protée and France.

    I always mentioned that I felt this film had one of the "sexiest" scenes I had ever seen in a movie. One year, a 17-year-old African-American shouted, "Yes!" when he figured out the scene: the one where Protée is helping Aimée lace up her evening dress, all the while both are examining the reflection of the other in the mirror. Directors use the "mirror technique" when then want to focus on the inner conflict on the part of one or more character in a scene: this is a perfect example of the technique, and it is "sexy".

    Most students had trouble understanding the end of the film. One suggested that one theme of the movie was "Africanism", and that no matter how much one loved Africa or Africans, one cannot "become" African (like the driver tried to do): one must BE African.
    alice liddell

    Difficult but worth it.

    A lovely comedy-drama that seems like a gorgeous, sunlit, Orientalist-like tourism into an unfathomable Africa, and an elaborate, irrelevant exercise in Merchant-Ivory-style historical reconstruction, but is actually a quietly disturbing examination of the effects of colonialism. Being French, the focus is one the microcosmic - it's not vast historical truths that are enacted, but the inability of a beautiful white woman to act on sexual stirrings for her black servant. The film's surface elegance conceals remarkable disruptions in point of view and a storytelling style so elliptical you might even miss the point if you're not careful. CHOCOLAT is also a wonderful coming-of-age film that refuses the easy moral progress typical of the genre. The lengthy coda could have been shorter, though.
    10a-jorgensen-1

    Pointillism

    I think this movie would be more enjoyable if everyone thought of it as a picture of colonial Africa in the 50's and 60's rather than as a story. Because there is no real story here. Just one vignette on top of another like little points of light that don't mean much until you have enough to paint a picture. The first time I saw Chocolat I didn't really "get it" until having thought about it for a few days. Then I realized there were lots of things to "get", including the end of colonialism which was but around the corner, just no plot. Anyway, it's one of my all-time favorite movies. The scene at the airport with the brief shower and beautiful music was sheer poetry. If you like "exciting" movies, don't watch this--you'll be bored to tears. But, for some of you..., you can thank me later for recommending it to you.
    tsimshotsui

    meditative and insightful

    Despite needing something more for me in its wrap-up, Claire Denis' Chocolat is in all ways a really good look into Cameroon and France's colonial history. Unlike the case of some films made in the US, it doesn't hammer the audience with a message about white people's ugliness, instead it just carefully shows them, and sort of leaves the audience the responsibility to observe and be horrified. It's amazing how a narrative like this with a white lead is so carefully handled that it doesn't make excuses for that privilege, and doesn't paint her as an exception or, a favorite Hollywood trope, the white savior. Isaach De Bankolé is also key here. When his character cracks it's not obvious why he does, but it's in the little expressions and reactions to the things he hears and witnesses that should explain it.
    10Artthere

    Not for everybody.

    I loved this film because in my mind it seemed to so perfectly capture what I imagined life in French colonial Africa must have been like in the 50's ("my" generation anyway). But I was truly enraptured by its quiet pacing and by the glorious ending. Within the last 5 minutes of this film, you must focus intently on what's happening. Never have I been more impressed with the "wrap-up" of a film. I remember yelling "wow!" when I realized it was over. On the other hand, my two daughters fell asleep on the couch!!

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    Related interests

    Mahershala Ali and Alex R. Hibbert in Moonlight (2016)
    Drama

    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      In a 1989 interview with Judy Stone, Claire Denis explained that the title, comes from the 1950s slang meaning "to be had, to be cheated", and thus refers to the status in French Cameroon of being black and being cheated; it is also an allusion to Protée's dark-brown skin and the racial fetishism of Africans by Europeans.
    • Quotes

      Marc Dalens: When you look at the hills, beyond the houses and beyond the trees, where the earth touches the sky, that's the horizon. Tomorrow, in the daytime, I'll show you something. The closer you get to that line, the farther it moves. If you walk towards it, it moves away. It flees from you. I must also explain this to you. You see the line. You see it, but it doesn't exist.

    • Connections
      Featured in Siskel & Ebert: Jacknife/The Adventures of Baron Munchausen/Skin Deep/Chocolat (1989)

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    FAQ17

    • How long is Chocolat?Powered by Alexa

    Details

    Edit
    • Release date
      • May 1989 (United States)
    • Countries of origin
      • France
      • West Germany
      • Cameroon
    • Languages
      • French
      • English
      • Hausa
      • Arabic
    • Also known as
      • Chocolate
    • Filming locations
      • Mindif, Cameroon(Town where the film is set)
    • Production companies
      • Cinémanuel
      • MK2 Productions
      • Cerito Films
    • See more company credits at IMDbPro

    Box office

    Edit
    • Budget
      • FRF 1,300,000 (estimated)
    • Gross US & Canada
      • $2,344,286
    • Opening weekend US & Canada
      • $2,710
      • Sep 20, 2015
    • Gross worldwide
      • $2,344,286
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      • 1h 45m(105 min)
    • Color
      • Color
    • Sound mix
      • Stereo
    • Aspect ratio
      • 1.66 : 1

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