The Chocolate War

Ilan Mitchell-Smith does not agree to sell chocolate for his parochial school. Because this is something that is absolutely voluntary, the wrath of the teachers and the upper-class gang called the Vigilants descend on him.

There is something in every teen movie that strikes me as depressive; probably because most of the conflicts seem trivial in retrospect but earth-shaking at the moment. Add in the lack of girls at this school, and the mendacious way that teacher John Glover has of maintaining control, and you have something that smacks of Purgatory, with only graduation, transfer, or death offered as ways out.

The performances are good, even though most of the students seem to be in their 20s.

As a movie, THE CHOCOLATE WAR is good, but doesn't do justice to the book. Robert Cormier's 1974 novel ranks with A SEPARATE PEACE and CATCHER IN THE RYE as a landmark in young adult literature. While the film does wimp out on the original ending, it does a great job of conveying the bleak landscape of the adolescent mind and the dreary banality of high school life. Exterior shots are filmed under overcast skies, interior shots in gloomy half-light. Like the tone of the book, the film's atmosphere is stifling, apprehensive, and glum. The actor playing Archie gives a methodical, sociopathic performace. Yes, there is some artyness to the film, but it conveys the complex emotions in actions among the characters. Doesn't seem to have been widely released in theatres and was available on video at one point, this one gets overlooked when the lists of best teen films of the eighties are compiled. A stunning indictment of adolescent cruelty. Worth seeking out.

Thought-provoking tale of following others without knowing why. Interesting take at what others can make you do, but missing elements that would make the story feel more whole.

I went into this film expecting yet another inspirational story about an individual triumphing over the oppressive system. Instead, this film is a lot deeper than that... and a lot darker. It is at once a film about the horror of conformity and the deadening pointlessness of resistence.

Our young protagonist, Renault, still agonizing over the death of his mother, is given a right-of-passage style task by his school's secret society, run by the calculating and elagantly power-hungry Archie : To refuse to sell chocolates to boost school income for 10 days (an activity Brother Leon, the equally power-hungry John Glover, is pushing on the students with unexpected zeal). But when his ten days are up, he still refuses to bend to the will of a system that wants only to use him as a tool. Both Archie and Brother Leon then use every method in their power to keep this rebel without a cause from toppeling them from power.

Simple enough, but this, as I said, is not a simple film about fighting the powers that be. The protagonist actually has little to say about his own action: he's so opaque that it seems even HE doesnt know exactly what he's rebelling against, just that he can't give up. He doesnt really know what he's doing, and as his life is made more and more awful by Archie and Brother Leon, it becomes increasingly clear he doesn't enjoy it either. He simply feels compelled to, and stoically refuses to give in, despite the obvious pointlessness of his rebellion and the cruel consequences that ensue. But this makes for a very hard hero to identify with and root for.

In fact, most of the film revolves around Archie and his attempt to break Renault's will. Archie is very talkative, and in fact the camera seems oddly attracted to his mercilessness, elegance and charisma, even as we assume we're supposed to revile him. Even creepy John Glover plays his villain very straight, giving only a vague, intangible sense of menace. By creating a hero we can't understand and villians we gravitate towards, the film subtly creates a situation where we can't really take sides, and can only observe the pathetic hopelessness of both situations. After all, this is all about selling CHOCOLATES. This throws the entire proceedings into an almost absurdist light. Light touches of humor (including a brief but spot-on perfect cameo by "Harold and Maude"'s Bud Cort) reinforce this classification and keep the proceedings from ever becoming bogged down in their gloominess.

All in all, though, The Chocolate War is a very dark, slightly surreal tale of the emptiness of life, for winners or losers. It suggests that, fight the system or succeed with it, you're still just a tool of larger forces, unflinchingly puppeteering smaller lives for their own banal ends. It offers no solutions and no salvations, not for anyone. Just hubris and humiliation, and perhaps a grim chuckle or two along the way. Its this demenor that makes it a truly overlooked and rather unique cinema gem, well - worth some time and thought.

This film was not along the same lines as the ordinary (David conquers Goliath) high school film of the 80's. And for that respect was probably appreciated by anyone who had experiences of being bullied when they were growing up. Though it has been said that the film was not as good as the actual book, I think the adaption made its point and the lesson was learned. Many of the young people in this world who are fornunate enough to see it, even if by accident, will understand that they are not alone. There are others who are having an even harder time as they grow up, and that "their own life" isn't so bad after all !!!