A bounty hunter pursues a former Mafia accountant who is also being chased by a rival bounty hunter, the F.B.I., and his old mob boss after jumping bail.A bounty hunter pursues a former Mafia accountant who is also being chased by a rival bounty hunter, the F.B.I., and his old mob boss after jumping bail.A bounty hunter pursues a former Mafia accountant who is also being chased by a rival bounty hunter, the F.B.I., and his old mob boss after jumping bail.
- Awards
- 2 wins & 5 nominations total
Tom McCleister
- Red Wood
- (as Thom McCleister)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
The first time I watched this movie, I immediately started it again after the credits rolled. Loved it just as much the 2nd time, and over the years, I can honestly say that almost anytime I watch Midnight Run, I usually end up watching it a 2nd (and sometimes 3rd) time within the next few days.
I'm fairly certain the reason for this is that it's evokes such a feeling, creates such a time and place, that I'm practically nostalgic for watching it the minute it ends. Part of that has to do with Danny Elfman's score, and part of it has to do with DeNiro's and Grodin's performances, but more than anything, it's the fact that they just don't make movies like this anymore.
Midnight Run is without a question a perfect movie, but more importantly, it's a time vessel back to an era where you could tell this kind of story, and make a movie like this, and everyone comes out on top.
I love this movie like I love my childhood.
I'm fairly certain the reason for this is that it's evokes such a feeling, creates such a time and place, that I'm practically nostalgic for watching it the minute it ends. Part of that has to do with Danny Elfman's score, and part of it has to do with DeNiro's and Grodin's performances, but more than anything, it's the fact that they just don't make movies like this anymore.
Midnight Run is without a question a perfect movie, but more importantly, it's a time vessel back to an era where you could tell this kind of story, and make a movie like this, and everyone comes out on top.
I love this movie like I love my childhood.
Wish they still made movies like these. This movie is perfectly structured and extremely entertaining. The dialogue is wonderful, funny, and sincere. Highly recommend if you haven't seen this yet.
Oh yeah! THE film of the 80's. Together with HEAT, one of De Niro's best!
Totally professional film-making. This is a comedy that succeeds on every level. The central characters of reluctant and burnt-out Bounty Hunter De Niro and Grodin as ex mafia accountant on-the-run "The Duke," just meld flawlessly. The script is wicked with ramped up profanities that somehow are absolutely integral to the unfolding plot. De Niro has just hours to get Grodin back to bail-bondsman Pantoliano while his ex-boss Dennis Farina (COULD anyone look more mafioso?) wants him back for reasons of extreme revenge....Perhaps on account of the fact that The Duke has put his funds to better use a la Robin Hood style of redistribution of wealth.
This is really laugh-out-loud brilliant stuff. Catch it.
Totally professional film-making. This is a comedy that succeeds on every level. The central characters of reluctant and burnt-out Bounty Hunter De Niro and Grodin as ex mafia accountant on-the-run "The Duke," just meld flawlessly. The script is wicked with ramped up profanities that somehow are absolutely integral to the unfolding plot. De Niro has just hours to get Grodin back to bail-bondsman Pantoliano while his ex-boss Dennis Farina (COULD anyone look more mafioso?) wants him back for reasons of extreme revenge....Perhaps on account of the fact that The Duke has put his funds to better use a la Robin Hood style of redistribution of wealth.
This is really laugh-out-loud brilliant stuff. Catch it.
DeNiro is (Jack Walsh) a self-righteous ex-cop so unpopular with the Chicago police department, now wanting to make one final 'midnight run' that'll pay big so he can buy a nice coffee shop
He is hired by an hysterical bondsman to find and bring back a former Mob accountant called Jonathan "The Duke" Mardukas (Grodin) who has stolen $15 million from the Los Angeles mob, given the money to the 'unfortunates of the earth.'
DeNiro quickly captures the 'white-collar criminal' in New York, and is given five days to bring him to Los Angleles, to collect his $100,000 fee...
Unfortunately for DeNiro, the fugitive accountant is too neurotic to fly the distance... The embezzler's ex-boss wants him badly for knowing all his financial transactions, and agent Yaphet Kotto warns Walsh not to interfere with the FBI's plans to bring the 'Duke' into federal court And if this isn't enough, there is some third-rate bounty hunter (John Ashton) who is intrigued about DeNiro's special deal
In an extended cross-country chase, the two men's personalities and relationship develop
DeNiro shows how to catch talents of improvisation... His cheeky schoolboy look certainly supplies some of the film's lighter moments... He delivers some of the best punchlines, when he replies: 'Well if you don't cooperate, you're gonna suffer from fistophobia.'
