Touch of Death

A really explicit and twisted film concerning the grisly happenings in which a series killer with a hidden agenda carries out a criminal spree . A violent shocker with level enough on vivid imagery and pure cinematic style in which a nasty murderer executing grisly killings by means of a chainsaw and other criminal methods . Lester Parson (Brett Halsey) is a cannibal psychopath who usually romances and after kidnapping and mutilating wealthy women, committing a series of heinous murders , carrying out serious cuts and beheading . Subsequently , disposing the rest of the unfortunate women in his backyard to his horde of pigs . The peculiar psycho-killer converces schizophrenically with himself via tape recordings of his own voice and along the way he acts as a cook by eating the remains for his dinner . He is also being tracked by Randy , a mean loan shark whom he owes money to after accruing bad gambling debts . For hell! .Depraved - Demonic - Diabolical - And Beyond!

Eerie and creepy thriller with full of killings , loathsome and lots of blood and gore , sexual violence , and abominable murders by means of a saw executed by an ominous psychopath . A typical Fulci butcher's tableau with plenty of explicit scenes of wicked violence , nudism , sheer sensationalism , grisly commerciality and no for squeamish . Here Lucio Fulci directs in his usual style filled with flaws , failures and gaps , but professionally made because being a nice artisan . It has flamboyant imagery , graphic gore and moody atmospherics . Stars veteran Brett Halsey proving an acceptable acting as a middle-aged gigolo who kills women and uses their body parts for trophies and for consumption. Halsey was a beefcake who emigrated to Italy and played a lot of B films , often billed as "Montgomery Ford" . Brett starred as several sword-and-sandal type heroes in including the spectacles ¨The Seventh Sword¨ and ¨The Avenger of Venice" . He also settled comfortably into the fashionable international spy , "spaghetti" western and Giallo genres with a slew of work including ¨Berlín , Spy in Your Eye¨ , ¨Espionage in Lisbon¨ , ¨The Hour of Truth¨, and ¨Kill Johnny Ringo¨. Being accompanied by a fine and attractive support cast of usual Italian B actors , such as : Ria De Simone , Sacha Darwin , Zora Kerova , Marco Di Stefano , and Maurice Poli .

The motion picture was middlingly directed by Lucio Fulci , and being entertaining enough . Fulci was one of the most controversial filmmakers in terror genre. Critics are divided over both the moral and talents of Fulci (1927-1996), who sometimes directed under the alias Louis Fuller. For some reviewers many of his flicks are extremely cruel and savage , yet their gory surface often concealing social, religious , or provoking commentaries or other thoughful , intelligent issues . Nevertheless , most of them considering his works have undeniably provided a considerable influence on the terror genre , creating decent efforts on low budget flicks . Standing out his ¨Don't Torture a Duckling¨ deemed to be one of his best pictures . And in the adventure genre with two financially successful Jack London 'White Fang' adventure movies in 1973 and 1974 which were ¨Zanna Bianca¨, and ¨Il ritorno di Zanna Bianca¨. Also during the mid and late 1970s, Fulci directed some 'Spaghetti Westerns' : ¨Four of Apocalypse¨ (1975) and ¨Sella d'argento¨ or ¨Silver Saddle¨(1978), and another 'giallo' ; ¨The Psychic¨ (1977), as well as a few sex-comedies which include the political spoof : ¨The Eroticist¨(1972) , and the vampire comedy ¨Young Dracula¨ (1975) , and the violent Mafia crime-drama ¨Luca the smuggler¨ (1979) . Furthermore , Sci-Fi and Fantasy genre as ¨Rome 2033: The Fighter Centurions¨(1982) and ¨Conquest¨(1983) . In 1979, Fulci's film making career successfully another high point with him, breaking into the international market with ¨Zombi 2¨ (1979), an in-name-only sequel to George A. Romero's Zombi: Night of the Lving Dead (1978), which had been released in Italy as 'Zombi'. And his big hit ¨New York Ripper¨ , at the time rated as a video nasty , due to it and why the excessive extra violence was heavily cut or prohibited in a large number of countries . With this film established Fulci as a gore director par excellence . Over the next three years, Fulci plied his trade with finesse and flair-play , rivaling even the popularity of his "opponent" the great Dario Argento, with such sanguine classics as ¨City of the Living Dead¨ (1980) , ¨Beyond¨ (1981) , ¨Manhattan Baby¨(1982) . These films are actually intelligently crafted, with sound commentaries on everything from American life to religion. And he went on his fall with lousy movies, but eventually Fulci at least found work in television . Rating : 5/10 . Average , only for Lucio Fulci completists .

Lucio Fulci is one of the leading names in gore-soaked horror cinema, and Touch of Death certainly does that reputation proud! Fulci's films started to get worse as his career progressed (with the exception of the hilarious Cat in the Brain in 1990), and as this film was released in 1988; you can count on it not being as good as his previous output. In fact, with films like Don't Torture a Duckling and The Beyond in mind; Touch of Death is one of Fulci's weaker efforts, but even so - there's plenty here to delight the man's fans. The film is clearly meant to be something of comedy, but the comedy is more of the absurd, over the top variety than one that will have you in stitches. Fulci's use of music helps to instill the absurdity of the film, which sees lonely widower/gigolo Lester Parson taking women home and putting them to use. He likes to mutilate them in horrible ways, such as beating them with a stick and chopping them up with a chainsaw; and just to add to the proceedings, he eats them too. Fulci also installs a subplot about the investigation into the murders, and the murderer's descent into madness.

