Time of the Gypsies

In Russia we have a fine 300 minutes (without kidding) DVD release of the movie (the "director's cut"?). It has its moments. The first part is hilarious and witty. The second one is absurd and insane. The third is depressing and scary. The forth is enterprising and weird. The last one is violent and tragic. To crown it all, the only reason that this feature is an outsider (it is not in IMDb top 250) seems to be the following: not many people saw it.

It doesn't look like fiction. It feels quite gritty and has very adult topics. The Gypsies look and act like Gypsies (well, at least to my taste and knowledge). There was once a serial on Russian TV called "Karmelita", where the Gypsies were shown civilized, snobbish, stylish in their dressing, good-looking, etc. They were talking and talking (in pure Russian, of course, phonetically perfect), showing a little bit more emotion than lamas (sorry my exaggeration). Personally, very thankful to my relatives that they did not spend their precious watching that never ending fiction. The title song in that "Gypsy" serial was sung by Mr Nikolay Baskov (a real "Gypsy" with blond hair). It lasted as long as 200+ parts mixed with good portion of commercials. Instead of prolonged showing of the "epic" "Karmelita" our TV should have shown "Dom za vesanje". On the other hand, they would have spoiled the whole movie by pushing commercials into it. So, let the matter rest.

The only really bad thing about "Dom za vesanje" movie seems to be the way of its DVD presentation: after the end of each part there is a kind of sketch of the next one before the credits roll over. These spoilers are not enjoyable.

Still it also has some minor drawbacks. To me they are camera-work and the absence of powerful scenery shots, i.e. the lack of the contrast and the ability to see what happens in good detail.

An 8 for this poesy of human existence in hellish surroundings will do. Thank you for attention.

'Time of the Gypsies' is a big, full movie.

It is full in the way a magic realism novel is full, with its intergenerational cast of characters; its vivid sense of place, the weather and community life, where private is always public, where joy and tragedy are inextricable; where magic, dream and delusion are indistinguishable.

It is full in the Fellini sense, with its grand, often hallucinatory, set pieces; its profusion of grotesques; its bursting compression of many plots; its general noisiness.

It is one film containing many simultaneous films (a gangster film; a surreal road movie; a romantic comedy; a rites-of-passage; a Christian allegory).

It somehow feels a little thin, like a tapestry of chunks from a massive novel. It is certainly a prime example of retrospective dating - at the time it seemed a masterpiece; over a decade on, it's pastiche Kusturica.

This movie shines as an example of pure art in cinema. So powerful with symbolism and story telling, "Time of Gypsies" delivers amazing performances on acting, settings, musical scores, and overall directing.

In year 1988, this movie was one of the most awaited films in the Istanbul International Film Festival. I was one of the lucky ones who had a ticket for the film. When the show time arrived, it was obvious that there was a problem since the film did not started. A lady from the festival committee came to the stage announcing their appology and explaining what the problem was; they were expecting the copy of the film from the its distributor in USA. Unfortunately there was a logistics problem, so they had to get it directly from Yugoslavia. When the festival organisation put their Yugoslavian translators at work they did not understand which language it was! And a cleaning lady, who was an actual gypsy figured out that the movie was in Gypsy language. So it was not possible to translate it for the festival.

So they offered an apology and refund in case anybody did not want to watch it without subtitles.

Nobody left the theatre. We watched the movie without understanding a word. But, at the end there was a standing ovation at the theatre went on for a couple of minutes.

This is the kind of movie I cannot forget. Well, to be honest, the reason why I watched it was to see my girlfriend, who suggested to watch it at her's. I wasn't really impressed by the movie and I thought it'd be another of those I'd forget about. And I wouldn't comment on it if there wouldn't be something special to it. I just keep thinking about it again and again, and I get the feeling it wasn't so boring as I thought. That's exactly what I find interesting. There are movies which you think are bad, and forget about them. There are movies where you see they are great and you never forget them. And there are movies which you think they haven't impressed you at all, but after some time you still think about them and you keep remembering them whether you like it or not. And eventually you find that they were quite good just the way they was. And so is this movie. What it wants to tell you is not the story it tells - a story which you may find uninteresting, longish, alien, of no matter to you. This film wants to give you an impression of the Gypsy way of life. And after seeing it and thinking about it, you feel like understanding the Gypsies somewhat more.

Dom za vesanje is not a movie that an average viewer can comprehend thoroughly, but this doesn't change the fact that it's a masterpiece. Emir Kusturica's storytelling requires some talent, intelligence, and flawless attention to follow and understand correctly, nonetheless it's absolutely unique and fantastic. I would never ever have thought I'd enjoy seeing the world through Yugoslavian gypsies' eyes, but it turned out to be possible so long as it's Kusturica who opens the window. Goran Bregovic's adorable tunes suit the movie perfectly fine too. This movie was one of those that strengthened my opinion which states European movies are a billion times better than American movies. Thanks to Kusturica and Bregovic for producing such a beauty. A perfect 10 for the cast as well.