Sharon Newton (Cassie Stuart) leads the uncooperative James Richards (Charles Dance) into a world of misplaced government secrets, capitalistic artists and bungling secret agents.Sharon Newton (Cassie Stuart) leads the uncooperative James Richards (Charles Dance) into a world of misplaced government secrets, capitalistic artists and bungling secret agents.Sharon Newton (Cassie Stuart) leads the uncooperative James Richards (Charles Dance) into a world of misplaced government secrets, capitalistic artists and bungling secret agents.
Michael Müller
- Boyce
- (as Michael Mueller)
- Director
- Writer
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What a strange movie. The story is amazingly thought-provoking and intriguing. Think of all the hidden secrets a city like London hides beneath it's surface? All the archives of wartime experiments, government mysteries, documents and information never meant for public eye.
You have a young woman trying to convince a statistician (?) played by Charles Dance that there are hidden messages or clues of a bigger picture in some wartime archive films.
The story sadly never quite uses all of it's potential. It's interesting all the way, but you're never really sure what is going on until the very end and the motivations of the characters are left a bit unknown. They're basically just intrigued and driven by pure interest rather than a real cause.
What makes the movie a bit messy and difficult to follow, is the fact that there are a few separate leads they're following, the archived films and a few documents they find at a waste dump. You also have people trying to catch them, but you're not really sure why. At least I was left a bit puzzled of what's going on at times, but maybe that was the point. You never know what you find, if you just look carefully.
Definitely an interesting story, but the execution is a bit flawed and dated. It's got a very strong late 80s vibe to it and it's a bit of an artsy one. Someone might call this a "strange one", but definitely worthwhile if you catch it somewhere.
You have a young woman trying to convince a statistician (?) played by Charles Dance that there are hidden messages or clues of a bigger picture in some wartime archive films.
The story sadly never quite uses all of it's potential. It's interesting all the way, but you're never really sure what is going on until the very end and the motivations of the characters are left a bit unknown. They're basically just intrigued and driven by pure interest rather than a real cause.
What makes the movie a bit messy and difficult to follow, is the fact that there are a few separate leads they're following, the archived films and a few documents they find at a waste dump. You also have people trying to catch them, but you're not really sure why. At least I was left a bit puzzled of what's going on at times, but maybe that was the point. You never know what you find, if you just look carefully.
Definitely an interesting story, but the execution is a bit flawed and dated. It's got a very strong late 80s vibe to it and it's a bit of an artsy one. Someone might call this a "strange one", but definitely worthwhile if you catch it somewhere.
10samwise2
I loved this film for two reasons.
Firstly, it was well written and the direction was strong which is something often lacking in a British film.
Secondly, the scenes of London were fantastic; especially those parts of the city not always open to the public eye.
Firstly, it was well written and the direction was strong which is something often lacking in a British film.
Secondly, the scenes of London were fantastic; especially those parts of the city not always open to the public eye.
One of the better British films of the last 20 years and criminally neglected - it doesn't appear to be currently available on video let alone DVD.
Intriguing (and somewhat unsettling) plot. Sensible portrayals - no overacting, Unusual settings - a London rarely seen either in life or on screen. Well constructed - the atmosphere builds beautifully.
All in all, it puts so much of recent British cinema to shame.
And we go and bury it.
Intriguing (and somewhat unsettling) plot. Sensible portrayals - no overacting, Unusual settings - a London rarely seen either in life or on screen. Well constructed - the atmosphere builds beautifully.
All in all, it puts so much of recent British cinema to shame.
And we go and bury it.
Of all Poliakoff's work on film, this is probably the most underrated and often missed , and is one of his two best works from the 1980s.
This is an interesting and thoughtful look at the workings of one aspect of modern government, which was well-received at the time and premiered at the Venice festival, but has become criminally and unjustly difficult to find. A proper DVD reissue is long overdue here.Charles Dance produces a typically strong performance with direction, performances and casting all solid ; this was a part of the important Film on Four strand that helped keep British cinema alive during some of its lowest points of the 1980s.
This is an interesting and thoughtful look at the workings of one aspect of modern government, which was well-received at the time and premiered at the Venice festival, but has become criminally and unjustly difficult to find. A proper DVD reissue is long overdue here.Charles Dance produces a typically strong performance with direction, performances and casting all solid ; this was a part of the important Film on Four strand that helped keep British cinema alive during some of its lowest points of the 1980s.
This film is a such a unique gem. Anchored by two amazing main characters, with so many differences between them, and there are also so many side characters introduced, and every single one of them is likeable, interesting and believable. So many shots and scenes that give you the idea that this was a tremendous production. The opening scene through the water tunnels is mesmerizing.
The back and forth dramatic dialogue between the two protagonists is something you don't get much anymore. There are so many lines that consist of something you may have never heard of. This film rewards itself for having the magical combination of an ambitious and creative filmmaker, talented actors and a unique and thoroughly interesting script. Not only that but it takes place in some incredible locations.
This is a vibrant film, obviously the masterpiece of a painstaking and meticulous production. This film will show you parts of London many people have likely never seen. Kudos to Stephen Poliakoff. It is highly recommended to watch this with his commentary on the Blu-ray release.
The film is not without faults. I got the feeling that there was sometimes too much music. In some scenes, the music was perfect and elevated the moment to new heights. In other scenes, I wanted to plug my ears and enjoy the fantastic cinematography. Many of the best scenes are also the quietest and I think that says something. Quite possibly it could have been elevated to greater stardom if the music had just let the scenes breathe. This film will test your patience if what you're after is the mystery itself and not the journey. In this film you should be patient and enjoy the ride if you want to appreciate it more.
At times you might think the film takes itself a little too seriously. But if you keep watching you'll realize that they should indeed be taken seriously.
The back and forth dramatic dialogue between the two protagonists is something you don't get much anymore. There are so many lines that consist of something you may have never heard of. This film rewards itself for having the magical combination of an ambitious and creative filmmaker, talented actors and a unique and thoroughly interesting script. Not only that but it takes place in some incredible locations.
This is a vibrant film, obviously the masterpiece of a painstaking and meticulous production. This film will show you parts of London many people have likely never seen. Kudos to Stephen Poliakoff. It is highly recommended to watch this with his commentary on the Blu-ray release.
The film is not without faults. I got the feeling that there was sometimes too much music. In some scenes, the music was perfect and elevated the moment to new heights. In other scenes, I wanted to plug my ears and enjoy the fantastic cinematography. Many of the best scenes are also the quietest and I think that says something. Quite possibly it could have been elevated to greater stardom if the music had just let the scenes breathe. This film will test your patience if what you're after is the mystery itself and not the journey. In this film you should be patient and enjoy the ride if you want to appreciate it more.
At times you might think the film takes itself a little too seriously. But if you keep watching you'll realize that they should indeed be taken seriously.
Did you know
- TriviaMichelle Fairley is of Scottish ancestry.
- Quotes
Sharon Newton: [holds up her bag] It's in here what I've got to show you.
James Richards: Oh you have it with you, how convenient.
- ConnectionsFeatures Howling II: ... Your Sister Is a Werewolf (1985)
Details
- Runtime
- 1h 48m(108 min)
- Color
- Sound mix
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