Charles Grodin is perfect as the prisoner who gets some of Serrano's records on computer disks, figuring if things got too rough, he could always trade them for his life He continually gets on DeNiro's nerves, and with his soft and ironic tone of voice he advises Walsh that a restaurant is 'a very tricky investment.' He easily dips into Jack Walsh's life ('Don't you want to be loved?'), wandering about his broken marriage ('Did she hurt you, Jack?'), his habits ('Cigarettes are killers. Put the cigarette out.') and whatever he can think of...
The best parts of the film are, in fact, the interactions between the two stars The story holds up perfectly and entertains the viewer in every way Martin Brest does bring out the realistic, funny and moving sides of his likable characters Suspense is maintained to the very end
He is hired by an hysterical bondsman to find and bring back a former Mob accountant called Jonathan "The Duke" Mardukas (Grodin) who has stolen $15 million from the Los Angeles mob, given the money to the 'unfortunates of the earth.'
DeNiro quickly captures the 'white-collar criminal' in New York, and is given five days to bring him to Los Angleles, to collect his $100,000 fee...
Unfortunately for DeNiro, the fugitive accountant is too neurotic to fly the distance... The embezzler's ex-boss wants him badly for knowing all his financial transactions, and agent Yaphet Kotto warns Walsh not to interfere with the FBI's plans to bring the 'Duke' into federal court And if this isn't enough, there is some third-rate bounty hunter (John Ashton) who is intrigued about DeNiro's special deal
In an extended cross-country chase, the two men's personalities and relationship develop
DeNiro shows how to catch talents of improvisation... His cheeky schoolboy look certainly supplies some of the film's lighter moments... He delivers some of the best punchlines, when he replies: 'Well if you don't cooperate, you're gonna suffer from fistophobia.'
Charles Grodin is perfect as the prisoner who gets some of Serrano's records on computer disks, figuring if things got too rough, he could always trade them for his life He continually gets on DeNiro's nerves, and with his soft and ironic tone of voice he advises Walsh that a restaurant is 'a very tricky investment.' He easily dips into Jack Walsh's life ('Don't you want to be loved?'), wandering about his broken marriage ('Did she hurt you, Jack?'), his habits ('Cigarettes are killers. Put the cigarette out.') and whatever he can think of...
The best parts of the film are, in fact, the interactions between the two stars The story holds up perfectly and entertains the viewer in every way Martin Brest does bring out the realistic, funny and moving sides of his likable characters Suspense is maintained to the very end
Midnight Run is enjoyable from start to finish. Full of action, humour and entertainment. The pace is so fast and eventful. It doesn't slow down. It is about fight the clock and the audience also experience the rush and thrill. An unlikely and amusing alliance forms between De Niro and his runaway. It also had a nice feel good ending.
Did you know
- TriviaThe boxcar scene--where Jack Walsh (Robert De Niro) and John Mardukas (Charles Grodin) discuss whether or not they could ever be friends--was almost entirely improvised on-set. Regarding Grodin's famous line, "You ever had sex with an animal, Jack?": he was told by director Martin Brest to come up with something that was guaranteed to make even Robert De Niro laugh.
- GoofsThe action in the movie takes them through Amarillo, Texas in the Texas panhandle. Mountains are visible between the buildings in the background. The topography of the panhandle is a flat, treeless plain.
- Quotes
Jimmy Serrano: Is this moron number one? Put moron number two on the phone.
- Crazy creditsIn the opening credits, Robert De Niro's name is spelled Robert DeNiro.
- Alternate versionsTwo cuts to remove lock-picking details were made to the UK video version, which was also upgraded from a 15 cinema certificate to an 18 on video. The British DVD release in 2000 restored the cuts made to previous UK versions.
- ConnectionsEdited into Laser Optics II (1989)
Details
Box office
- Budget
- $35,000,000 (estimated)
- Gross US & Canada
- $38,413,606
- Opening weekend US & Canada
- $5,506,290
- Jul 24, 1988
- Gross worldwide
- $81,613,606
- Runtime
- 2h 6m(126 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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