This film is something a prelude to Cat in the Brain, and it's obvious that Fulci had Touch of Death in mind when he made his self-starring vehicle, as many of the gore scenes from that film are taken from this one. The scenes of gore are really quite nasty, but their impact is lessened by the comic tone. The first scene of gore sees our 'hero' going to work with a chainsaw (surely horror cinema's finest weapon), and then putting the remains of his victim into a meat grinder. Then we are treated to a beating scene (which features some of Fulci's trademark eye violence), a nasty sequence involving a car, a corpse having it's feet cut off and several other scenes along the same line. The film is really dirty; with the poor cinematography adding brilliantly to the overall unclean feel of the movie. The acting is typically low level, but the actors portray their (mostly silly) characters with gusto, and the result is a film that people will like more it's fun value than its credibility. Being a Fulci fan, I am more susceptible to this sort of trash; and I cant really say that non-Fulci fans will get much of a kick out of it.

Lucio Fulci is the kind of director who, years down the road, will achieve the stardom he deserves. As of now, he is pretty much infamous. His later works, especially post 1990, are really pretty bad. In truth, they are no worse than many early 90's American horror films, but the dubbing is so bad that it's hard to take Fulci's later work seriously at all, really. When possible, any 1990's Italian horror movie should be viewed in Italian with English subtitles. They are MUCH better that way.

"Touch of Death" is so funny in parts that I almost peed myself the first time I saw it. The woman's head in the oven, the car mauling, the baseball bat scene...the list goes on from there, trust me. It's got pretty decent gore, too. I'm sure Fulci focused a lot more effort on that than he did on the plot, which is not meant to be taken too seriously. "Touch of Death" is just a fun movie. It's not going to scare you, it might gross you out in some parts though! Watch it with all this in mind, and you'll enjoy it for what it is.

7 out of 10, kids.

I saw this in Japan. My first fully laden gory Fulci, although I had seen a heavily censored version of Zombi a few years earlier. Nonsensical storyline, misogynistic "humour", and poor gore FX. However, the level of sadism in this film is its redeeming factor, if you like that sort of thing.

A killer who sleeps with and then kills women (presumably for their money) is being shadowed by someone who is either copying his murders or placing clues as to his identity at the scenes of his crimes. The movie has a poor narrative so we are never quite sure what the position is.

Well, that's enough of that. You don't get a Fulci film to watch plot but gore, so here goes.....

The first scene consists of our hero chopping up a dead body with a chainsaw, but the body is quite obviously a mannequin loaded with red paint. He is then seen cooking a nice steak (de human) and feeds some to his cat. Other notable gore scenes include a head being microwaved (Fulci was obviously not a physics major nor one who had ever used a microwave before) which again is quite obviously a mannequin and a homeless witness to a murder being run over and over again by a car. This scene is actually quite well done. My favourite scene has to be one where the hero kicks a cat across the room. I put the video in slow motion time and time again looking for strings or any sign of mercy to the poor cat but cannot find any. My conclusion is that the cat was actually kicked across the room to film this scene. No Italian Humane Association involvement here then. To wrap things up is a thoroughly stupid conclusion and explanation for the movie's events.

Notwithstanding that, I think that this film is actually worth seeking out. Not only is it very rare, but it has a high level of violence and doesn't get boring. It is also quite short. Notwithstanding complaints about plot (it has to be said that the story here is one of the worst in Fulci's canon), it is something which you can quite healthily pass an hour or so vegging in front of.

"Touch of Death" is the story of Lester Pearson, a down on his luck gambler whom starts seducing wealthy women with various deformities, then killing them off for a prie fixe lunch of human flesh and cash for his horse racing betting debts.

Fulci has an oft tenuous grasp on his plots, but this has to be the most ridiculously over the top entry in the canon. Though the gore is the usual splatter spectacle (the best of which effects wise is probably the scene where the blackmailing vagrant is run over with Lester's car), it's housed in too goofy of a context to be scary.

After several of the least politically correct murder scenes in film (a bearded lady meets death in a microwave, an inexplicably opera singing widow who solos in her sleep is interrupted by being strangled)and some darkly comic body disposal (complete with silly cartoonish theme music), Lester realizes he has a larger problem than lady killing. An imitator is leaving incriminating evidence at the scene of his crimes that points to Lester. Before long, his picture, modus operandi and DNA genetic code (?!) are being broadcast on the nightly news. Will his latest target ("Cannibal Ferox"'s Zora Kerova) find out before it's too late?

The final twist makes no logical sense and shoestring budget shows, but "Touch Of Death" is a mindless guilty pleasure of Fulci poking fun at himself that will entertain his devoted fans.