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5.1/10
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A moody, middle-aged gigolo kills off women after he gets bored with dating them and uses their body parts for trophies and for consumption.A moody, middle-aged gigolo kills off women after he gets bored with dating them and uses their body parts for trophies and for consumption.A moody, middle-aged gigolo kills off women after he gets bored with dating them and uses their body parts for trophies and for consumption.
Sacha Darwin
- Margie MacDonald
- (as Sasha Darwin)
Zora Kerova
- Virginia Field
- (as Zora Ulla Kesler)
Mickey Knox
- TV Newscaster #2
- (uncredited)
Antonio Maimone
- Guest at Randy's Poker Tablele
- (uncredited)
Maurice Poli
- TV Newscaster #1
- (uncredited)
Featured reviews
A moody, middle-aged gigolo (Brett Halsey) kills off women after he gets bored with dating them and uses their body parts for trophies and for consumption.
Though many fans are divided, generally "Touch of Death" is regarded as a better latter era Fulci film. The overdone black humor touches, "unconvincing" gore effects and baffling ending does turn off some fans. While it is true that some of the film is hard to follow because we are unsure how much is madness and how much is reality, this really is a solid effort from Fulci. And for me, the gore may be unconvincing but still unsettling.
Where does this fit in his overall canon? Not top three, probably not top five, but I would still have to say it is firmly on the top half of Fulci's works. Certainly superior to "Cat in the Brain", which has gotten much more exposure over the years.
Though many fans are divided, generally "Touch of Death" is regarded as a better latter era Fulci film. The overdone black humor touches, "unconvincing" gore effects and baffling ending does turn off some fans. While it is true that some of the film is hard to follow because we are unsure how much is madness and how much is reality, this really is a solid effort from Fulci. And for me, the gore may be unconvincing but still unsettling.
Where does this fit in his overall canon? Not top three, probably not top five, but I would still have to say it is firmly on the top half of Fulci's works. Certainly superior to "Cat in the Brain", which has gotten much more exposure over the years.
For an 80 minute TV flick from Italy you could do a lot worse I'm sure. It's got a made for TV look. I'm guessing it was videotaped rather than filmed since it was made for TV. That is the main downfall in what is otherwise a pretty decent horror flick.
We have some top notch splatter here. Very disgusting and vile. Nothing pleasant whatsoever. But it never really takes itself seriously since it's a black comedy. Portions of the score are good and then portions are atrocious making this TV cheapie seem even cheaper.
Fulci does what he can with the budget and provides some interesting camera work and makes us laugh at some nasty stuff (interesting since Fulci didn't do too many straight up black comedies). As with many Fulci films, the ending leaves one with a feeling of 'WTF?' Which is exactly what we should expect from this king of horror.
Not a great film by any means but if you're a Fulci fan, pick it up.
We have some top notch splatter here. Very disgusting and vile. Nothing pleasant whatsoever. But it never really takes itself seriously since it's a black comedy. Portions of the score are good and then portions are atrocious making this TV cheapie seem even cheaper.
Fulci does what he can with the budget and provides some interesting camera work and makes us laugh at some nasty stuff (interesting since Fulci didn't do too many straight up black comedies). As with many Fulci films, the ending leaves one with a feeling of 'WTF?' Which is exactly what we should expect from this king of horror.
Not a great film by any means but if you're a Fulci fan, pick it up.
"Touch of Death" is the story of Lester Pearson, a down on his luck gambler whom starts seducing wealthy women with various deformities, then killing them off for a prie fixe lunch of human flesh and cash for his horse racing betting debts.
Fulci has an oft tenuous grasp on his plots, but this has to be the most ridiculously over the top entry in the canon. Though the gore is the usual splatter spectacle (the best of which effects wise is probably the scene where the blackmailing vagrant is run over with Lester's car), it's housed in too goofy of a context to be scary.
After several of the least politically correct murder scenes in film (a bearded lady meets death in a microwave, an inexplicably opera singing widow who solos in her sleep is interrupted by being strangled)and some darkly comic body disposal (complete with silly cartoonish theme music), Lester realizes he has a larger problem than lady killing. An imitator is leaving incriminating evidence at the scene of his crimes that points to Lester. Before long, his picture, modus operandi and DNA genetic code (?!) are being broadcast on the nightly news. Will his latest target ("Cannibal Ferox"'s Zora Kerova) find out before it's too late?
The final twist makes no logical sense and shoestring budget shows, but "Touch Of Death" is a mindless guilty pleasure of Fulci poking fun at himself that will entertain his devoted fans.
