Common Threads: Stories from the Quilt

This documentary accomplishes what most films sent out to do; move and transform audience members. What we have here is a remarkable movie which managed to change the way people viewed the AIDS crisis.

The success of the film's impact lies in its structural simplicity; we hear from the survivors of AIDS victims in ways which humanize their suffering.

Much has been written about the haunting musical score.

I had one slight problem with the film; its Amnerican-centric message. I wish the filmmakers would have paid more attention to the subject matter by giving us more of a world-view. This would have increased the film's credibility.

However, this is a quibble. What we have here is a motion picture which gives lasting testament to the personal courage exhibited by both victims and survivors.

I am a health teacher who has used this film many years ago..but had thought it might have been too old to use now. But after giving it a lot of thought, NOW is the time to show the film more than ever as kids today (and many young adults) do not know the history of the HIV/AIDS epidemic and how those caught up in the early stigma filled days, coped with the disease. Of course stigma still exists around the subject, but this movie brings a compelling human face to the tragedy and neglect that was brought about through ignorance and prejudice.

The haunting images of the past, coupled with the story telling, create a 'must view' for today. As others have said, it packs a powerful punch, so be aware of the difficult outcomes of those involved. This film is definitely 'one for the ages'...

I was on staff at the Names Project during the making of this film and am honored to have been so. This film won the 1989 Academy Award for Feature Documentary. As has been stated by others, this is not an easy film to see, but I would encourage anyone who wants a greater understanding of the devastating impact of AIDS to view it. To have worked in the Names Project workshop and seen firsthand the care and love poured into each panel of the quilt was both a privilege and, ultimately, a devastating experience. Some of the people I worked with there are now gone - died of AIDS themselves - and I still think of them and miss them. See this film.

As for the comment about a world view, the film does mention some worldwide statistics. However, one of the main points of the film is that the United States government was abysmally slow in its response to the AIDS epidemic - so there is a reason for the focus on the U.S.

Don't take this film lightly. It has to be one of the most heart-breaking films ever made. I saw this only once - 9 years ago! - and to this day, I still have Bobby McFerrin's depressing little theme in my head. Don't plan on doing much after this has ended. It's like SHOAH packed into less than 90 minutes. I never thought the presence of something so stupid as Alf (from the sitcom) could bring tears to my eyes. See this and find out why.

I'm shocked and saddened that I'm only the 9th person to vote for this film.

Every life has a story. Here are a few of the stories of people who died from AIDS, told by their survivors.

More than three quarter of a million Americans have died from AIDS since we began to notice it, about forty years ago. Worldwide, the figure seems to be a bit more than 40 million. Do a little math, and we as a nation look lucky. Human lives are not measured statistically, and people do not die by nations, but individually. Try to speak of the enormity of something, saying eighty million people have died from AIDS, or 6.9 million from COVID-19 or what have you and the horror and sadness gets lost in the the crowd. But one by one, with those they leave behind to assess the values of those lives. "My son died"; "My lover died"; "My friend Jim died": these are the words that make me weep. That's why this movie is so effective.