The Chocolate War

This film was not along the same lines as the ordinary (David conquers Goliath) high school film of the 80's. And for that respect was probably appreciated by anyone who had experiences of being bullied when they were growing up. Though it has been said that the film was not as good as the actual book, I think the adaption made its point and the lesson was learned. Many of the young people in this world who are fornunate enough to see it, even if by accident, will understand that they are not alone. There are others who are having an even harder time as they grow up, and that "their own life" isn't so bad after all !!!

As a movie, THE CHOCOLATE WAR is good, but doesn't do justice to the book. Robert Cormier's 1974 novel ranks with A SEPARATE PEACE and CATCHER IN THE RYE as a landmark in young adult literature. While the film does wimp out on the original ending, it does a great job of conveying the bleak landscape of the adolescent mind and the dreary banality of high school life. Exterior shots are filmed under overcast skies, interior shots in gloomy half-light. Like the tone of the book, the film's atmosphere is stifling, apprehensive, and glum. The actor playing Archie gives a methodical, sociopathic performace. Yes, there is some artyness to the film, but it conveys the complex emotions in actions among the characters. Doesn't seem to have been widely released in theatres and was available on video at one point, this one gets overlooked when the lists of best teen films of the eighties are compiled. A stunning indictment of adolescent cruelty. Worth seeking out.

Thought-provoking tale of following others without knowing why. Interesting take at what others can make you do, but missing elements that would make the story feel more whole.

My perspective on this film is likely to be unique, in that I've never read the book. The critical reception and most user reviews widely criticize Keith Gordon's re-writing of the book's ending and this was ultimately reflected in its shocking performance at the box office. If you've never read the book, you can effectively ignore all criticism, because The Chocolate War is arguably one of the finest films to explore the dark underbelly of teenage cruelty, manipulation and the childhood induction of the mob mentality and a superb directorial debut for Keith.

John Glover's performance as the twisted and politically carnivorous Brother Leon is stunning and easily his best work. With echoes of Lord of the Flies, The Chocolate War explores the outer reaches of cruelty, fear and control exercised by the two antagonistic forces of the student led secret society The Vigils, and the school's acting school head - Brother Leon. Anyone who has ever been bullied or coerced to side with bullies out of the necessity for self-preservation will find a string of painful moments to relate to in this film.

The soundtrack is a masterpiece of emotion. The intro to Peter Gabriel's "We Do What We're Told" is used as a recurring musical theme providing an atmospheric backdrop to the web of cruelty and manipulation that unfolds for Jerry the protagonist. But the revelation is the haunting piano of "Shepherd's Song" by Scott Cossu, which holds the space for Jerry's introspection, his loss and the tragedy of his situation.

Yes, there are some elements lacking in this film - namely the performance of the hero (Jerry) played by Ilan Mitchell-Smith and some of the dated directorial techniques adopted by Keith Gordon for the flashback sequences and other scenes. However the strength of the story, soundtrack and performances from John Glover and Wallace Langham tower above the film's shortcomings. Keep in mind this was Gordon's feature film directorial debut.

I'm not going to comment on the ending, other than to say it works perfectly for the narrative of this film and is in no way disappointing. To the contrary, it still moves me to tears despite more than half a dozen viewings of this film over the years.

The Chocolate War is difficult to find but absolutely essential viewing.

Sure this film doesn't compare to the classic Cormier book but, as it is, it's not a bad film about the abuse of power and the evils of conformity. I think the reason why the producers chose to change the ending is because, face it, the book made everything so hideously, slash-your-wrists-depressing (like all of Cormier's other books) that I don't think anyone would want to see it!

Despite the changed ending, director/adapter Keith Gordon manages to make the message clear. While this is a low-budget film with obvious limitations (the school looks like it has a total of 100 students at best), Gordon never lets the film drag and he got good performances from the actors (particularly from John Glover who steals the show as the evil headmaster and Bud "Harold and Maude" Cort in a great cameo as one of the priests). The "80's soundtrack" is impressive, with excellent cuts from Peter Gabriel, Yaz, Kate Bush and more. My rating: 7/10.