Dr. Caligari

This is unquestionably a WTF film. One of those strange films that seem made precisely to test the viewer's resistance to absurdity.

Loosely inspired by Robert Wiene's 1920 classic, takes from it, in addition to the name, a vague inspiration in the expressionist sets of the time and the surrealist theme.

With bright, plasticized colors, and an eroticism worthy of a Rocky Horror Picture Show, it misses, however, the music, the main attraction of the cult gay musical from the seventies. Here, we have some very eighties electronic sounds, which do nothing to help a weak and totally absurd script.

However, there remains a visual richness, in the sets, in the wardrobe, even in the surreal exaggeration with which some characters are embodied.

For some it will be enough to make a cult film. For me, however, it is complete nonsense and a waste of time.

It's better to see Rocky Horror Picture Show again, it's much more fun and above all, it has a memorable soundtrack and characters.

I first saw this movie when I was about 14. I didn't really get it. It was definitely...different. Anyway, years later I had help from Mr.Leary's friend and finally figured out what it was about. It's about screwing with your head and making you enjoy it. Great impressionist sets and lighting. Truly bizarre acting and dialogue. Sometimes someone will just pop out of the bottom of the frame, say something and then drop back out of frame. The days of enhancing my viewing experiences are over, but I carry many fond memories of this film with me. Good luck finding a copy...a used one is your best bet.

I absolutely love this movie. It has so many different levels to appreciate. Besides the main twisted storyline that should make any cult movie lover wriggle, there is an interesting use of colors in the film (bright pinks, neon yellows, etc) that reminds me of the Dick Tracy movie. It is also just full of catty one-liners that my friends and I use all the time (i.e., "I know what it's like when a girl needs her prescription filled." and "Ms. Koombs is less aware than the chair that you're squirming in now."). With the strong sexual themes and partial female nudity, I often refer to it as an "art film". I have watched this movie over thirty times, and I still find new symbolism and hidden meanings when I view it each time.

I feel that this movie would especially appeal to fans of the John Waters films (Pink Flamingos, Female Troubles, Desperate Living, etc), but if you're offended by sexual discussions involving drag queens and lesbians, this is NOT the movie for you.

This is the visual equivalent of an acid trip. A giant tongue attached to a wall licks a writhing lady. Another woman pops out of nowhere in various scenes saying "Chinchilla! Chinchilla!", then disappears. It is one of the most original movies I have ever seen, you are in for a very different experience if you can get your hands on a copy. You will never ever forget this one....

This is definitely one of the strangest alt-indie-freak films I have seen. The characters are almost caricatures, but their actions are choreographed with their lines as they pose around each other.

Madeline Reynard is electrifying as Dr. Caligari, a descendant of the infamous Caligari. She is working on an insidious plot to transfer personality traits between patients in a mental hospital by swapping brain fluids. Her plans go awry when some staff members catch on and she uses a cannibalistic masochist (Shivver Boy) in her experiments.

I definitely recommend this movie for your collection, if not to scare your "normal" friends but for the giant latex tongue.