Fulci has an oft tenuous grasp on his plots, but this has to be the most ridiculously over the top entry in the canon. Though the gore is the usual splatter spectacle (the best of which effects wise is probably the scene where the blackmailing vagrant is run over with Lester's car), it's housed in too goofy of a context to be scary.
After several of the least politically correct murder scenes in film (a bearded lady meets death in a microwave, an inexplicably opera singing widow who solos in her sleep is interrupted by being strangled)and some darkly comic body disposal (complete with silly cartoonish theme music), Lester realizes he has a larger problem than lady killing. An imitator is leaving incriminating evidence at the scene of his crimes that points to Lester. Before long, his picture, modus operandi and DNA genetic code (?!) are being broadcast on the nightly news. Will his latest target ("Cannibal Ferox"'s Zora Kerova) find out before it's too late?
The final twist makes no logical sense and shoestring budget shows, but "Touch Of Death" is a mindless guilty pleasure of Fulci poking fun at himself that will entertain his devoted fans.
I was actually very pleasantly surprised. I didn't go into this expecting much as i've never been a huge Fulci fan, but I do enjoy him, and as far as Fulci this probably had tighter editing and a more straightforward storyline than anything else I've seen by him. The 'twist' was obvious the entire time but it didn't make the film any less enjoyable and there were no plot holes- maybe a first for him?
This film was less surreal than most and mainly focused on dark comedy and a simple crime tale, not much in the way of sets or cinematography, but it did what it set out to do, and with less stumbling than I've come to expect from the 'godfather of gore'.
All in all a worthy watch if you can get your hands on the BluRay edition.
Lucio Fulci, a director not exactly renowned for his subtlety, ill-advisedly tries his hand at black humour in Touch of Death, a made for TV movie about Lester Parsons (Brett Halsey), a psycho who seduces and murders rich widows in order to pay his gambling debts.
Starting off with a wonderfully gory scene in which the lethal lothario disposes of his latest victim via chainsaw, mincing machine and hungry hogs, Touch of Death starts promisingly enough, but Fulci soon loses control of proceedings, introducing a weird sub-plot involving a mysterious copycat killer and some heavy handed 'comedic' scenes. There are several more graphic murders which, in true Fulci fashion, are extremely violent and gruesome, but even the high level of bloodletting doesn't stop this from being one of Fulci's poorer efforts.
As I have found with many of his other movies, a comprehensible storyline is not exactly high on the agenda when Lucio is behind the camera. This film has many peculiarities which left me more than little perplexed: why didn't Lester dispose all of his victims using the dismemberment method seen at the beginning? Why are all of his victims either hairy or disfigured? What the hell is that ending all about?
Fulci is considered by many to be one of the 'greats' of horror cinema; I don't understand his popularity, finding the majority of the films of his that I have seen so far to be generally lacking both decent narratives and technical proficiency. Touch of Death certainly does nothing to change my opinion.
Starting off with a wonderfully gory scene in which the lethal lothario disposes of his latest victim via chainsaw, mincing machine and hungry hogs, Touch of Death starts promisingly enough, but Fulci soon loses control of proceedings, introducing a weird sub-plot involving a mysterious copycat killer and some heavy handed 'comedic' scenes. There are several more graphic murders which, in true Fulci fashion, are extremely violent and gruesome, but even the high level of bloodletting doesn't stop this from being one of Fulci's poorer efforts.
As I have found with many of his other movies, a comprehensible storyline is not exactly high on the agenda when Lucio is behind the camera. This film has many peculiarities which left me more than little perplexed: why didn't Lester dispose all of his victims using the dismemberment method seen at the beginning? Why are all of his victims either hairy or disfigured? What the hell is that ending all about?
Fulci is considered by many to be one of the 'greats' of horror cinema; I don't understand his popularity, finding the majority of the films of his that I have seen so far to be generally lacking both decent narratives and technical proficiency. Touch of Death certainly does nothing to change my opinion.
Did you know
- TriviaThe blackmailing vagrant has an omega tattooed on his forehead, in imitation of Charles Manson's swastika.
- GoofsWhen Lester shoves woman's head into the oven, it melts, which wouldn't happen because her skin instead would start to get burned.
- ConnectionsEdited into A Cat in the Brain (1990)
Details
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- Also known as
- When Alice Broke the Looking Glass
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- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 26m(86 min)
- Sound mix
- Aspect ratio
- 1.33 : 1
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