Sharon Newton (Cassie Stuart) leads the uncooperative James Richards (Charles Dance) into a world of misplaced government secrets, capitalistic artists and bungling secret agents.Sharon Newton (Cassie Stuart) leads the uncooperative James Richards (Charles Dance) into a world of misplaced government secrets, capitalistic artists and bungling secret agents.Sharon Newton (Cassie Stuart) leads the uncooperative James Richards (Charles Dance) into a world of misplaced government secrets, capitalistic artists and bungling secret agents.
Michael Müller
- Boyce
- (as Michael Mueller)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
One of the better British films of the last 20 years and criminally neglected - it doesn't appear to be currently available on video let alone DVD.
Intriguing (and somewhat unsettling) plot. Sensible portrayals - no overacting, Unusual settings - a London rarely seen either in life or on screen. Well constructed - the atmosphere builds beautifully.
All in all, it puts so much of recent British cinema to shame.
And we go and bury it.
Intriguing (and somewhat unsettling) plot. Sensible portrayals - no overacting, Unusual settings - a London rarely seen either in life or on screen. Well constructed - the atmosphere builds beautifully.
All in all, it puts so much of recent British cinema to shame.
And we go and bury it.
10samwise2
I loved this film for two reasons.
Firstly, it was well written and the direction was strong which is something often lacking in a British film.
Secondly, the scenes of London were fantastic; especially those parts of the city not always open to the public eye.
Firstly, it was well written and the direction was strong which is something often lacking in a British film.
Secondly, the scenes of London were fantastic; especially those parts of the city not always open to the public eye.
Of all Poliakoff's work on film, this is probably the most underrated and often missed , and is one of his two best works from the 1980s.
This is an interesting and thoughtful look at the workings of one aspect of modern government, which was well-received at the time and premiered at the Venice festival, but has become criminally and unjustly difficult to find. A proper DVD reissue is long overdue here.Charles Dance produces a typically strong performance with direction, performances and casting all solid ; this was a part of the important Film on Four strand that helped keep British cinema alive during some of its lowest points of the 1980s.
This is an interesting and thoughtful look at the workings of one aspect of modern government, which was well-received at the time and premiered at the Venice festival, but has become criminally and unjustly difficult to find. A proper DVD reissue is long overdue here.Charles Dance produces a typically strong performance with direction, performances and casting all solid ; this was a part of the important Film on Four strand that helped keep British cinema alive during some of its lowest points of the 1980s.
What a strange movie. The story is amazingly thought-provoking and intriguing. Think of all the hidden secrets a city like London hides beneath it's surface? All the archives of wartime experiments, government mysteries, documents and information never meant for public eye.
You have a young woman trying to convince a statistician (?) played by Charles Dance that there are hidden messages or clues of a bigger picture in some wartime archive films.
The story sadly never quite uses all of it's potential. It's interesting all the way, but you're never really sure what is going on until the very end and the motivations of the characters are left a bit unknown. They're basically just intrigued and driven by pure interest rather than a real cause.
What makes the movie a bit messy and difficult to follow, is the fact that there are a few separate leads they're following, the archived films and a few documents they find at a waste dump. You also have people trying to catch them, but you're not really sure why. At least I was left a bit puzzled of what's going on at times, but maybe that was the point. You never know what you find, if you just look carefully.
Definitely an interesting story, but the execution is a bit flawed and dated. It's got a very strong late 80s vibe to it and it's a bit of an artsy one. Someone might call this a "strange one", but definitely worthwhile if you catch it somewhere.
You have a young woman trying to convince a statistician (?) played by Charles Dance that there are hidden messages or clues of a bigger picture in some wartime archive films.
The story sadly never quite uses all of it's potential. It's interesting all the way, but you're never really sure what is going on until the very end and the motivations of the characters are left a bit unknown. They're basically just intrigued and driven by pure interest rather than a real cause.
What makes the movie a bit messy and difficult to follow, is the fact that there are a few separate leads they're following, the archived films and a few documents they find at a waste dump. You also have people trying to catch them, but you're not really sure why. At least I was left a bit puzzled of what's going on at times, but maybe that was the point. You never know what you find, if you just look carefully.
Definitely an interesting story, but the execution is a bit flawed and dated. It's got a very strong late 80s vibe to it and it's a bit of an artsy one. Someone might call this a "strange one", but definitely worthwhile if you catch it somewhere.
I am another one who can't understand the good reviews. Maybe you have to be British to like it. I'm not so, I don't. Why did Charles Dance's character keep following the girl around? Tell her to give you the money she promised for ripping your jacket then tell her to go away. Movie over.
Instead we get, I'll take you here but I'm not going in. Next scene, he's in. Okay I'll take you there but I'm not going in. Next scene, he's in. He shows no interest in what she's looking for. Why keep following her? Does he really need the money to fix his jacket? She did steal his book too. Call the cops, have her arrested, end of bad movie.
Instead we get, I'll take you here but I'm not going in. Next scene, he's in. Okay I'll take you there but I'm not going in. Next scene, he's in. He shows no interest in what she's looking for. Why keep following her? Does he really need the money to fix his jacket? She did steal his book too. Call the cops, have her arrested, end of bad movie.
Did you know
- TriviaMichelle Fairley is of Scottish ancestry.
- Quotes
Sharon Newton: [holds up her bag] It's in here what I've got to show you.
James Richards: Oh you have it with you, how convenient.
- ConnectionsFeatures Howling II: ... Your Sister Is a Werewolf (1985)
Details
- Runtime
- 1h 48m(108 min)
- Color
- Sound mix
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